120 battiti al minuto

Dear movie freaks, yesterday I went to film festival and I choose to watch this movie because of a reason: I already brainwash by Hollywood, so I want to watch other movie. This one is coming from France. As far as I know about French movies, they are sarcastic, well-presented, full of sex scenes, and shows the reality or humanity of marginalized people, and sometimes have clear ending. This movie 120 BPM has contributed to value up French movies this year and I do not so surprised if this movie was appreciated in Festival de Cannes. 120 BPM is a movie about the movement to prevent AIDS in the early 1980s in France, where at that time condoms were uncommon, despite of free-sex society. The scenes, cinematography, and main story about this movie is quite simple, but sharp in giving meaning, so that in each take, they have grammar of the scene and I could imagine they had shooting in many angles, as this movie could represent AIDS prevention in every angle of the story. Just like other French movies, this movie has sex scenes and hard language, so that if there are teenagers with you, I suggest you to explain more. The Director here also gives some real footages of the movement, so audience could have mental image of what was going on at that time, especially from the sad scenes, audience will remember the whole story as the critic for French government at that time (the President was Francois Mitterand, from French Socialist Party). Quite different from Brave Heart, this movie also wanted to say the AIDS prevention movement is for everyone, not for leftist people and I think this clear idea that had been founded the acting of all actors of this movie, deserve a high acclaim from many film festivals, including film festivals in Indonesia, my hometown. Thank you for 100% Manusia, an Indonesian NGO, who deliver this movie to our eyes.

This film remains timely despite it's historical perspective of French Protesting to advance HIV research and viable medical treatment. Funding is always precarious as politics, stereotypes and access to prevention remains limited almost 40 years later. Definitely a film to see.

A story with a particular historical moment in mind has been rendered timeless. A random first generation Gameboy generates a temporal whiplash, as the film's events are portrayed as contemporary catastrophes. Silence equates to death, and the team meeting in a college lecture hall has dwindling numbers, yet deafening shouts.

A prejudicial plague scorches France, bringing an already tight-knit community into a blood brotherhood. ACT UP is a guerrilla group full of eventual corpses. The HIV epidemic has threatened their love and survival. Pharmaceutical companies have cubical indifference as antidotes are sluggishly distributed by financial logistics.

As the non-violent vigilantes face just as many internal conflicts as press-generated woes, their operations grow in scale and creativity. Their weekly conferences have an intentional cadence complete with respectful snaps, hisses, and hand signals designed to facilitate the mutual understanding that has gone extinct beyond the university walls.

Sean is one of he founding members, and has some of the worst test results. He is the loudest in any given demonstration, and celebrates harder than all his peers. ACT UP is Sean's final lifeline, and his involvement resounds as a funeral dirge among a thunderous parade.

Campillo has delivered another dialogue driven barrage of human desperation. The sprinkling of establishing shots offer a reprieve from the claustrophobic disputes between the positives and the businessmen impartial to death. An important angle to an understated tragedy that shaped legislation in the most vital ways.

I feel like there have been many films with a similar premise to this, but this one really stands out in its execution. It manages to be both an intense, sensitive character study and a grander film about the scope of a very important political movement. The direction is really fantastic, and while I think the film is longer than it should be, the performances really make the whole thing worth it. They are fantastic.

Tragic account of the early 90s AIDS epidemic, and the actions of a group of activists in Paris. It's a very dialogue heavy film but also intertwines a tender love story. Nahuel Pérez Biscayart is absolutely astounding as 'Sean'. And the acting is so hugely impressive across the board, it almost feels like the viewer is attending the activists weekly meetings at times. A powerful film.