VALUTAZIONE IMDb
6,8/10
1662
LA TUA VALUTAZIONE
Un cortometraggio sugli eventi a seguito di un omicidio.Un cortometraggio sugli eventi a seguito di un omicidio.Un cortometraggio sugli eventi a seguito di un omicidio.
Michele Carlyle
- Woman
- (non citato nei titoli originali)
Stan Lothridge
- Cop
- (non citato nei titoli originali)
Russ Pearlman
- Dead Son
- (non citato nei titoli originali)
Pam Pierrocish
- Mother
- (non citato nei titoli originali)
Kathleen Raymond
- Woman
- (non citato nei titoli originali)
Dawn Salcedo
- Woman in Tank
- (non citato nei titoli originali)
Clyde Small
- Father
- (non citato nei titoli originali)
Recensioni in evidenza
Of all the shorts David Lynch have made, this is my favorite one, managing to encapsulate many key elements from his weird creative universe in merely one minute.
I kinda wish Lynch had made this a series, similar to Twin Peaks.
I kinda wish Lynch had made this a series, similar to Twin Peaks.
"Premonitions Following An Evil Deed" is a fifty-five second long film produced by David Lynch as part of a collection that celebrated the Lumiere brothers invention of the first motion picture camera.
Lynch and his thirty-nine colleagues were commissioned to use the original wooden camera and make a movie akin to the kind the Lumiere brothers made. The filmmakers weren't allowed to use sound, and the films they produced had to use a continuous shot captured in no more than three attempts.
I've watched the movie a few times now and I can't really say what it's about. We see three policemen coming to the body of a man lying on the ground. A woman - perhaps the man's widow - is shown at home, turning her head perhaps in response to a phone call or house call of the police telling her what has happened. Then we cut to some kind of underground laboratory where we see a nude woman in a glass tube while scientists work around her. Then we go back to the woman's house, where she receives the cops we saw at the beginning, and then it's over.
What was the deal with the nude woman in the lab? I didn't understand that part.
I don't know what to say about this one. I guess it succeeds at what it was supposed to do. It's only really of interest to diehard Lynch fans, though, like the previous short of his I saw, "The Cowboy and the Frenchman", which was also made on commission.
Since Lynch made this on commission for other people's projects, you can't critique them too harshly. But nor can you really recommend them.
Lynch and his thirty-nine colleagues were commissioned to use the original wooden camera and make a movie akin to the kind the Lumiere brothers made. The filmmakers weren't allowed to use sound, and the films they produced had to use a continuous shot captured in no more than three attempts.
I've watched the movie a few times now and I can't really say what it's about. We see three policemen coming to the body of a man lying on the ground. A woman - perhaps the man's widow - is shown at home, turning her head perhaps in response to a phone call or house call of the police telling her what has happened. Then we cut to some kind of underground laboratory where we see a nude woman in a glass tube while scientists work around her. Then we go back to the woman's house, where she receives the cops we saw at the beginning, and then it's over.
What was the deal with the nude woman in the lab? I didn't understand that part.
I don't know what to say about this one. I guess it succeeds at what it was supposed to do. It's only really of interest to diehard Lynch fans, though, like the previous short of his I saw, "The Cowboy and the Frenchman", which was also made on commission.
Since Lynch made this on commission for other people's projects, you can't critique them too harshly. But nor can you really recommend them.
I adore David Lynch. I have no idea why he did this film. Sometimes I think he is putting us on with these vignettes that the average person could say, "I bet I could do much better, given the opportunity." But we don't. This is one minute from the discovery of a murder victim to the telling of her family. OK. Now what?
Lo sapevi?
- QuizPart of the film "Lumiere and Company". For the 100 year anniversary of the Lumiere camera, forty directors made one minute film segments using an original restored Lumiere camera. The ground rules were rigidly enforced: a continuous shot to be captured in a maximum of three attempts, no artificial light sources, no sync sound, and that this shot last a maximum of 55 seconds (the length of one reel of film for the camera). Lynch's short cost around $6000 to film and involved several different location changes. He skirted the rules by using his allowed three takes to close the shutter on the camera and move to a different set, thus creating the appearance of five different locations edited together.
- ConnessioniEdited into Lumière and Company (1995)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Premonition Following an Evil Deed
- Luoghi delle riprese
- Sunland, Los Angeles, CA 91040, Stati Uniti(D'Amico Farm)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 minuto
- Colore
- Proporzioni
- 4:3
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Divario superiore
By what name was Premonitions Following an Evil Deed (1995) officially released in Canada in English?
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