Jasper Jones

I read this book after seeing Belvoir's mesmeric stage production, which so perfectly captured the claustrophobia of a small town in Western Australia in the 1960s. No movie was ever going to manage that and, as much as I love Toni Collette and Hugo Weaving I would have loved to see the same cast in the movie as I saw onstage. That said I couldn't help but become entwined in the lives of these young people and their community. Themes of racism, domestic violence and marriage breakdown are handled openly but sensitively. This story reminds of another favourite, 'The Curious Incident of The Dog in the Night Time'. If you like this book then I recommend 'Jasper Jones'.

My wife and I watched this movie at home on DVD from our public library. It is mostly unmemorable but has a number of good actors in it.

Set in a small Western Australia community, Corrigan, it is 1969 and some locals have lost sons in the war in Vietnam. This creates some racial tension with a local Vietnamese family.

Jasper Jones is a teenage boy living there, he is mistrusted because of his mixed race heritage, a white father and an Aboriginal mother. He is also angry because of the way he perceives himself.

The boys stumble upon a person hanging from a tree, they quickly assume it is the work of the old man that people whisper about.

So the movie is sort of a slice of life in this community, how people behave and react to what is going on. And the resolution of circumstances involving the deceased. Plus young Charlie's coming of age.

It is an interesting 1.5+ hour movie.

This is a good drama. There are some mysteries that keep it interesting, however I wish it tied things up a little more with the subplots. It left too many things unanswered. I guess for us to make our own assumptions, but I like things more buttoned up.

Great acting from Toni Collette!

When a bookish teenager helps solve a mystery death to avoid his aboriginal friend being blamed, he digs deep to find the courage to sort out the mess of his family and friends' lives.

Set in a rural 1960s town, a young Levi Miller takes a worthy turn at a Mark Twain style hero who, sustained by a childhood wonder about important things like Batman's superpowers, is caught up in a tragedy which uncovers far more about the dark nature of people than any child should know. Toni Collete as a depressed mother and Hugo Weaving as a the town's recluse give the story emotional depth, and director Rachel Perkin brings out the simmering malevolence in an everyday setting.

Based on a contemporary novel, the casual racism and intolerance is particularly relevant to our times. Worth seeing for- Levi Miller & Hugo Weaving. 8/10

Craig Silvey's bestselling novel Jasper Jones has been lauded for its deft exploration of racial tensions and small town prejudices through the lens of a coming of age tale and a who-dun-it mystery. While the big screen adaptation, which Silvey co-scripted, retains much of what made the novel a hit, its loosely structured narrative doesn't translate quite as effectively on the silver screen.

Set in the small mining town of Corrigan, Western Australia in 1969, Jasper Jones tells the story of bookish 13 year old, Charlie Bucktin (Levi Miller). One night an Aboriginal boy by the name of Jasper Jones taps on his bedroom window asking for help. Startled by his sudden appearance but persuaded by his desperate pleading, Charlie agrees to follow Jasper into the woods to the gruesome sight of a dead young girl hanging on a tree branch. Jasper makes it clear to Charlie that he didn't kill the girl and reveals that he was in a relationship with her. The only problem is that he doesn't want to go to the police for fear that their racist attitude will see him unjustly blamed for her death. Charlie, who believes Jasper and is eager to help him, agrees to hide the body in a pond nearby and to keep their discovery a secret.

Unfortunately what should have been a good set-up for a mystery film lacks one crucial element: there's no reason to suspect foul play in regards to the girl's death. When we first see Laura's body hanging from the tree, there's a more obvious conclusion to be made. Jasper instead begins to make up stories surrounding her death and centers on the idea that an old recluse, Mad Jack Lionel (played by the excellent but criminally underused Hugo Weaving), must have murdered her. Charlie believes Jasper, as there have been rumours that the old man has done bad things in the past, but there's not enough reason for the audience to suspect the old man's involvement in matters. The suspicion surrounding her death seems only to exist only in the eyes of the children and this robs the film of much of its tension, particularly towards the end of the film when the kids finally decide to confront Mad Jack.

However, the confrontation still ends up being the stand out moment in the film as it results in some startling revelations about Jasper Jones as a character. It's a well-crafted dramatic scene that is only undermined by its lack of cohesion with the rest of the film. For most of its running time, the film weaves together a collection of different subplots and side stories revolving around Charlie's life, including his parent's rocky marriage and his growing feelings towards local girl Eliza (Angourie Rice). Jasper only periodically intersects with the narrative and he remains a largely passive character, disappearing for large swathes of the film at a time. When the ending sharply puts the focus back on him, it feels forced and disjointed; not allowing the revelation to hit with the devastating impact the film is clearly striving for.

That's not to say that the film doesn't have its moments but overall Jasper Jones feels like an amalgamation of disparate parts that only come together under the broad hat of a coming of age story. There's a bit of everything: a touch of mystery, a pinch of comedy mixed in with a bit of family drama and racial tension. While parts of it work well, they never really come together cohesively, making the whole feel less than the sum of its parts.