VALUTAZIONE IMDb
5,9/10
2139
LA TUA VALUTAZIONE
Samuel è un ragazzo paraplegico che vive con sua madre Elena in una dimora isolata. Quando incontra Denise, trova la forza di aprirs. Lei non lo lascerà andare facilmente, ed è pronta a fare... Leggi tuttoSamuel è un ragazzo paraplegico che vive con sua madre Elena in una dimora isolata. Quando incontra Denise, trova la forza di aprirs. Lei non lo lascerà andare facilmente, ed è pronta a fare tutto il necessario per fermarlo.Samuel è un ragazzo paraplegico che vive con sua madre Elena in una dimora isolata. Quando incontra Denise, trova la forza di aprirs. Lei non lo lascerà andare facilmente, ed è pronta a fare tutto il necessario per fermarlo.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
Justin Korovkin
- Samuel
- (as Justin Alexander Korovkin)
Recensioni in evidenza
Let's be clear: horror is a genre that in Italy has been forgotten for about 20-25 years.
After ancient glories and masterpieces signed by worldwide-acclaimed masters such as Argento, Fulci, Avati and Bava, horror cinema seems to have totally disappeared from national screens.
Roberto De Feo's "The Nest" is the breath of rebirth and resurrection of a long forgotten genre. The Nest is a horror that does not point to fear or disgust with particular visual artifices, but adheres to a more suspended, obscure and implicit line like Robert Eggers' "The Witch". Except for two or three visually more decisive and explicit sequences (placed however in a timely manner and not inopportune) it is a film that is based on dark atmospheres, on a sense of anguish and on a feeling that something strange is about to occur. It is a horror that also presents very delicate sequences, not trivial and well cohesive with the rest of the work. A fairly predictable end, however, if one takes into account the clues given here and there in the film and the narrative evolution of the story. An ending that presents nothing innovative, but well cohesive with the premise built by the film.
On a technical level, it presents a really beautiful and extremely accurate photography, moreover being a horror, and an Italian horror. From the directorial style it would be very plausible to believe that it is an Anglo-Saxon or American production. De Feo's direction is obscure, punctual, precise, elegant, enveloping but also sufficiently detached. Actorial evidence is positive on the whole, except for some high and low of some actors.
The Nest could be the rebirth of a new wave of Italian horror, and I sincerely hope that it is not a beacon of darkness destined, inexorably, to go out to make a long-forgotten genre return to oblivion.
7.5/10
Roberto De Feo's "The Nest" is the breath of rebirth and resurrection of a long forgotten genre. The Nest is a horror that does not point to fear or disgust with particular visual artifices, but adheres to a more suspended, obscure and implicit line like Robert Eggers' "The Witch". Except for two or three visually more decisive and explicit sequences (placed however in a timely manner and not inopportune) it is a film that is based on dark atmospheres, on a sense of anguish and on a feeling that something strange is about to occur. It is a horror that also presents very delicate sequences, not trivial and well cohesive with the rest of the work. A fairly predictable end, however, if one takes into account the clues given here and there in the film and the narrative evolution of the story. An ending that presents nothing innovative, but well cohesive with the premise built by the film.
On a technical level, it presents a really beautiful and extremely accurate photography, moreover being a horror, and an Italian horror. From the directorial style it would be very plausible to believe that it is an Anglo-Saxon or American production. De Feo's direction is obscure, punctual, precise, elegant, enveloping but also sufficiently detached. Actorial evidence is positive on the whole, except for some high and low of some actors.
The Nest could be the rebirth of a new wave of Italian horror, and I sincerely hope that it is not a beacon of darkness destined, inexorably, to go out to make a long-forgotten genre return to oblivion.
7.5/10
It is a pleasure to see films of this genre in the Italian panorama. The Nest is directed by Roberto De Feo, here at his first rehearsal as a director. In some places we see that this is his debut film but otherwise he has an excellent staging where the jumpscares are not the tension but the gothic atmospheres and the fact that there is a mystery behind the whole.
Excellent the cast, chosen with great care and above all excellent the ending that initially may leave you perplexed but, observing the film, the dialogues and certain enigmatic scenes, we can understand that that ending was well studied.
Recommended!
I do not understand the high ratings regarding this movie; I'm truly at a loss.
People want to call this movie an aesthetically, beautiful, dark and intelligent, slow burn, when in reality it's simply long, boring, and wasteful.
There is so much of nothing going on for an hour and a half, no explanation as to the motives of the psychotic mother, the brain numbing pace, the child who is so micromanaged you began to wonder if he's truly brainwashed, or just stupidly compliant.
The scenes are so long and drawn out without any cohesive understanding as to what prior scenes have to do with what is currently happening.
Just gloom, doom, an overly dominant mother, the other psychotic character, the doctor, and household staff who wander around, terrified, of who knows what.
And, that ending. Really? Surely the producers could have given better subtle cues within the movie, so when the end comes you're prepared for it all to make sense. No. You're just left scratching your head going, huh? With all that said, after the big reveal at the end, (you still hate the mother) you'd think the mother would've wanted that kid to walk... but, you have to watch it to understand what I'm saying; or just watch 30 minutes then fast forward to the end, and ask yourself it it was worth fast forwarding, or sitting through all the drivel.
People want to call this movie an aesthetically, beautiful, dark and intelligent, slow burn, when in reality it's simply long, boring, and wasteful.
There is so much of nothing going on for an hour and a half, no explanation as to the motives of the psychotic mother, the brain numbing pace, the child who is so micromanaged you began to wonder if he's truly brainwashed, or just stupidly compliant.
The scenes are so long and drawn out without any cohesive understanding as to what prior scenes have to do with what is currently happening.
Just gloom, doom, an overly dominant mother, the other psychotic character, the doctor, and household staff who wander around, terrified, of who knows what.
And, that ending. Really? Surely the producers could have given better subtle cues within the movie, so when the end comes you're prepared for it all to make sense. No. You're just left scratching your head going, huh? With all that said, after the big reveal at the end, (you still hate the mother) you'd think the mother would've wanted that kid to walk... but, you have to watch it to understand what I'm saying; or just watch 30 minutes then fast forward to the end, and ask yourself it it was worth fast forwarding, or sitting through all the drivel.
I gave this film 3 stars purely for the atmosphere of the film. Otherwise, it a long and tedious and seemingly endless all leading to a pretty lousy twist at the end that did not warrant the long and strange storyline to build up to it.
It is listed as a horror story, but except for the twist there is NOTHING horrific in it except for extremely creepy mother and extended family and their bizarre ways.
The characters are all pretty creepy, not in haunted or supernatural ways, but in reflecting people who make your skin crawl with their personalities.
Even the boy comes across as a sinister figure, although he is not. The story makes him a tragic figure and one deserving of the viewers sympathy, but the way he is played and his dialogue makes one feel unsettled by him.
It is not horrible, but you choose to watch it keep No-Doz and strong caffeinated coffee handy to keep you awake till the end!
It is listed as a horror story, but except for the twist there is NOTHING horrific in it except for extremely creepy mother and extended family and their bizarre ways.
The characters are all pretty creepy, not in haunted or supernatural ways, but in reflecting people who make your skin crawl with their personalities.
Even the boy comes across as a sinister figure, although he is not. The story makes him a tragic figure and one deserving of the viewers sympathy, but the way he is played and his dialogue makes one feel unsettled by him.
It is not horrible, but you choose to watch it keep No-Doz and strong caffeinated coffee handy to keep you awake till the end!
Lo sapevi?
- QuizAbout her nude scene, Francesca Cavallin said, "We were already in Turin, and Roberto [De Feo] says to me, 'Before we start shooting I have a request to make of you, something personal. I have already talked about it with the production and the premise is that the final decision is yours. I've been thinking a lot about the scene where you cut yourself (I was originally supposed to be sitting on the edge of the bathtub, dressed, and he would start from the trickle of blood and go back up to me), and I'm asking you to do it nude. It's a nude that makes sense though, for the scene, for the character and her private moment. For me it would be much stronger, however, I defer to you, because it was not in the script.' I answer him, 'Roberto, for me nudity -if it makes sense- doesn't involve any problem. My body is my instrument, I am an actress.' Then we start talking about the scene, which was originally supposed to have me sitting, or semi-sitting, while cutting myself. Then I reflect on it and say, 'I have a proposal: what if I were in the fetal position? For a character like Elena, the most private moment, of returning to the essence, must correspond to a return to the uterine environment, to a condition of absolute protection from the outside world. In my opinion, for Elena there is no greater intimacy. And you should frame her from above, naked, inside that tub' The result was stylistically and visually perfect. It is a nude, but one of extraordinary elegance. And I was blown away when I saw the camera movement he did, 180 degrees. After he finished, he made a point of showing me the shot."
- Colonne sonorePiano Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight'
Composed by Ludwig van Beethoven
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- Sito ufficiale
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- The Nest
- Luoghi delle riprese
- Aziende produttrici
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Botteghino
- Budget
- 1.300.000 € (previsto)
- Lordo in tutto il mondo
- 5504 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Proporzioni
- 2.39 : 1
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