Polo Nord: Il potere magico del Natale

Did find myself liking the first 'Northpole' film, although it had its issues and wasn't great. Had mixed expectations for its sequel 'Northpole: Open for Christmas', it was so great to see Bailee Madison (who made the first film) back but Hallmark have varied quite wildly with its sequels. Some are good, others are mediocre at best. Of Hallmark's Christmas films, some surprised me, being genuinely likeable and an easy watch without being cheesy or too sentimental regardless of how predictable they are. Others made me cringe, went too far on the sugar, lacked any surprises or anything even and were of bad quality.

'Northpole: Open for Christmas' is one of those films that is somewhere in between. As far as Hallmark's 2015 Christmas output goes, it's not one of the best or one of the worst. Pleasant enough if unexceptional middling if anything. The concept did sound very nice and cute and there are a couple of improvements (Robert Wagner's phoned in performance in the first isn't missed), but there are a couple of things also done worse (the production values being noticeably lower).

There are a lot of good things here. The scenery is lovely and give off a charming festive atmosphere. As does enough of the music. Enough of the script isn't too awkward and has enough amusing and sweet moments without being on the wrong side of cheesy or cloying.

Furthermore, there are sweet, heart-warming parts in the story. The Christmassy and nostalgic atmosphere is done beautifully. The acting on the whole was not bad at all, Madison's immensely endearing performance dazzling most and she is wholly successful in making her character easy to root for. Lori Loughlin brings class to her role.

However, a lot of things could have done better. Dermot Mulroney was significantly less good, did find him very wooden and without much personality, very going through the motions like. He and Loughlin don't have an awful lot of chemistry together, that was underused and underwritten and it felt walked through.

Moreover, the story is predictable and thin with some of the pacing lacking tightness and too many coincidences. The script doesn't always flow and can be on the silly side and the production values as said are noticeably lower and indicate of lower budget and hurried time constraints. Nice scenery and interiors, but the editing is choppy this time and the effects less than special or slick.

Concluding, nice and inoffensive enough but nothing mind blowing outside of Madison. A small 6/10.

Lori Loughlin finds a sense of place, falls in love with handyman Dermot Mulroney and, oh yeah, saves her aunt's country hotel and Christmas while she's at it, in the second of Hallmark's annual "Northpole" series.

"Open for Christmas" grafts a standard Hallmark romantic comedy onto NORTHPOLE's elaborate magical thesis in a workmanlike fashion. However, there is little in the way of dramatic tension to make this worth watching. Ms. Loughlin inherits her aunt's hotel; it has no guests and no source of income. Even so, there is little sense of financial urgency about the outcome once Donovan Scott as Santa tells Ms.Louglin he is depending on her, despite the occasional histrionics.

The performances are fine. I won't claim that Donovan Scott has cornered the market on Santa, but he has performed the role once or twice a year for more than a decade. Pierre Jodoin's cinematography is excellent; he manages to capture that grey afternoon snowfall light that shows up around Christmas. Yet the script itself never manages to make the viewer think that the inevitable romcom happy ending is ever in doubt.

I love the chemistry between Lori Loughlin and Dermot Mulroney. I wish Hallmark paid better attention to pairing up couples in their movies because the more recent ones lack great chemistry. Though this is a family Christmas movie, it makes it more interesting when the actors "gel".

This Christmas Movie may be fun to watch for kids, but is really odd for adults. The romance plot could not be more linear and the part of reviving someones christmas spirit has been played exactly like this hundrets of times....also some of the dialogues and lots of coinsidences are really weird and just there to make up they had no clue how to give the plot a constant flow.

Incredible piece of shoe-horning of the the story into a budget. Storyline necessitates the "saving" of an old guest house as a metaphor for "saving" the spirit of Christmas in Loughlin's character. Truth is, the tightwads in the Production company got hold of a cheap hire on a set and that drove the script. Good and energetic performances from the Butler and the visiting Elf-Girl. Unfortunately the lead actor, Loughlin is vanilla nothingness, just a brown paper bag of a performance and as a viewer I could care less if she saves the Hotel (and herself) or not. The Love interest is just a plank of wood with a neat jawline - the Ivy was more animated. Some young actors needed this film to get a step up in their career but unfortunately, they were in the control of a cheap Prodution firm who were determined to do no favors for anyone. Too bland. Too thin. No investment emotionally, commercially, artistically or creatively in this project - and it showed. I really had no idea who Lori Loughlin is but half-recognised her face...some Googling shows that she's been charged with Fraud by the USA High Court in 2019. I suppose she really didn't know anything about honesty and spirituality in real life- so why would we expect her to act out those concepts with any skill ?