VALUTAZIONE IMDb
6,7/10
17.485
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA teenager facing an unplanned pregnancy seeks help from her acerbic grandmother, a woman who is long estranged from her daughter.A teenager facing an unplanned pregnancy seeks help from her acerbic grandmother, a woman who is long estranged from her daughter.A teenager facing an unplanned pregnancy seeks help from her acerbic grandmother, a woman who is long estranged from her daughter.
- Regia
- Sceneggiatura
- Star
- Premi
- 6 vittorie e 13 candidature totali
Recensioni in evidenza
Now I get that this movie is not for everyone. It's very "talky" (the dialog though is really something to behold, unless you have issues with bad language) and it has very strong female roles/characters throughout. Male counterparts are very few and in between. Though still cast greatly as you can see in the cast list.
And you need every piece to make this work. And work it does, when you hear Lily T. going off and see her flaws, but also her charm, it's pure joy to watch. Unless you do want your movies packed with action rather than words of course or where expecting this to be a horror movie (the title alone could suggest a lot of things, if you are not aware of the story). I'm almost surprised by the fact this has not a higher rating though ... and it's kind of a shame!
And you need every piece to make this work. And work it does, when you hear Lily T. going off and see her flaws, but also her charm, it's pure joy to watch. Unless you do want your movies packed with action rather than words of course or where expecting this to be a horror movie (the title alone could suggest a lot of things, if you are not aware of the story). I'm almost surprised by the fact this has not a higher rating though ... and it's kind of a shame!
"I'm not trying to ruin your life. I'm not perfect, we're not all perfect." Elle (Tomlin) is bitter and stubborn. When she gets into a fight with her girlfriend and they break up she acts tough. When her granddaughter Sage (Garner) asking for her help Elle takes her under her wing and does everything she can to help her out. What Elle finds is that this experience helps her more than she expected. This is a movie I was not sure what to expect. The few Lily Tomlin movies I have seen have been Big Business and 9 to 5, not really my favorites. I was totally shocked by her in this movie, in a good way. Lily Tomlin is hilarious in this and plays a role you have never seen her in before. Picture Billy Bob Thornton in Bad Santa as portrayed by Lily Tomlin. The stuff she says is pretty offensive and so out of the blue that you can't help but laugh. The movie does have a very good message and is very much worth seeing but the real reason to check this out is for Lily Tomlin. Overall, smartly written with a version of Lily Tomlin you have never seen. I give this a B+.
Absolutely one of the most enjoyable films I've seen in a while with a brilliant performance from Lily Tomlin. The plot follows a girl who goes to her loud-mouthed liberal grandma for help paying for an abortion and their quest to come up with the money when they don't have enough. The film takes place over the course of one day as they drive to meet various people whom they think can help, including grandma's scorned ex-husband and her crazy work-obsessed daughter. There is a lot of comedy throughout but there's also a strong helping of drama too, and the film manages to be quirky and fun but also deeply moving at the same time. If you like intelligent adult comedies with a realistic tone then I definitely recommend you watch this as soon as you can, you won't be disappointed!
Greetings again from the darkness. Perhaps your mental picture of a grandma is the familiar form of a Norman Rockwell painting
a sweet, bespectacled little lady baking pies or knitting booties or kicking back in a rocking chair as the grandkids romp around her. If so, Lily Tomlin will jolt you into reality with her performance in this latest from writer/director Paul Weitz (About a Boy, American Pie).
The film kicks off with Elle (Ms. Tomlin) breaking up with her much younger girlfriend (Judy Greer). As with many relationship break-ups, the tone shifts quickly with an increase in 'let's talk about it'. Elle tosses out "You're a footnote" as a zinger that quickly ends any hope of reconciliation. It's an uncomfortable opening scene that aptly sets the stage for what we are going to witness over the rest of the movie Elle has lived quite a life, but has been unable to move on since the death of her long time companion – a recurring subject throughout.
The six segments of the film are titled: Endings, Ink, Apes, The Ogre, Kids, Dragonflies. Don't expect those descriptions to help you guess the direction of the film. Instead, it plays out like a road trip through Elle's past albeit with a very contemporary feel. See, her granddaughter Sage (Julia Garner) shows up at the house asking to borrow $600 for an abortion. Despite her career as a poet of some notoriety, Elle is tapped out at the moment. So the two of them set out in Elle's 1955 Dodge Royal (Ms. Tomlin's real life car), and proceed to visit people (and hit them up for cash) who have played a role in Elle's most interesting life.
During this journey – which all happens during a single day – the ladies cross paths with Sage's clueless boyfriend (a miscast Nat Woolf), a transgender tattoo artist (Laverne Cox) who owes Elle the money she lent for enhancement, a small business owner (the final appearance of the late Elizabeth Pena) who is a bit more tough-minded than Elle gives her credit for, a long ago ex-husband of Elle's (the best performance from Sam Elliott in years) who still carries heartbreak , and most bombastic of all, Elle's daughter and Sage's mom – a workaholic, no non-sense, Type A professional (played with vigor by Marcia Gay Harden).
Much will be made of the film treating Sage's decision so matter-of-factly, but it makes for nice contrast to Juno, where the decision to abort an unwanted pregnancy is abruptly reversed when she's told the baby has fingernails. This movie even offers a tip of the cap to that scene (bravo Sarah Burns), but is never preachy or heavy-handed in its dealing with Sage. It's a young girl in a real life situation, and she is depending on her dysfunctional family to provide financial and moral support.
One might describe this as an art-house movie with wider appeal. Lily Tomlin makes this a must-see, as do Julia Garner and Sam Elliott. Some will avoid it due to the abortion topic, but this is much more a story of three strong women who are related to each other – even if they don't always relate to each other.
The film kicks off with Elle (Ms. Tomlin) breaking up with her much younger girlfriend (Judy Greer). As with many relationship break-ups, the tone shifts quickly with an increase in 'let's talk about it'. Elle tosses out "You're a footnote" as a zinger that quickly ends any hope of reconciliation. It's an uncomfortable opening scene that aptly sets the stage for what we are going to witness over the rest of the movie Elle has lived quite a life, but has been unable to move on since the death of her long time companion – a recurring subject throughout.
The six segments of the film are titled: Endings, Ink, Apes, The Ogre, Kids, Dragonflies. Don't expect those descriptions to help you guess the direction of the film. Instead, it plays out like a road trip through Elle's past albeit with a very contemporary feel. See, her granddaughter Sage (Julia Garner) shows up at the house asking to borrow $600 for an abortion. Despite her career as a poet of some notoriety, Elle is tapped out at the moment. So the two of them set out in Elle's 1955 Dodge Royal (Ms. Tomlin's real life car), and proceed to visit people (and hit them up for cash) who have played a role in Elle's most interesting life.
During this journey – which all happens during a single day – the ladies cross paths with Sage's clueless boyfriend (a miscast Nat Woolf), a transgender tattoo artist (Laverne Cox) who owes Elle the money she lent for enhancement, a small business owner (the final appearance of the late Elizabeth Pena) who is a bit more tough-minded than Elle gives her credit for, a long ago ex-husband of Elle's (the best performance from Sam Elliott in years) who still carries heartbreak , and most bombastic of all, Elle's daughter and Sage's mom – a workaholic, no non-sense, Type A professional (played with vigor by Marcia Gay Harden).
Much will be made of the film treating Sage's decision so matter-of-factly, but it makes for nice contrast to Juno, where the decision to abort an unwanted pregnancy is abruptly reversed when she's told the baby has fingernails. This movie even offers a tip of the cap to that scene (bravo Sarah Burns), but is never preachy or heavy-handed in its dealing with Sage. It's a young girl in a real life situation, and she is depending on her dysfunctional family to provide financial and moral support.
One might describe this as an art-house movie with wider appeal. Lily Tomlin makes this a must-see, as do Julia Garner and Sam Elliott. Some will avoid it due to the abortion topic, but this is much more a story of three strong women who are related to each other – even if they don't always relate to each other.
"Grandma" is one of those short little nice independent films that touches the heart showing that life is full of change, hope and finding a new path for each. The grand old Lily Tomlin is Elle a past her prime college professor who's down in the dumps she's broke money wise and she's just broken up with her gay lady love Olivia(Judy Greer). To complicate matters one day her granddaughter Sage shows up one day needing 600 dollars and guess what it's for an abortion as Sage was knocked up by her boyfriend who hit the road! Then it's a funny and feel good road journey to obtain the 600 for an abortion and along the way it's a bonding of love and friendship as Sage's mother and Elle's daughter Judy(Marcia Gay Harden)an uptight and business like society snob provides the money for the procedure. Still thru it all each discover a journey of hope and a new beginning and Lily Tomlin's performance is shining even with her grand old age.
Lo sapevi?
- QuizThe car that Elle (Lily Tomlin) and Sage (Julia Garner) drive for much of the movie was a 1955 Dodge Royal that is owned by Lily Tomlin. Tomlin told USA Today that she bought it in 1975 for fifteen hundred dollars. She said, "It's not a prize car. It's not a car that people yearn for. But it has a nice look to it. The car is almost a character in the movie. I knew I kept that car for a reason."
- BlooperAt one point, as Elle and Sage are walking away from Olivia, Sage calls her "Vi," the name of Elle's dead partner.
- Colonne sonoreGas
Written by Hrishikesh Hirway and LaKeith Stanfield
Performed by Moors (as MOORS)
Courtesy of Haven Sounds
By arrangement with Hidden Track Music
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Mi abuela
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 600.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 6.980.524 USD
- Fine settimana di apertura Stati Uniti e Canada
- 115.540 USD
- 23 ago 2015
- Lordo in tutto il mondo
- 7.205.073 USD
- Tempo di esecuzione1 ora 19 minuti
- Colore
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