ड्रैगन ब्लेड

Colorful film with plenty of battles, emotion, fantasy, imaginaton, martial arts and sword-play.¨Dragon Blade¨ is a rich , enjoyable and romantic take on the Chinese Martial Arts genre with Roman battles, along with inventive choreography and it also belongs to ¨Wusia¨ theme, China's heroic swordsman subgenre. Huo An (Jackie Chan), leader of the ¨Silk Road¨ Guard, is unjustly condemned to slavery along with his fellow guards. Meanwhile, the Roman general Lucius (John Cusack) escapes to China, fleeing from the evil and ambitious Tiberius (Adrien Brody), after rescuing a blind little prince. Later, Huo An and Lucius' paths will cross. When the Eagle meets the Dragon !. When empires collide...legends are born !. Heroes will rise !. Armies will fall !.

This is a breathtaking movie full of noisy action , bloody combats , groundbreaking attacks , impressive battles and a lot of digital effects. It deals with two armies, both Chinese and Roman while confronting an unimaginable and seemingly invincible forcé. Lavishly produced, it was the most expensive Chinese film ever, with a budget of $65 million. The picture relies heavily on the really excessive special effects by means of 3D Computer Generator with extreme digitalization. The film contains breathtaking war battles , overwhelming struggles, spectacular images and a cast of thousands, due to the huge amount of actors and crew involved. The desert stage was provided by Gobi Desert, China, and other locations as Dunhuang, Gansu, and Studios: Hengdian World, Dongyang, Zhejiang, China. In the sunny desert actors and crew encountered hard shooting conditions due to the heat, sandstorms, thunders, their heavy costumes, and long filming hours.

This charming film is packed with fights in Jackie Chan-style, fantasy, humor, magic, betrayal, great entertainment and lots of fun. A fantastic film including a deadly confrontation and martial arts that satisfies on both accounts, concerning some heroes on a dangerous and long-awaited search for freedom. Director Daniel Lee puts the personal touch as just as deft even as he extends his grasp to show the timeless Chinese legends and historical facts, being based on his own enjoyable script. Action , adventure , romance , drama , heroes , heroines, tradition and martial arts blend in this attractive movie that belongs to Oriental genre. Providing overwhelming images, impressive production design, sense of style and revealing the breathtaking vistas of mythic China as well as the facinating Rome. The emotional impact of the fantastic adventure is as real and spectacular as the choreographed fight scenes are grateful and brilliant. Stars a stunning cast with notorious Chinese and American actors, such as Jackie Chan, John Cusack, Adrien Brody, Sharni Vinson, Choi Siwon, Peng Lin, Tin-Chiu Hung, Shaofeng Feng, among others.

Being inspired by true events about ¨The Silk Road¨: It is the name by which an extensive network of land and sea trade routes, opened by China since at least the 1st century BC, has been known since the 19th century1, which interconnected most of the Asian continent with terminals in the islands of Southeast Asia, the European Mediterranean and the east coast of Africa. Its various routes began in the city of Chang'an (now Xi'an), then capital of China, passing through, among others, Karakorum (Mongolia), the Khunjerab Pass (China / Pakistan), Susa (Persia), the Fergana Valley (Tajikistan), Samarkand (Uzbekistan), Taxila (Pakistan), Antioch (Turkey), Alexandria (Egypt), Kazan (Russia) and Constantinople (now Istanbul, Turkey).

The motion picture was professionally directed by Daniel Lee, but with some plot holes and too many flashbacks that break the ordinary action. Director Lee imbues every look, every gesture with grace and resonance, he has always been a filmmaker of finesse and fine feeling, directing acceptably this film. In his starts Lee became a director of television series. He also worked as an assistant for the famous film director Ann Hui when filming The Romance of Book and Sword (1987), which is based on Louis Cha's classic Wuxia novel. In early the 90s, Lee's talents in film-making was noticed by the master of Wuxia film, Cheh Chang, who later recognized that himself, Hark Tsui, and Daniel Lee are the "three generations of Wuxia film-making." Lee's film is characterized with the heavy black costumes and visual style, with the extreme emphases on masculinity as well as the bond of brotherhood, in which reflects the director's perspective of romanticism. Daniel Lee has made spectacular and hit films, such as: ¨Song of assassins¨, ¨The Climbers¨, ¨Time riders¨, ¨White Vengeance¨, ¨14 Blades¨, ¨Three Kingdoms¨, ¨Star Runner¨, ¨Dragon Squad¨,¨Master Swordsman Lu Xiaofeng¨, ¨Moonlight express¨, ¨A Fighter's Blues¨, ¨Black Mask¨, and several others.

While the main message of the movie was about multi-cultural peace (probably what the world needs now), choreography was good (nothing less than expected from a J.C. movie), side jokes to make you giggle from this otherwise boring plot, nothing else about the movie was able to redeem it from it's cliché story progression and bad script.

1) The message about multicultural peace was smacked right in audience faces left, right, up, down from the beginning of the show. To make things worst, coupled with cheesy lines, it made a profound and wise motif seem plain cheesy, overly-simplified and lacked the depth it should have had.

2) Despite the strong development of major characters, minor/side characters were not grounded enough. Fickle change in beliefs by side characters (people of the Wild Geese Gate), once again, made the story look superficial and badly developed.

Unfortunately, great choreography, scene shots and strong casts could not save it from its draggy, underdeveloped plot and horrible script.

Read a review claiming Dragon Blade achieved "so bad it's good" status. Wow, did it ever! Imagine if Sharknado (the dethroned champion of "so bad it's good) had a $65 million budget.

This movie had a lot of good going for it. Jackie Chan is an amazing action star, made famous by his "stunt fighting" which he excels at in this movie. The production value was really top notch - sets, costumes, cinematography, special effects, all of it was quite impressive.

Where this movie fails on every level is the writing and the acting. I could go into great detail but I think the best comparison is the cheesy, campy entertainment that is the SyFy original movie.

Adrien Brody and John Cusack must have signed onto this movie like all the A-list celebrities back in the 80s making Japanese commercials for a quick buck, certain that no one in America would ever see them.

DRAGON BLADE isn't a great film at all, but given that the previous Jackie Chan film I watched was Chinese ZODIAC, it seems somewhat acceptable by comparison. Certainly it's a messy movie, which is typical of Jackie's more recent efforts, but it has some good stuff included alongside all of the tat. The story is supposedly based on historical fact and involves some Roman soldiers who traverse the Silk Road and find themselves in China. They're split into two factions, the small number of good guys and the overwhelming bad, and the good guys end up joining forces with Jackie and his men to fight the enemy. What DRAGON BLADE boils down to is a heady mix of laughable sentiment, Chinese comedy, war and battle sequences, and some very bad acting.

Jackie himself doesn't really seem to do much that's new in this film. The director throws in a few of his old-fashioned fight scenes to recall his glory days, and while the action is acceptable, it's never memorable. It's the western actors who do surprisingly well: Adrien Brody as the quietly menacing villain, and John Cusack as the likable ally. Some of the set-piece sequences are well-handled, like the building of the defences, and the large-scale action at the climax is quite a lot of fun. I was glad to see that director Daniel Lee has calmed down since the days of DRAGON SQUAD and can now direct reasonable fare like this and THREE KINGDOMS: RESURRECTION OF THE DRAGON. DRAGON BLADE isn't perfect by any means, but there's a good film hiding underneath the mish-mash of styles and ideas.

Let me set one thing straight before I begin this review, I am not here to defend this movie's honour, indeed I can see that it does have a great many flaws. However it is absolutely undeserving of many of the criticisms put forth in other reviews and I feel that someone has to put the record straight, and call out a worrying trend.

This movie was not perfect, it was mechanically sound, the acting while nowhere near award winning, was human enough I could enjoy it, and the choreography and special effects though they rarely came into play were even enjoyable. All this could be fairly pointed out to add to a product that is sub par, and yet what are almost all the most vehement protractors of this film gnashing their teeth about? The realism! Yes in a fantasy martial arts movie people are concerned with the plot, with geography, with trifling details.

Now look, I understand people having personal preferences for more grounded realistic movies. I also understand how some people cannot suspend their disbelief over such a mighty chasm, but to call this movie terrible, garbage, or any other pejorative for that is simply wrong. It is wrong, because it misses what this movie, and movies like it are supposed to be. Like many older films out of china, what this movie is striving to be is a throwback to idealized legends. To stories who's actors are idealistic people, who embody ideals and provide a moral message. This kind of storytelling is present in nearly all culture's legends and tales. This is what I like to term as a whimsical film. Now I admit it is not a shining example for all to follow, but it needs to be judged by other standards. Just as a romcom needs to be judged by different standards than that of true cinematic brilliance. A movie like this doesn't have to be realistic, it shouldn't be. Furthermore to see so many people demanding realism, expecting everything must play out like a well thought out novel frankly saddens me. It saddens me because I fear that this prevalent attitude is why we get so few movies these days that are willing to be silly, to be unrealistic, to give us idealistic and hopelessly unworkable moral lessons.

Maybe you disagree, maybe you think I'm a blithering idiot so full of sh*t it's pouring out my mouth. That's okay too, but please, next time you see a fantasy movie like this, please try to enjoy the flow and the essence of the movie, before resorting to cold literary analysis of it.

Anyways to wrap up this rant disguised as a review, my personal thoughts on the movie were that it was enjoyable, though I'd hesitate to recommend it to anyone but people who share my love of fantastic and improbable meetings of ancient cultures for a fantasy romp. 6/10 it's okay.