Selling the City

The show falls short in several aspects, especially in its lack of transparency, as it doesn't show negotiations or reveal who actually buys the properties. For the concept it promises, the series feels shallow and often frustrating. The brokers, who should be portrayed as reliable and experienced professionals, act like teenagers, which undermines the seriousness of the content. Adding dramatic elements for entertainment is understandable, but a more mature and realistic approach would be far more effective. The target audience for this type of production is clearly not teenagers but adults seeking something more engaging, intelligent, and sophisticated.

If you're looking for a real estate show, stay far away from this one. The show rarely showcases the real estate business and focuses instead on the most ridiculous and obscurely childish drama. Beyond that, you're forced to deal with both tacky style and conversation. I don't know where these people come from, but lord do they lack class and any sort of modesty. Genuinely cringeworthy and not worth the time.

Maybe they should focus more on selling so they'll stop telling the entire world about their unnecessary personal business and actually provide something worth watching.

Owning Manhattan was better once they focused more on the selling than the infighting/drama b.s. - I'd switch to that.

The amount of times I hear them talk about themselves is nauseating.

Every five minutes you get bombarded with waves of " I this I that I know I feel I hate I I I" and then a 5 sec head shot of them pouting or shrugging or flipping their hair.

The show is just a collection of scenes where each girl just takes turn to talk about themselves (repeatedly) and the real estate becomes the background.

And the intro and ending of each scene (which takes up almost half the scene) is shots of themselves walking up to the table, door, chair.... Like how many times did they have to shoot that scene? Nothing else but a brain rot show as background while you scroll your phone.

You would think we're in the 2000s. Jason and Brett Oppenheimer Have a knack for hiring the same type of female agent. Surprised we're still promoting it like it's something great. It's clearly all about looks. And cleverage. Everyone here is the same. All interchangeable. They all talk like a Kardashian valley girl. Vapid. Self entitled. Everyone is here for fame.

The real estate is so buried in the background. You barely have anything resembling real estate. The Opponheim Group should be embarrassed.

The soundtrack is super annoying.

I hope Steve Gold got paid a lot of money. He looks so lost in this and his dignity is depleting.

Netflix keeps scrapping the bottom of the barrel for taste. To think people worship them is beyond idiotic.

They are making shows for low IQ.

Okay take Selling Sunset, not great a fun "plot" to see the lifestyles of LA people who are notoriously fake and emotionally unavailable. All about the glitz glam and showing homes. And then since the characters are in this world they have small problems of contrived and interpersonal drama about she said this she said that and "I'm richer than you" type of stuff.

THIS IS (sort of) NOT THAT.

There are glimmers of an actual plot! With more meaningful stakes about who these women are as produced characters.

Selling a listing in Selling Sunset is "come with me on my listing" and "X was talking shit."

Selling a listing in Selling the City is "come with me on my listing" and "X was talking shit." AND "Let's make it as a team selling real estate and what does that look like and what does our success mean to us"

A little more on the plot.

A team of female realtors aspiring to be more successful are lead by their successful boss to become even more professionally successful. This professional success is deeply tied to their sense of self worth and social capital amongst their peers.

They are met with doubt and resistance from more established people and women in the field. Multiple dynamics come into play as some of the doubt and resistance comes from allies and colleagues of the boss.

This set up gives a deeper and richer show because of the multiple dynamics: colleague to colleague, mentor to mentee, boss to employees, friend to friend, coworker to coworker.

Yes, its popcorn TV. No, its not a Jane Austen novel.