Hello, Love, Again

As much as I loved the cinematography and the premise of the story, I must say this was one of the most overrated Filipino movies ever. The follow-up to the blockbuster first film "Hello, Love, Goodbye", which was a big hit from 2019, was cliche but undeniably moving as well. I really liked how the way the characters portrayed their roles whole-heartedly. This was such a career move for them both as they take their acting powers to more mature heights. The casting was amazing, as well. The only problem I had was the writing. The first half of the film was resoundingly good, but the scenes were all over the place. I particularly loathed the transition of the scenes because it messed up the feel of the film.

Joy makes the difficult decision to leave Hong Kong for Canada to pursue her dream of becoming a nurse, which puts her and Ethan in a long-distance relationship. As they each live in their respective cities, time and the COVID-19 pandemic take their toll on their relationship. After going their separate ways, fate has again brought them together under different circumstances and as evolved individuals.

This is an excellent romantic movie with a good balance of comedy and drama. The story is simple, but the combination of immigration, a global pandemic, and a pinch of cultural humor makes it unique. The story shares how love grows and changes and how individuals must grow and change to survive and thrive. With a runtime of two hours and two minutes, some parts are unnecessary and slow the overall development of the story. This is a great movie to stream for a unique international romance.

Hello love again is a perfect continuation of hello love goodbye while incorporating the real life events of Covid-19. It perfectly portrayed the life of an OFW trying to make it in a foreign country with nothing to their name in the midst of a pandemic.

The love story between Ethan and Joy portrays realistic events, human emotions, and reactions to different circumstances.

Both Ethan and Joy are understandably came from different background and they have different point of view in life. The movie did a great job in show casing that and showed how they react individually in a situation based on their personal experiences and background.

The movie did a great job in providing insights in both characters and where they are coming from in the midst of challenges, mistakes, and why they do what they do/did.

Alden Richards and Kathryn Bernardo perfectly portrayed the character of Ethan and Joy with their own background and the different emotional requirements needed for the different characters.

You can feel empathy for both characters and you will cry and laugh with them as they navigate through the different challenges in the story.

Overall it's a great mix of drama and great comedic timing that overall tied this movie up into a great movie.

"Hello, Love, Again," the 2024 Filipino romantic drama sequel to "Hello, Love, Goodbye," follows Joy and Ethan as they rekindle their relationship in Canada. Directed by Cathy Garcia-Molina, the film brings back Kathryn Bernardo and Alden Richards, delivering chemistry that has fans raving. This time, the story emphasizes the challenges faced by Filipino overseas workers, with heartfelt moments balanced by the joys and hardships of love. The film's emotional depth and strong performances give it wide appeal, making it a touching sequel with universal themes of resilience and love. Great film!!

A pure fan service hokum and sequel to the 2019 hit. The movie changed its setting from Hong Kong to Canada where Joy (Bernardo) and Ethan (Richards) cross paths after a painful break-up during the height of the global pandemic. Joy works as a caregiver and cleaner while still pursuing her lifelong dream of becoming a nurse. Ethan is trying his luck in Calgary after going bankrupt.

The movie spent much of its two-hour runtime posing the question if the former lovers will reunite or permanently go their separate ways with a script that had every trope possible for films like this. Many scenes were repetitive and overextended while there were subplots that were undernourished. Except for the two principal characters, most of the other roles were one-dimensional. Bernardo easily provided the movie's best performance while Richards was adequate but still relied on his dimpled and puppy-eye looks. Gamboa, as Ethan's bestfriend, acted as the movie's main clown and got the funniest lines that were dished out more than necessary. At least the film did not turn out to be part travelogue which usually occur in Filipino movies shot abroad.

The film could have handled the ending better with a more realistic conclusion that didn't belie Joy's character motivation. Instead, it opted for a pedestrian crowd-pleasing denouement that would explain why the film is now the Philippine movie industry's biggest moneymaker with over $22-million in ticket sales. Oh well.