Vanvaas
- 2024
- 2 घं 40 मि
IMDb रेटिंग
6.6/10
1.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDelves into the dynamics between an elderly father grappling with dementia and his family.Delves into the dynamics between an elderly father grappling with dementia and his family.Delves into the dynamics between an elderly father grappling with dementia and his family.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 2 जीत
फ़ीचर्ड समीक्षाएं
As a fan of Nana Patekar and Rajpal Yadav, I was drawn to Vanvaas for their performances, and they didn't disappoint.
Nana Patekar delivers a powerhouse performance as Deepak Tyagi, a dementia-stricken father abandoned by his family.
His raw emotion, especially in the heart-wrenching climax, is the film's biggest strength and worth watching alone.
Rajpal Yadav adds a touch of humor with his witty dialogues, providing much-needed relief in this heavy drama.
However, Vanvaas struggles to live up to its potential. The screenplay feels overly melodramatic and predictable, leaning heavily on dated Bollywood tropes that remind you of Baghban but without its polish or emotional depth.
The film tackles the important issue of elderly neglect, which resonates, but the one-dimensional portrayal of Deepak's sons and daughters-in-law as cartoonish villains lacks nuance.
Supporting actors like Simrat Kaur and Ashwini Kalsekar are underutilized, with roles that feel underdeveloped or overly theatrical.
Technically, the film falters too. The background score is excessively loud, clashing with the emotional tone, and the outdated cinematography and poor dubbing detract from the experience. Mithoon's songs are forgettable, failing to leave a mark.
At over 2 hours and 40 minutes, the runtime feels bloated, and tighter editing could have made it more impactful.
For fans of Nana Patekar and traditional Bollywood family dramas, Vanvaas offers enough emotional moments to keep you engaged, but its flaws - predictability, melodrama, and technical shortcomings hold it back.
I wouldn't have watched it without my admiration for Patekar and Yadav, and their performances make it worth a one-time watch .
Nana Patekar delivers a powerhouse performance as Deepak Tyagi, a dementia-stricken father abandoned by his family.
His raw emotion, especially in the heart-wrenching climax, is the film's biggest strength and worth watching alone.
Rajpal Yadav adds a touch of humor with his witty dialogues, providing much-needed relief in this heavy drama.
However, Vanvaas struggles to live up to its potential. The screenplay feels overly melodramatic and predictable, leaning heavily on dated Bollywood tropes that remind you of Baghban but without its polish or emotional depth.
The film tackles the important issue of elderly neglect, which resonates, but the one-dimensional portrayal of Deepak's sons and daughters-in-law as cartoonish villains lacks nuance.
Supporting actors like Simrat Kaur and Ashwini Kalsekar are underutilized, with roles that feel underdeveloped or overly theatrical.
Technically, the film falters too. The background score is excessively loud, clashing with the emotional tone, and the outdated cinematography and poor dubbing detract from the experience. Mithoon's songs are forgettable, failing to leave a mark.
At over 2 hours and 40 minutes, the runtime feels bloated, and tighter editing could have made it more impactful.
For fans of Nana Patekar and traditional Bollywood family dramas, Vanvaas offers enough emotional moments to keep you engaged, but its flaws - predictability, melodrama, and technical shortcomings hold it back.
I wouldn't have watched it without my admiration for Patekar and Yadav, and their performances make it worth a one-time watch .
Vanvas is a simple and wonderful story, with Nana Patekar in the best role of his life, and Utkarsh too has won everyone's heart. Jeetendra Sahani Jeet
Jeet: It is said that parents bear all their troubles and sacrifice their comforts and give everything to their children but when these children grow up, they consider their parents a burden and leave them like orphans in old age homes or somewhere else, something similar is the film Vanvas produced and directed by Anil Sharma. This film will definitely remind you of old films like Amrit, Swarg starring Rajesh Khanna and Baghban starring Amitabh Bachchan. The film is very good. In some parts, Anil Sharma suggests that he could have made a more thoughtful film and imagined a world of grey instead of just black and white. In this case, separated parents Deepak Tyagi Nana Patekar who is losing his memory, but the only positive thought of his (Nana Patekar) children was that he also loves them very much. In the greed of more money, the son and daughter leave him on the ghat of Varanasi and return to their home and perform his shraddha karma and that too for just a few rupees. The writer of the film Sunil Srivaiya has left no stone unturned to make this film better, every part has been presented very well. The first part of the film is a bit slow before the intermission but after the intermission its success is commendable. Uttarkarsh's Banarasi character is quite interesting,Uttarkarsh also has some weak parts, who will definitely improve his art in the future and he has also done a great job in terms of acting. The work of all the other actors is also very commendable. You must watch this film once with your whole family, especially the youth.
Jeet: It is said that parents bear all their troubles and sacrifice their comforts and give everything to their children but when these children grow up, they consider their parents a burden and leave them like orphans in old age homes or somewhere else, something similar is the film Vanvas produced and directed by Anil Sharma. This film will definitely remind you of old films like Amrit, Swarg starring Rajesh Khanna and Baghban starring Amitabh Bachchan. The film is very good. In some parts, Anil Sharma suggests that he could have made a more thoughtful film and imagined a world of grey instead of just black and white. In this case, separated parents Deepak Tyagi Nana Patekar who is losing his memory, but the only positive thought of his (Nana Patekar) children was that he also loves them very much. In the greed of more money, the son and daughter leave him on the ghat of Varanasi and return to their home and perform his shraddha karma and that too for just a few rupees. The writer of the film Sunil Srivaiya has left no stone unturned to make this film better, every part has been presented very well. The first part of the film is a bit slow before the intermission but after the intermission its success is commendable. Uttarkarsh's Banarasi character is quite interesting,Uttarkarsh also has some weak parts, who will definitely improve his art in the future and he has also done a great job in terms of acting. The work of all the other actors is also very commendable. You must watch this film once with your whole family, especially the youth.
Outstanding movie.
Everyone must watch it. Nana Patekar sir please keep doing movies we love to see you on big screen.
This types of movies stores the power to change the whole society.. I have crores of word to praise this movie so it is not possible to write here . But still I want to say that thistype of movie has changed my life. Movies are secondary source of learning in Hindustan (nowadays a primary source) so very thnks to whole team of this movie for teaching a great chapter of life to the hindustani childeren.
In end I want to say my eyes are full of tears after watching the movie.
Everyone must watch it. Nana Patekar sir please keep doing movies we love to see you on big screen.
This types of movies stores the power to change the whole society.. I have crores of word to praise this movie so it is not possible to write here . But still I want to say that thistype of movie has changed my life. Movies are secondary source of learning in Hindustan (nowadays a primary source) so very thnks to whole team of this movie for teaching a great chapter of life to the hindustani childeren.
In end I want to say my eyes are full of tears after watching the movie.
Vanvaas is an emotional drama that shines a spotlight on the neglect of elderly parents in today's fast-paced world. Nana Patekar sir delivers a heartfelt performance as a father abandoned by his children, highlighting the consequences of such apathy. The film emphasizes the importance of gratitude, respect, and care for one's parents, who sacrifice everything for their children. While the narrative feels dated and the pacing uneven, its core message resonates deeply: society must recognize the irreplaceable value of parents and ensure they are treated with dignity and love in their later years.
Please saw all indian teenagers .All people are following money but not in love or emotions of parents. It is like Bollywood picture after long times ago. I always speak please saw this movie and know something .It is now all students,some family and teenagers are looking so needy. Because the Indian culture is now losses so you saw and teach your child proper guidance. Kindly watch this type of movies thank you to Anil kumar because this type of movie you learn and teach to all of our Indian family .so thank you so much. Please kindly saw all of you and cheers up . So beautiful movie before 1990 after.
क्या आपको पता है
- ट्रिवियाThere was a shelved movie Rajat Chitra's "Banwaas"(1983). Starring Farooq Sheikh,Moushami Chatterjee,Raj Babbar, Surinder Kaur,Sulbha Arya. Music by Kalyanji Anandji. Produced and Directed by Rajat Rakshit.
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