Neru
- 2023
- 2 घं 30 मि
सारा, एक अंधी मूर्तिकार, आघात सहने के बाद न्याय चाहती है. वह समाधान खोजने के लिए कानूनी व्यवस्था और अपने स्वयं के लचीलेपन के साथ संघर्ष करती है.सारा, एक अंधी मूर्तिकार, आघात सहने के बाद न्याय चाहती है. वह समाधान खोजने के लिए कानूनी व्यवस्था और अपने स्वयं के लचीलेपन के साथ संघर्ष करती है.सारा, एक अंधी मूर्तिकार, आघात सहने के बाद न्याय चाहती है. वह समाधान खोजने के लिए कानूनी व्यवस्था और अपने स्वयं के लचीलेपन के साथ संघर्ष करती है.
- पुरस्कार
- 3 जीत और कुल 7 नामांकन
Santhi Mayadevi
- Ahaana
- (as Shanthi Mayadevi)
Prashant Nair
- New CI
- (as Dr. Prashant Nair)
Resmi Anil
- Seema
- (as Reshmi Anil)
फ़ीचर्ड समीक्षाएं
Since I saw lot of movies about court & lawyers, so I found this movie as boring. Initially I thought, twist and convict are different but unfortunately the same convict is criminal till the end. Catching criminal using Cc tv cameras is boring. Since i watched movies like drusham and sri mahalaxmi (telugu movies), some scenes seems to be repeated for me. For example, in sri mahalakshmi movie, the prosecuter disproved the witness photos using the mirror. The same thing repeated here.final twist is predictable. So this movie is interesting for people who doesn't watch above movies. This movie should come in 2005 year.
No story, no suspense, just plain.
Expected a stronger and more engaging plot from Jeetu Joseph. Disappointed.
The crime was done and culprit was found in the first ten minutes. Then the seen too many times case where the hero first does not show interest and everyone else requests him to take the case. Hero accepts and then a very ordinary court proceedings follow. No real challenges faced by the hero. Overhyped obstacles. Villain is rich and has employed a Supreme Court advocate. No display of high intelligence from hero. No mass dialogues nor anything engaging.
A mediocre movie made on an interesting topic!
Expected a stronger and more engaging plot from Jeetu Joseph. Disappointed.
The crime was done and culprit was found in the first ten minutes. Then the seen too many times case where the hero first does not show interest and everyone else requests him to take the case. Hero accepts and then a very ordinary court proceedings follow. No real challenges faced by the hero. Overhyped obstacles. Villain is rich and has employed a Supreme Court advocate. No display of high intelligence from hero. No mass dialogues nor anything engaging.
A mediocre movie made on an interesting topic!
Anyone would agree that its just a standard legal drama. The casting and the setting doesnt seem very expensive or captivating. But the brilliant direction is evident in every detail. Main characters have been casted very well in every way possible. Jeethu joseph does not need any special introduction in such a genre since he has proved his excellence in many of his previous movies. As an average mohanlal enthusiast and a consistent critique of his work, I feel that this must go down as one of his best modern work. He has input an element of his own as well as adhered to the character presented by the director. Movie portrays characteristics of resilience and persistence. A must watch.
Even with a predictable storyline Jeethu Joseph's mastery of scriptwriting with Shanthi Mayadevi's knowledge as an advocate makes this engaging and effective. Jeethu Joseph has always been a better writer than a director and there are a lot of instances in the movie that clearly shows that aspect. Some of the smaller characters' acting was not very good, the music was overused a lot and there were a few things that could've been trimmed out. But when it works, the film works great. Even though, it's not something very novel, Mohanlal saying some dialogues did make me clap hard, knowing that I'm sitting in a packed theatre with a lot of families. Anaswara and Siddique were brilliant in their roles and Mohanlal has done a role that is subtle, vulnerable and serious in a very effective way after a long time. Despite the film using easy ways to tell a lot of things, despite the plot being nothing new, it being not new makes more of a case of how it is still so important in every aspect, due to which I was very satisfied by the end of the movie.
The same team had done Drishyam 10 years ago, which has become a milestone movie, not just in Malayalam but across Indian movie industry. Any movie they do now will be compared to that movie.
There are some common elements, but Neru is a totally different movie, both the theme and the mood of the movie. This is emotionally more draining than Drishyam, while it does not have the sheer audacity and shock value that Drishyam had
The best part of the movie is the script. After 10 minutes or so, the movie just hooks you in, and you can't look away even for a minute, till the very last scene in the climax, which will most probably leave you teary eyed.
Performances are top notch. Special mentions to Sidhique and Jagadish. Two actors who were doing Tier 2 comedy movies 30 years ago, but their acting careers are on a totally high trajectory.
But this movie is carried by Mohanlal and then Anaswara Rajan. Yes, Mohanlal is one of the greatest actors in India and his performance is expected, but Anaswara matches him best for best. Their scene together in the first half and then in the climax will leave you spell bound
On the flip side, don't expect any out of the world movie making techniques. Technically the movie is just passable, but that is a typical Jeethu Joseph style. He let the script and performances take centre stage. The Cameraman, editor and music director just do their job in the back ground
Last but not the least, spare a thought for the genius of Jeethu. Making one edge of the seat thriller like Drishyam is impossible for 9/10 writer directors. But he has now done 4 movies at that level (Drishyam 1 & 2, Memorie and Neru). Hats off man, and hope you outdo yourself in your next one.
There are some common elements, but Neru is a totally different movie, both the theme and the mood of the movie. This is emotionally more draining than Drishyam, while it does not have the sheer audacity and shock value that Drishyam had
The best part of the movie is the script. After 10 minutes or so, the movie just hooks you in, and you can't look away even for a minute, till the very last scene in the climax, which will most probably leave you teary eyed.
Performances are top notch. Special mentions to Sidhique and Jagadish. Two actors who were doing Tier 2 comedy movies 30 years ago, but their acting careers are on a totally high trajectory.
But this movie is carried by Mohanlal and then Anaswara Rajan. Yes, Mohanlal is one of the greatest actors in India and his performance is expected, but Anaswara matches him best for best. Their scene together in the first half and then in the climax will leave you spell bound
On the flip side, don't expect any out of the world movie making techniques. Technically the movie is just passable, but that is a typical Jeethu Joseph style. He let the script and performances take centre stage. The Cameraman, editor and music director just do their job in the back ground
Last but not the least, spare a thought for the genius of Jeethu. Making one edge of the seat thriller like Drishyam is impossible for 9/10 writer directors. But he has now done 4 movies at that level (Drishyam 1 & 2, Memorie and Neru). Hats off man, and hope you outdo yourself in your next one.
क्या आपको पता है
- ट्रिवियाMohanlal's first theatrical successful film post pandemic.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $20,93,761
- चलने की अवधि2 घंटे 30 मिनट
- रंग
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