September 5

September 5 is a gripping documentary, but many analysts believed that the 1972 Munich Olympics attack set a precedent for modern terrorism.

The world watched in real-time as the crisis unfolded, and Black September achieved exactly what they wanted: maximum publicity. This was one of the first instances where a terrorist attack was staged with the global media in mind, creating a model that has since been replicated.

The media's role in amplifying terrorism is complex. On one hand, coverage is necessary to inform the public, expose security failures, and hold governments accountable. On the other, the relentless focus on the perpetrators can sometimes grant them the notoriety they seek. This has led to ongoing ethical debates about how journalists should report on terrorism without unintentionally promoting it.

By revisiting September 5, the film not only honors the victims but also forces viewers to confront the enduring complexities of terrorism, security failures, and international politics that remain relevant today.

September 5 will continue to make our eyes widen. By exploring themes such as tragedy, morality, humanity, and consequences. This film depicts a terrible tragedy that occurred in 1972 from the perspective of a sports broadcasting crew. A very well written and intense drama that will keep us opening our eyes and curious about the storyline. The way they build a tense atmosphere is also very solid, it is done slowly at the beginning and the tension will continue to increase as the film progresses. However, personally, the emotions are there, but still seem to be kinda lacking. There is no introduction or depth to the characters, there is quite a lot of character focus too, but the development is quite okay. With a short duration, they were able to control the pacing and tempo of the film very well. The cinematography is good enough, there are many scenes where the camera is a bit shaky, but that actually makes the film feel more crowded and intense. The scoring here also makes the film even more tense. The acting of the actors looks so natural, John Magaro's acting here is quite interesting. Overall, this is an underrated film in 2024.

Making a movie now about the 1972 Munich Olympic terrorist attacks might be considered something of a political hand-grenade since political opinion is clearly divided between those who side with Israel's continuing attacks on Gaza and those who are sympathetic to Palestine.

In "September 5" the 'villains' are clearly the Palestinian terrorists and the horrors of what is currently happening in the Middle East may put many people off seeing this film but then you could also say that "September 5" isn't so much about the hostage taking as it is about the reporting of the situation by ABC and this is definitely the best film about political journalism since "All the President's Men".

Director Tim Fehlbaum films it like a documentary and his remarkable cast respond beautifully. Every performance is pitch-perfect as is Markus Forderer's cinematography, Hansjorg WeiBbrich's editing and Fehlbaum's screenplay co-written with Moritz Binder and Alex David which doesn't feel like a script at all but a piece of actual news reportage and the thrills come not so much from hostage taking as from the dangers involved in simply recording it. The result is terrific cinema that simply shouldn't be missed.

I love authentic historic dramas. Especially, in eras in which I have lived. This seems authentic. It's a story of which I am familiar and have seen told in various formats of film through the years.

As stated in the above title, I found this telling most interesting of all.

I saw Spielberg's Munich in the theater years ago and I remember still feeling that it was a bit overlong and bloated. Even boring, I hate to say. And metaphorical to a fault.

This version of the facts is more taut, the run time for this film is shorter, and the clock is ticking in the movie, and the lives at stake.

Also, airtime. You are in the control room of ABC's Wide World of Sports when the tragic terrorist events occur during the Olympics in Germany in 1972.

Cigarettes are smoked. Rotary dial telephones are used for communication.

And there is a major crisis unfolding in the Olympic village.

It's a good history lesson for Gen-Z.

Even appropriate for grade level history in classrooms, middle school and up, I would think but it's rated R, so no.

But history is hardly ever pretty.

John Magaro and Ben Chaplin shine most brightly with their stellar performances.

This is worth a trip to the cinema.

It wouldn't be a terrible idea to bring your high school aged child to the theater with you for this one.

They could stand to learn a little history.

They'll walk out with you afterwards and say, Did that really happen?

Performances all believable, comedy in the right places, and a pacing and runtime that doesn't leave you peeking towards the exit before the credits.

For someone who didn't really know the story, the details of what went down truly interested me. They did a solid job of not telegraphing the plot points.

Some may find the lack of change of scenery tiring, but I think it worked in this case. I think they wanted you to feel like the control room is your world, and to feel as they did on this eventful day.

They touched on the political and emotional elements nicely. Making you think, without preaching.

Mixing in footage from the actual event, including broadcast footage as well, definitely draws you more into the experience. A nice touch.

While it's not a movie I really intend on rewatching over and over, it is a very well done piece that I'd recommend to friends who enjoy movies like this.