Better Man

"Better Man" is a surprising flick.

Not because of the monkey, the effect of that gimmick wears off pretty quickly. Although it is surprising how fast I became accustomed to the singing chimpanzee and how invested and heartened I got by the story.

But even though all of that is true, the main motive for my astoundment was how honest the movie was.

"Better Man" gives us a very raw look into Robbie Williams life, flaws and all. Actually, his flaws are what's under the spotlight. Even the choice of representing himself as an ape reflects that. At the beginning of the movie, Robbie's voice-over explains to us that we are about to see how he sees himself.

William's suffered from eating disorders, self-image problems and a multitude of mental health and drug related issues. "Better Man" doesn't shy away from the various factors that forged this hellish psychological landscape and offers us interesting insight into the life and mind of an artist that, on top of all that, also suffered from "fame".

Despite this, I found the movie to be an assault on the senses. It's too much all the time, with brief moments of rest inbetween. After the story picks momentum, it doesn't stop. Conversations mend with narration. Each event unravels into the next. An emotional moment turns into song and it never lets up. At 2 hours and 15 minutes runtime, it's a very tiring ordeal. Nonetheless, it's narratively cohesive and it makes sense to be like this. It even makes sense that the film offers us zero introspection. It's all a fitting portrayal of the person it aims to represent on-screen and consistent with its objective of entertaining audiences. It's just a shame it didn't reach one.

I've never felt moved enough by a film before to feel the need to write a review - I haven't laughed and cried so much in the cinema for a very long time I've never been a massive Robbie Williams/Take that fan - so this is not a super fan review This film was a first hand gut wrenching look at how awful fame can be in all its inglorious brutal reality.

In a year of lacklustre disappointing cinema this was a shining light of entertainment - with some excellent story telling, singing and dance routines (and an all too real glimpse into the lives of Robbie and his family).

Watching the main themes of abandonment, alcoholism, addiction, helplessness & forgiveness play out in this story was exceptionally moving and a biopic to be remembered and revered.

There's something about the use of the monkey to characterise Robbie Williams that makes this quite a visceral watch at times. The film tells the story of the fairly turbulent rise of this "Take That" singer from boyhood exponent of Gilbert and Sullivan to a man on the right end of an £80 millions record deal. His dad (Steve Pemberton) went off to a football match whilst he was a child and never came back, and that left him with his mum "Janet" (Kate Mulvany) and adoring nan (Alison Steadman) living a pretty much hand to mouth existence and leaving him with a pretty solid foundation for his later emotional and trust issues. Unless you've lived on the moon these last twenty years, then you'll know much of what happens next. What does make this stand out a little more is the fact that Williams himself is behind the project and is in no way afraid to portray himself as a complete ass. His drink, drugs, tantrums and generally spoilt brattishness are laid bare with little, if any, attempt to sanitise. In some ways it reminded me of the recent "Amy" biopic and came hot on the heels of a recent viewing of "Easter Parade" (1948) with both serving, for completely different reasons, to augment the thrust of this story of a person who attained great stardom, success and wealth - and ultimately ended up with addictions galore and few, real, friends amidst a sea of hangers-on and parasites all too eager to selfishly cash in on the fame of a lad who started aged just fifteen. Of course it's not exactly balanced, and I'm sure the gospel according to Robbie might not be quite how others see their own behaviour (or his) but there is an honesty to this that brings home just how ruthless the music business is and at just how fickle fame can be when those we idolise lose their lustre. It doesn't do it any harm that many of his solo songs work well through big screen audio with some classy string arrangements and powerful vocals to remind us that, unlike many of the largely forgotten "Take That" singles, his music - especially the stuff he made with Guy Chambers - is the stuff we will really long remember. It's not for the faint hearted, but still well worth a watch.

An absolutely unhinged, emotional, and impactful cinematic achievement. The visual creativity shines through with the hardcore drug-induced sequences having a touch of a fantasy element while unapologetically exploring the mental health of Williams.

It offers something new and refreshing, giving audiences a different perspective on this whole biopic formula. It becomes very bleak and explicit, not afraid from showing the reality of fame, parental abandonment, depression, addiction and self-harm.

You're probably thinking it's just another biopic, why even bother, they all have the same cliches-but everything depicted actually happened to Williams, so you can't compare it to other films that make stuff up to enhance the story dramatically. He went through EVERYTHING. He even described the whole viewing experience as the equivalent of "going to therapy."

Although there are familiar tropes, it dives deeper into the thematic material more than you'd expect and has the balls to do what other biopics can't.

The biggest controversy surrounding the film was the CGI monkey, but its presence feels so seamlessly integrated that you hardly give it a second thought.

This is the first and last time we will ever get something like this so enjoy it while it lasts. Extremely experimental yet so captivating with many moments which hit you hard in many ways.

People online who don't know who Robbie Williams is are saying "oh, he did the Finding Nemo and Cars 2 credits songs and made a 5 second TikTok song, why does this random British musician who hasn't been popular since the 2000's need some biopic?". Every single comment section for a promotional video for this film includes a comment similar to that where I just get furious. America isn't the only country in the world. Honestly, most of us didn't know what Hamilton was until it went on Disney+.

Robbie Williams' lyrics have mentally pushed me through the last few months. He knows what people are going through and isn't afraid to acknowledge the silence in our lives. Specifically Come Undone, Feel, and Something Beautiful, are the ones that define me. These songs have been out forever, and I'm so glad that younger audiences, like myself, who go out to see this, can discover such material.

This ain't no normal biopic. Go see it and give it a chance. You will not regret it, trust me. Maybe you weren't expecting to see it, but surprises like going out to watch it can have such an impact, more than you know-just like it did on me. I wasn't keen on seeing this. Not at all. Little did I know, it changed me to become a better man.

I wasn't sure what to expect from this movie but went with an open mind. I'm not a massive RW fan but like his music and was intrigued by the premise of Robbie Williams being portrayed as an ape in a film about his life story - er, excuse me?

As a result, you know this won't be a conventional biopic but you soon get used to Robbie the ape and the story moves along in fairly chronological order telling you key moments in his life. The movie is visually spectacular in places and the special effects are very good. The telling of the story gives added poignancy to some of his song lyrics and the music is used to good effect throughout (I left the cinema with some of the songs stuck in my head).

You don't have to be a big Robbie Williams fan to enjoy the film but if you don't like his music, or him as a person, this film is probably unlikely to win you over. The only criticisms I'd make is the amount of swearing in a movie that's rated 15 - it seemed a bit unnecessary and the story lags in a few places. Other than that, it's surprisingly good.