The Lady of Silence: The Mataviejitas Murders
ओरिजिनल टाइटल: La Dama del Silencio. El caso Mataviejitas
IMDb रेटिंग
6.4/10
1.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंBetween 1998 and 2005, a wave of murders targeting elderly women hit Mexico City, triggering the hunt for and capture of a most unlikely suspect.Between 1998 and 2005, a wave of murders targeting elderly women hit Mexico City, triggering the hunt for and capture of a most unlikely suspect.Between 1998 and 2005, a wave of murders targeting elderly women hit Mexico City, triggering the hunt for and capture of a most unlikely suspect.
- पुरस्कार
- कुल 1 नामांकन
Juana Barraza
- Self
- (आर्काइव फ़ूटेज)
Jeffrey Dahmer
- Self
- (आर्काइव फ़ूटेज)
John Wayne Gacy
- Self
- (आर्काइव फ़ूटेज)
Thierry Paulin
- Self
- (आर्काइव फ़ूटेज)
फ़ीचर्ड समीक्षाएं
I'm so sorry to the people who have lost loved ones and have to watch this "documentary" set to this terrible Agatha Christie movie-of-the-week score. Such a disrespectful treatment of your pain.
I gave it three stars SOLELY because giving it only one felt like it might be another slap in the face to the victims, somehow.
I gave up in under ten minutes. Another reviewer called in "pensive" and I have to respectful disagree. I think I'd go with "carnival style", myself.
I gave it three stars SOLELY because giving it only one felt like it might be another slap in the face to the victims, somehow.
I gave up in under ten minutes. Another reviewer called in "pensive" and I have to respectful disagree. I think I'd go with "carnival style", myself.
10bnhbnpqc
Very interesting and well produced documentary. Although I agree that the background music can be annoying at times, this does not affect the final quality. The reproductions of the crime scenes and especially the capture of the killer were done with great finesse. Finally, I have seen other documentaries that deal with real crimes in Mexico and what stands out is the completely flawed justice system, it is not a Democratic State of Law, with respect to fundamental guarantees, which is regrettable. The duration is also a positive point, as there were no uninteresting parallel narratives, really focusing on what mattered, including in a very artistic way.
God this one was a very chilling and very well documented documentary, this case was a big thing in the late 90s and early-late 2000s in Mexico. I was not mentally aware at the time when this woman commited her crimes cause I was still a kid, but now watching her story and all the terrifying and evil things she did, my god she was a terrible human being. I learned more about this case with this documentary, it has comments from some of the police department people that were working at the time, and family members of some of the victims of this woman. I am not a fan of documentaries but this one really gave me the chills, I highly recommend watching it.
It's definitely a string of serious and captivating cases.
But there are elements in this documentary that just take away from its seriousness. First of all, some of the officers, seriously, "no serial killer in this country before this (since 1940's)?" Give me an effing break, most countries do, let alone Mexico, the problem is just the failures of many police officers in connecting the dots. It's not the fault of the producers that such inane comments were made, but no pushbacks?
Then the soundtrack, what's up with that? Strange application of a theme. I get it, it could instil a sense of irony and suspense, but there's a balance to strike here. The soundtrack at hand is just stupidly, comically farcical, as if being intentionally disrespectful to the victims. It's real life, not Dick Tracy. It can be funny when mocking politicians and police officers, not when victims are being shown. Also, it's perfectly ok to not have extraneous music for a few moments, the incessantly running music shows a lack of discipline and vision.
Then the pictures of victims being strangled being shown like some kind of visual technique. And a myriad of other visual techniques, they're not just distracting, but take away from the gravitas of the situation.
"Oh she has a robe... must be a healthcare personnel" (is dressing up impossible in the country?). Also this happened between 1999 and 2004, there's no more concrete method to verify DNA or whatnots before each suspect is being showcased in a glass cage like some kind of zoo animal? And the cute lock solution? As if that's going to stop a determined killer? "A man crossdresses as a woman," only for one of the officers to go "oh a homosexual" *face melts away emoji*. "Serial killers don't act near where they live or near their workplaces," says one officer (the same officer who claims it's the first time this is happening in the country, yet he has no qualms dispensing generalizations like a master). Seriously? Says who, which study? Because I can easily name some cases that contradict his assertion. What should a professional conduct be like, you ask? I know, getting the serial killer's signature as a sign of fan-girling.
So. Much. Stupidity.
But there are elements in this documentary that just take away from its seriousness. First of all, some of the officers, seriously, "no serial killer in this country before this (since 1940's)?" Give me an effing break, most countries do, let alone Mexico, the problem is just the failures of many police officers in connecting the dots. It's not the fault of the producers that such inane comments were made, but no pushbacks?
Then the soundtrack, what's up with that? Strange application of a theme. I get it, it could instil a sense of irony and suspense, but there's a balance to strike here. The soundtrack at hand is just stupidly, comically farcical, as if being intentionally disrespectful to the victims. It's real life, not Dick Tracy. It can be funny when mocking politicians and police officers, not when victims are being shown. Also, it's perfectly ok to not have extraneous music for a few moments, the incessantly running music shows a lack of discipline and vision.
Then the pictures of victims being strangled being shown like some kind of visual technique. And a myriad of other visual techniques, they're not just distracting, but take away from the gravitas of the situation.
"Oh she has a robe... must be a healthcare personnel" (is dressing up impossible in the country?). Also this happened between 1999 and 2004, there's no more concrete method to verify DNA or whatnots before each suspect is being showcased in a glass cage like some kind of zoo animal? And the cute lock solution? As if that's going to stop a determined killer? "A man crossdresses as a woman," only for one of the officers to go "oh a homosexual" *face melts away emoji*. "Serial killers don't act near where they live or near their workplaces," says one officer (the same officer who claims it's the first time this is happening in the country, yet he has no qualms dispensing generalizations like a master). Seriously? Says who, which study? Because I can easily name some cases that contradict his assertion. What should a professional conduct be like, you ask? I know, getting the serial killer's signature as a sign of fan-girling.
So. Much. Stupidity.
Netflix goes back to its documentary drawing board, venturing out of the United States in search of riveting serial killer cases. This time, the setting is Mexico, and several elderly women are being strangled to death between the period of 1998 - 2006. The case presents its interesting details - the killer could be a woman? There's also the timely bias in the perception of transvestites and homosexuals. Even with multiple officers assigned to the cases, multiple composites to go by, and even a 3D bust of the killer shown extensively in news media and public spaces, the incompetence of the local police force to connect the dots and capture the killer is clearly evident. The government came up with silly solutions like the additional door lock and so on.
A couple of suspects are interrogated and even sentenced for the killings with no conclusive evidence. The actual killer is revealed only in the final 45 minutes. The story then takes a decisive turn, diving into the reasonings and the methods of execution. The killer profiling was correct, and the composites did look quite similar to the real person, yet how she got away with so many murders over the years while living a regular life with her family is shocking, to say the least. The piece could have easily been a bit crisper; however, due time is given to the victims' acquaintances and kin. That's always an appreciable aspect when it comes to documentaries like these. A suspect wrongly accused of the murders is still in jail - another confusing aspect overall (even if she was a burglar). The crime scene recreation (and capture of the suspect) are done with finesse, though the soundtrack could've been better.
A couple of suspects are interrogated and even sentenced for the killings with no conclusive evidence. The actual killer is revealed only in the final 45 minutes. The story then takes a decisive turn, diving into the reasonings and the methods of execution. The killer profiling was correct, and the composites did look quite similar to the real person, yet how she got away with so many murders over the years while living a regular life with her family is shocking, to say the least. The piece could have easily been a bit crisper; however, due time is given to the victims' acquaintances and kin. That's always an appreciable aspect when it comes to documentaries like these. A suspect wrongly accused of the murders is still in jail - another confusing aspect overall (even if she was a burglar). The crime scene recreation (and capture of the suspect) are done with finesse, though the soundtrack could've been better.
क्या आपको पता है
- कनेक्शनFeatures Los tres García (1947)
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- 1 घं 51 मि(111 min)
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