Missing: The Lucie Blackman Case
ओरिजिनल टाइटल: Keishichô sôsaikka rûshî burakku man jiken
IMDb रेटिंग
6.4/10
4.1 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIt follows the turbulent and complex investigation into the killing of British tourist Lucie Blackman.It follows the turbulent and complex investigation into the killing of British tourist Lucie Blackman.It follows the turbulent and complex investigation into the killing of British tourist Lucie Blackman.
Lucie Blackman
- Self
- (आर्काइव फ़ूटेज)
Sophie Blackman
- Self - Lucie's Sister
- (आर्काइव फ़ूटेज)
Tony Blair
- Self - Former Prime Minister of England
- (आर्काइव फ़ूटेज)
Graham Norton
- Self
- (आर्काइव फ़ूटेज)
फ़ीचर्ड समीक्षाएं
Shamelessly disregarding the clumsiness and stupidity of the Japanese police, never talking about the phone calls Philippe recieved on the first day of Lucie missing and police not bothering to trace ,nor about the £450,000 (in 2006) Tim Blackman received to "forgive" Obara. Why was no one else from Lucie's friends and family interviewed? Why was Caritas liver biopsied 15 years later? Why only the people that walked over her blood were there? Why was there no mention of the phone calls Lucie made on the day to inform her friend of her whereabouts which the police decided to ignore? Utterly biased and shamelessly fooling!
This is obviously a tragic case, the anguish and desperation are perfectly understandable.
However, the attitude? Why do British nationals so often behave like this in an international setting? From British journalists throwing stereotypical comments about another culture, to Tim Blackman's initial disrespect and antagonistic attitude to random Japanese people/cops who are just trying to go about their lives. Again, it's a serious case, and it's understandable that certain standard behavior is out-of-the-window here, but trying to stick your posters anywhere then giving an officer a hard time for nicely telling him not to?
Imagine a foreigner who made a scene in London after their hostess daughter went missing. They then tried to stick posters everywhere downtown, then their entourage of journalists/friends throw stereotypical comments like "oh you know the Brits, they may seem reserved, but there's a dark side under the belly," sneering at the police instead of trying to engage with them first... they might be tackled to the ground forthwith, let alone being given big platforms to present their case to the media and being allowed to do whatever they want (including setting up a hotline, which the Tokyo Met claims might interfere with investigation), all the while with many locals offering assistance.
Look, not suggesting that the Tokyo Met is beyond reproach here, all police forces are flawed, including the Scotland Yard, and their actions deserve scrutiny. Just saying that a sense of self-entitlement isn't going to help anything.
However, the attitude? Why do British nationals so often behave like this in an international setting? From British journalists throwing stereotypical comments about another culture, to Tim Blackman's initial disrespect and antagonistic attitude to random Japanese people/cops who are just trying to go about their lives. Again, it's a serious case, and it's understandable that certain standard behavior is out-of-the-window here, but trying to stick your posters anywhere then giving an officer a hard time for nicely telling him not to?
Imagine a foreigner who made a scene in London after their hostess daughter went missing. They then tried to stick posters everywhere downtown, then their entourage of journalists/friends throw stereotypical comments like "oh you know the Brits, they may seem reserved, but there's a dark side under the belly," sneering at the police instead of trying to engage with them first... they might be tackled to the ground forthwith, let alone being given big platforms to present their case to the media and being allowed to do whatever they want (including setting up a hotline, which the Tokyo Met claims might interfere with investigation), all the while with many locals offering assistance.
Look, not suggesting that the Tokyo Met is beyond reproach here, all police forces are flawed, including the Scotland Yard, and their actions deserve scrutiny. Just saying that a sense of self-entitlement isn't going to help anything.
Extremely biased story telling, eluding many important facts of the story, including the father receiving 450k£ from the killer to limit his sentence, or the existence of her friend and colleague who had received a phone call from the killer on day one.
Only the father and cops are giving testimonies to re-write History, and skip all the aspects that could hurt Japanese police.
When you check who the director is, you understand the story is told in a way to clean Tokyo police image only.
Netflix should be ashamed of producing such content, without any fact checking, and depicting an absolutely misleading representation of the actual story.
Go on YouTube or listen to podcasts, you will have better quality content to understand the full story instead of wasting your time with this piece of propaganda.
Only the father and cops are giving testimonies to re-write History, and skip all the aspects that could hurt Japanese police.
When you check who the director is, you understand the story is told in a way to clean Tokyo police image only.
Netflix should be ashamed of producing such content, without any fact checking, and depicting an absolutely misleading representation of the actual story.
Go on YouTube or listen to podcasts, you will have better quality content to understand the full story instead of wasting your time with this piece of propaganda.
Internationally known as "Missing: The Lucie Blackman Csse", this is a feature-length documentary of a true crime case. Taking place in 2000's Japan, a 21-year british girl has gone missing in Tokyo. This documentary gives an overview of the facts that happened since she went missing.
What makes this true crime documentary interesting is not only the large (inter-)national attention that the case a caught in the 2000's, but also how exactly her father was able to gain all the attention and thereby pressure the japanese police to take all the actions possible to push this case forward. In my opinion, it is exactly this pressure that got this case eventually solved.
The documentary is based on (1) interviews with many involved parties - e.g. Family, press, police, (forensic) investigators - combined with (2) footage from 2000 that was taped during the course of the investigation, and (3) newly recorded footage on-site. It is an attractive combination of material that gives the viewer an overview of many relevant facts of the investigation that took place. Unfortunately, we get to see practically nothing of the trial(s) itself.
What I found missing in this documentary, is more information on whom exactly Lucie Blackman was. Yes, we get some information on her having been a stewardess and now a hostess in Japan. But other than that, we only get to see a photo of how she looked. It would have been more fair to her, if the documentary would have put more time in describing her youth, interests and upbringing. Some interviews with former friends would have given the viewer some emotional connection with her.
What I also would have liked to see, is more information on the "profession" of being a hostess in Japan. This topic was only covered very shortly by interviews with two authors that wrote a book on this profession. These short interviews got me as viewer left with more questions than answers - a fact that I think other viewers will also experience.
Summarizing, I found the documentary an interesting watch. For someone interested in true crime, it will also give an idea of how cases are investigated in Japan. As such, I award this documentary a score of 7.2/10, thereby making it a 7-star IMDb rating.
What makes this true crime documentary interesting is not only the large (inter-)national attention that the case a caught in the 2000's, but also how exactly her father was able to gain all the attention and thereby pressure the japanese police to take all the actions possible to push this case forward. In my opinion, it is exactly this pressure that got this case eventually solved.
The documentary is based on (1) interviews with many involved parties - e.g. Family, press, police, (forensic) investigators - combined with (2) footage from 2000 that was taped during the course of the investigation, and (3) newly recorded footage on-site. It is an attractive combination of material that gives the viewer an overview of many relevant facts of the investigation that took place. Unfortunately, we get to see practically nothing of the trial(s) itself.
What I found missing in this documentary, is more information on whom exactly Lucie Blackman was. Yes, we get some information on her having been a stewardess and now a hostess in Japan. But other than that, we only get to see a photo of how she looked. It would have been more fair to her, if the documentary would have put more time in describing her youth, interests and upbringing. Some interviews with former friends would have given the viewer some emotional connection with her.
What I also would have liked to see, is more information on the "profession" of being a hostess in Japan. This topic was only covered very shortly by interviews with two authors that wrote a book on this profession. These short interviews got me as viewer left with more questions than answers - a fact that I think other viewers will also experience.
Summarizing, I found the documentary an interesting watch. For someone interested in true crime, it will also give an idea of how cases are investigated in Japan. As such, I award this documentary a score of 7.2/10, thereby making it a 7-star IMDb rating.
This is a very well done and compelling true crime documentary about the disappearance of a British foreign National in Japan who becomes the linchpin for the investigation into sexual deviance and sexual crime in Japan. The case unveiled a look at how The Japanese police treated sex crimes and crimes against foreigners. The show features archival footage, contemporary interviews, and documents associated with the case. Jake Adelstein, the subject of HOB's Tokyo Vice, is featured as a Western reporter with intimate knowledge of Japan and the Japanese police. The show is good. It is sad, but good. The show has a lot of cultural undertones, and it is tight as far as documentaries go.
क्या आपको पता है
- ट्रिवियाNetflix's first documentary film from Singapore.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Missing: The Lucie Blackman Case?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Kayıp: Lucie Blackman Vakası
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- IMDbPro पर और कंपनी क्रेडिट देखें
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