रिपोर्टर लोरेटा मैकलॉघलिन ने सबसे पहले हत्याओं को जोड़ा और बोस्टन स्ट्रैंगलर की कहानी को उजागर किया. जीन कोल के साथ उसने 1960 के दशक की शुरुआत में शहर के सबसे कुख्यात सीरियल किलर के बारे में... सभी पढ़ेंरिपोर्टर लोरेटा मैकलॉघलिन ने सबसे पहले हत्याओं को जोड़ा और बोस्टन स्ट्रैंगलर की कहानी को उजागर किया. जीन कोल के साथ उसने 1960 के दशक की शुरुआत में शहर के सबसे कुख्यात सीरियल किलर के बारे में रिपोर्ट करने के लिए सेक्सिज्म को चुनौती दी.रिपोर्टर लोरेटा मैकलॉघलिन ने सबसे पहले हत्याओं को जोड़ा और बोस्टन स्ट्रैंगलर की कहानी को उजागर किया. जीन कोल के साथ उसने 1960 के दशक की शुरुआत में शहर के सबसे कुख्यात सीरियल किलर के बारे में रिपोर्ट करने के लिए सेक्सिज्म को चुनौती दी.
- 1 प्राइमटाइम एमी के लिए नामांकित
- 1 जीत और कुल 7 नामांकन
- Patrick
- (as Antonio Volpicelli)
फ़ीचर्ड समीक्षाएं
The bad: this movie is simply going through the motions. No surprises. No spark or punch. No real thrill. No originality. Everything about this serial killer movie has been done better by others before...
More bad: it has got an annoyingly heavy soundtrack, that must constantly remember me as a viewer, that now THIS scene and now THAT scene is suppose to be ominous and spooky. When it's no such thing. Bummer!
Not any good then? Honestly, I have been critisizing this movie but it's certainly not a terrible movie, merely a rather BLAND and BORING one.
Similar to many other reviewers on Imdb, I also had many flashbacks of the brilliant movie called "The Zodiac" (2007) with Robert Downey Jr. And Jake Gylenhaal. Go watch THAT movie instead of this failed COPYCAT flick! "The Zodiac" (2007) is HIGHLY recommended by me and by many other true fans of this genre!
There are some moments that I didn't particularly like: little attention was paid to the relationship between the main character Loretta with her husband, and overall the frames with the family were inserted very chaotically. Also, the ending came out too crumble and confusing. But if you like movies such as Zodiac, Se7en, Prisoners, you should know these movies are certainly better :) But most likely you won't regret the time spent watching Boston Strangler.
Inspired by true events, 'Boston Strangler' is a fairly tepid thriller telling an interesting story in a formulaic fashion. The film moves at a snail's pace, Ruskin's dialogue never sounds anything other than stilted and his characterisation is practically non-existent. While the characters of McLaughlin and Cole should be compelling, Ruskin doesn't give us much insight into their personalities or histories, so we don't really care for them.
Furthermore, McLaughlin's home life is only briefly hinted at, and is then based on stereotypes. Neither she nor anyone else in the film has what one could call a character arc, and beyond their determination to break the strangler story; Ruskin doesn't tell us anything about McLaughlin or Cole. Moreover, the film fails to address the sexism they face in a meaningful way, secondary characters are ill-defined and the historical accuracy of proceedings is questionable.
What's arguably worse though is the film's total lack of suspense or tension. The story unfolds in a linear way with few twists or thrills, never showing us the perspective of the killer or the victims, while also failing to create any doubt or mystery about his identity or motives. We never see the strangler in action, only hear about his crimes from the reporters or the police, creating a distance between the audience and the subject of the film. This means we don't build up any anticipation or fear for the next victim, or any empathy or sympathy for the previous ones.
Alongside his bland characters, this lack of emotional involvement with Ruskin's material means that the film plays more like a dull documentary than a chilling thriller. Had Ruskin concentrated a bit more on characterisation and explored the psychological aspects of the case- such as the motives of the killer or the impact of the murders on the public- 'Boston Strangler' could have been memorable, as it has commendable elements.
John P. Goldsmith's production design, for one, faithfully captures the 60's aesthetic, using vibrant colours, retro styles and historical details to create an impressive facsimile of the time. The film also shows the contrast between the affluent and the poor areas of Boston, and the social unrest that was brewing at the time. Additionally, Ben Kutchins' moody cinematography is very atmospheric, bolstering the film's gritty tone. Paul Leonard-Morgan's score is also worth mentioning, as it brings additional drama to proceedings.
Furthermore, the performances are generally strong, with star Keira Knightley particularly impressing. A versatile talent of depth and charm, Knightley delivers a nuanced performance as McLaughlin, subtly showing her determination, intelligence and vulnerability. Her American accent is faultless and she carries the film squarely on her shoulders. Carrie Coon does similarly compelling work as Cole, though is ultimately underused, as is the great Chris Cooper in the role of McLaughlin's editor.
Despite the solid performances though, Matt Ruskin's 'Boston Strangler' underwhelms and disappoints. The narrative is dreary and insipid, told at a pace that would feel leisurely even to a tortoise. While the cinematography is atmospheric, the score stirring and the production design of a high quality, the film fails to grab one's attention, and is ultimately forgettable. In conclusion, despite its subject matter, Matt Ruskin's 'Boston Strangler' just isn't gripping.
My Rating 7/10 Streaming on Disney
This very interesting story is not a remake of any of the previous movie or television adaptations about the horrific murders of at least 11 women from the Boston area between 1962 and 1964.
It's the untold story of the unsung heroines two reporters Loretta McLaughlin played by Keira Knightly and Jean Cole played by Carrie Coon.
These two women were the first to link the murders of at least 11 women in the Boston area between in the early 1960's to one man known as The Boston Strangler by examining the evidence and the similarities in each case .
They worked as women reporters for The Record American Newspaper later The Boston Globe who were assigned to cover "women's stories " fashion and social events while their male colleagues got the real tough news stories of the day.
Loretta is first to request that she be assigned to cover the murders after she discovers the link but is road blocked by her boss until she is taken seriously.
Later her more experienced colleague Jean is assigned to cover the story with her which at first Loretta resents .
This movie is not a crime thriller that part of the story has been told before .
Of course it covers the background of these horrific crimes but the emphasis is on the two women reporters and the obstacles that the Police and their own bosses put up to hinder their investigation.
The Police investigation was shoddy to say the least and the magazine bosses didn't think the women were capable enough to report such a great story.
Keira Knightley is impressive as the determined Loretta who is trying to balance her home life with her career and Carrie Coon is equally impressive as the more worldly Jean who Loretta at first resents as this is her story.
Boston Strangler is not a great film but it's an interesting well acted and well produced.
I found the mood a bit somber and thought it needed a bit of a jolt here and there .
I found the sepia dark tones a little depressing but as the end credits rolled around the importance of this story became obvious these women were pioneering as far as journalism was concerned.
Matt Ruskin wrote the screenplay and directed the film .
I just wondered if a different director may have elevated Boston Strangler to greater heights.
It lacked the impact for me of the recent Maria Schrader movie She Said also about 2 courageous women journalists however it's well worth a look at.
क्या आपको पता है
- ट्रिवियाThe film being watched on the television by James McLaughlin is "Five Fingers" (1952) starring James Mason and directed by Joseph L. Mankiewicz.
- गूफ़A title at the end of the film said, "George Nassar is still in prison in Massachusetts." The New York Times reported on March 28, 2023, that he had actually died in prison in 2018 at the age of 86.
- भाव
George Nassar: See, you all created a myth, and it needed to be stopped. People wanted to believe it was Al, but they needed to believe it was Albert. The alternative was just too disturbin'.
Loretta McLaughlin: What's that?
George Nassar: There are many Albert DeSalvos out there. And your safe little world is just a delusion. Men kill women. It didn't start with Albert. Sure as hell doesn't end with him neither.
- साउंडट्रैकNowhere to Run
Written by Lamont Dozier, Brian Holland and Eddie Holland (as Edward Holland Jr.)
Performed by Martha & The Vandellas (as Martha Reeves & The Vandellas)
Courtesy of Motown Records
Under license from Universal Music Enterprises
टॉप पसंद
- How long is Boston Strangler?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- El estrangulador de Boston
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- उत्पादन कंपनियां
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- चलने की अवधि1 घंटा 52 मिनट
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- 2.39 : 1