IMDb रेटिंग
7.6/10
5.8 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDuring WWII the valet to the British Ambassador to Ankara sells British secrets to the Germans while trying to romance a refugee Polish countess.During WWII the valet to the British Ambassador to Ankara sells British secrets to the Germans while trying to romance a refugee Polish countess.During WWII the valet to the British Ambassador to Ankara sells British secrets to the Germans while trying to romance a refugee Polish countess.
- निर्देशक
- लेखक
- स्टार
- 2 ऑस्कर के लिए नामांकित
- 5 जीत और कुल 4 नामांकन
Abdullah Abbas
- Customer
- (बिना क्रेडिट के)
Diane Adrian
- Singer on French Record
- (वॉइस)
- (बिना क्रेडिट के)
Hanna Axmann-Rezzori
- Von Papen's Secretary
- (बिना क्रेडिट के)
Salvador Baguez
- Ship's Captain
- (बिना क्रेडिट के)
David Bauer
- Da Costa
- (बिना क्रेडिट के)
Harry Baum
- Footman
- (बिना क्रेडिट के)
Maurice Brierre
- Minor Role
- (बिना क्रेडिट के)
Oliver Cross
- British Officer
- (बिना क्रेडिट के)
Alexis Davidoff
- Turk Guard
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
I remember reading the book on which this film is based more than fifty years ago, as well as seeing it when it was first released. I have just viewed it again and want to encourage others to see it. It is well crafted in every respect -- taut direction, superb performances, and a very fine screenplay. This film deserves more recognition.
Supposedly based on a true story, a valet uses his position at British embassy to steal WWII secrets to sell to the Germans.
What a superbly tight script that stays on the compelling track the whole time. We watch lowly valet Diello (Mason) use nothing but wits and guts to outmaneuver both the British and the Germans. He's not a sympathetic lead character, always unusual for a Hollywood production (TCF). But you can't help admiring his ability to outwit the professionals, even if he is completely self-centered.
I get the feeling Diello sees himself as a natural born aristocrat denied that position by the fortunes of birth. So, by golly, he's going to use those talents to get the wealth and position he deserves, but which European society has denied him.
Mason is simply superb in a tailor-made part. He projects both the icy intelligence and curt politeness that the role requires. I sweated a bucket load when the cleaning lady rummages around the closet, while Diello photographs embassy secrets. If she finds the power switch, he's toast. Great scene.
Note too, how there're no obvious good guys-bad guys, also unusual for a WWII drama. The British are slightly favored, but at least the Germans aren't caricatured. It's more like one opportunist (Diello) is exploiting both sides impartially, and they're both after him.
Then too, what guy wouldn't lose his head over the delectable Darrieux, even a guy as calculating as Diello. All of which makes the ending one of the most ironically satisfying in movie annals. I'm betting this was one of the best films to come out of that spare movie year of 1952. So if you haven't seen it, do.
What a superbly tight script that stays on the compelling track the whole time. We watch lowly valet Diello (Mason) use nothing but wits and guts to outmaneuver both the British and the Germans. He's not a sympathetic lead character, always unusual for a Hollywood production (TCF). But you can't help admiring his ability to outwit the professionals, even if he is completely self-centered.
I get the feeling Diello sees himself as a natural born aristocrat denied that position by the fortunes of birth. So, by golly, he's going to use those talents to get the wealth and position he deserves, but which European society has denied him.
Mason is simply superb in a tailor-made part. He projects both the icy intelligence and curt politeness that the role requires. I sweated a bucket load when the cleaning lady rummages around the closet, while Diello photographs embassy secrets. If she finds the power switch, he's toast. Great scene.
Note too, how there're no obvious good guys-bad guys, also unusual for a WWII drama. The British are slightly favored, but at least the Germans aren't caricatured. It's more like one opportunist (Diello) is exploiting both sides impartially, and they're both after him.
Then too, what guy wouldn't lose his head over the delectable Darrieux, even a guy as calculating as Diello. All of which makes the ending one of the most ironically satisfying in movie annals. I'm betting this was one of the best films to come out of that spare movie year of 1952. So if you haven't seen it, do.
This is one of the great spy films. Mason gives his trademark cool, expert performance as a slippery, suave spy for the Nazis. The story is one of 20th Century Fox's series of documentary-style films based on real events during World War II.
The sense of danger and suspense is well handled, and the conclusion is Shakespearian in irony. This is a minor classic -- minor simply because few people know about it. See it if you get the chance.
The sense of danger and suspense is well handled, and the conclusion is Shakespearian in irony. This is a minor classic -- minor simply because few people know about it. See it if you get the chance.
Another great performance by James Mason - he is wonderful as the brainy, underestimated valet of the British Ambassador to Turkey who feeds invaluable information to the Nazis for a price. The betrayals and counter-betrayals throughout make this a terrific suspense film. As usual, I find myself hoping that James Mason will get away with his crimes, even in spite of the despicable nature of his treachery and to whom he is betraying his secrets. The ending is satisfying in the most perfect way.
This film is far from forgotten. Fans of James Mason and director Joseph L. Mankiewicz know it well. It's one of the most intelligent spy thrillers ever thanks to an Oscar-winning screenplay by Michael Wilson ("Bridge on the River Kwai," "Lawrence of Arabia," and the original "Planet of the Apes"). It also has a score by Bernard Herrmann. What else do you need? Other comments here have told what the plot is, so all I'll say is I envy you if haven't seen it yet and plan to. It's gripping and enjoyable all the way, and wonderfully ironic.
क्या आपको पता है
- ट्रिवियाThe real Cicero was Elyesa Bazna, an Albanian. In his book "I Was Cicero" he retells the story, listing his collaborators as a chambermaid and his niece. The character of the countess was a Hollywood fabrication.
- गूफ़When Diello suggests to Moyzisch that he change the safe's combination, he renders the existing combination as 1-30-33 and suggests 6-18-15. One would expect an employee of the Britsh Embassy (particularly one born in the UK) to have used "European" notation (date/month/year) instead of US notation (month/day/year), particularly when speaking with a German.
- भाव
Count Franz Von Papen: I've often wondered, Countess - why did you leave Warsaw?
Countess Anna Staviska: Bombs were falling. I felt I was in the way.
- क्रेज़ी क्रेडिटBefore the movie title: This is a true story. All the exterior scenes in this picture were filmed in the locales associated with the story.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is 5 Fingers?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Operation Cicero
- फ़िल्माने की जगहें
- Yeni Cami Square, Eminönü, Fatih, इस्तांबुल, तुर्की(market scene at end of movie)
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $46,317
- चलने की अवधि
- 1 घं 48 मि(108 min)
- रंग
- पक्ष अनुपात
- 1.37 : 1
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