The Last Will and Testament of Rosalind Leigh

Heh... I am not at all surprised that this film has such polarized reviews. As you can likely tell by many of the Summaries, people either think it is very good or hate it. The reason being is VERY simple. Whenever you have a very low key 'Horror' film or especially a Ghost Story, unless you are the kind of person who really specifically enjoys these kinds of movies, you are just gonna sit there and think 'What crap!' and be totally bored. Thus the 1 and 2 star reviews that you see here...

I've pretty much given up on people realizing that when they come here to dump all over a specific kind of film that they would NEVER like anyway, it is of absolutely NO help to others who may be looking for this type of film and want to know if it is a good one. It's like if you hate old-style, Classic B-Westerns, and you come here and review a film like that and then say how awful, corny, and stupid it is. How helpful is that to other people who happen to LIKE old B-Westerns. Not terribly much... But, people just do not seem to get that.

Anyway, sorry to digress a bit, but I really wish people wouldn't waste all our time and do that. The story and pacing is SLOW... It is ALL about mood and atmosphere with a good layer of Psychological overtones. Also, it is nominally a Ghost Story, which either you like them or your don't. And, it is a SLOW, moody Ghost Story with VERY little in the way of violence or quick-edits or any overt or graphic imagery. So, if you are on of these people who love films like 'HOSTEL' or 'SAW' or 'THE MARTYRS' or 'HAUTE TENSION', you probably will get almost nothing from this movie at all. Again, precisely the reason for many of the poor reviews that you see here.

As I mentioned, a lot of this film is Psychological, mainly because you are pretty much experiencing it from the point of view of the one guy who has come back to his old home where he was raised. One thing that I really did like was the set decoration, the imagery and the cinematography and lighting. It was very effective in creating the mood of the story. Also, I really liked the soundtrack; although the story and overall mood were very low-key, the soundtrack itself reminded me of some of the more adventurous Horror film soundtracks that I really liked that were more common in Horror films about 40 years ago. It is a nice counterpoint to the slow mood of the rest of the film and can build quite a nice crescendo of suspense in a couple of scenes.

There is a lot of religious imagery, which along with the look of the rest of the film was pretty creepy and effective in adding to the mood. The story is deliberately vague so that the audience doesn't REALLY know quite what is going on. The voice-over narration of the mother who has died and what is revealed about the way he was raised adds to the texture of the story, such as it is. Not to be too specific, but the end was rather mystifying and I cannot honestly say that it was clear to me as to what it meant. But, the way it was done still packed a nice little punch at the end of the film.

Basically as you can likely tell by now, this is NOT your usual modern-day, MTV-induced, shaky-cam, found-footage Horror film. It is very much a throwback to Classic Ghost stories, and very low-key ones at that. So, if you have no real interest in those types of films, then you probably won't care for this one. BUT... if you DO have an appreciation for slow, ambiguous, Psychological, and very moody Horror films, then yes, like me, you probably will will find it intriguing and entertaining.

I don't know what other users expected or wanted to see...But I actually liked this one.

Gudiño's first shot at not shorts. He quite nailed it! Gudiño takes us into the very self of his characters; we get to know them, to feel what they felt.

Guy enters mother's home in hopes of selling, because she has passed away; guy starts to feel, hear, see things...It looks like the very same formula, but, Gudiño takes it one step up, if not a couple more.

Innovation finally arrives in this genre. A great start to build a pretty good future for Gudiño.

Leon has recently inherited his mother's home after her death. Before her death, his mother was a member of a rather odd cult who worship angels. Taking up residence, he explores the old, creepy and rather labyrinthine house that has statues of angels everywhere. However, Leon soon realises that there's more to his mother's house and her life than meets the eye. He also starts to realise that maybe he's not alone in the house. And maybe, his mother put so much faith in angels to protect her. Protect her from something that may now have its eye on Leon himself...

The Last Will & Testament of Rosalind Leigh has so much potential. It has a gorgeous set design and a nicely ominous tone and impending sense of dread, as well as an effective and decidedly haunting voice-over from Vanessa Redgrave. Unfortunately though after the half way mark it just kinda falls flat and comes across as having some very nice ideas that unfortunately either aren't executed well or else just simply discarded. As a result the film feels decidedly dissatisfying and concludes in an unexpectedly abrupt manner that ultimately leaves the viewer feeling slightly cheated.

That having said it has a nice atmosphere, is absorbing enough for the first half and marks the feature debut of Rue Morgue Magazine editor & president Rodrigo Gudino. While it ultimately didn't work for me, I do think that Gudino has a lot of promise and is certainly talented and I'll definitely be keeping an eye out for him in future.

5/10, a film that I personally was disappointed in, but ultimately worth a look as I suspect it's a film that'll polarize fans overall.

This movie has a very low rating, one that it does NOT deserve. As this movie is more of a suspense building religious horror film designed for people who are interested in watching an intelligent "Hitchcock style" film that will grind on your nerves and make you look twice in the shadows. I am afraid that many viewers were expecting a slasher style blood and guts jump-scare movie. Not so with this one. Ghosts, demons and dark iconology scare the viewer into a dark place. This is a good film, one that achieves its goal of installing terror and making you think about it afterwards. Bravo to the director on creating something unique in a genre overrun with splatter fest and cheap gore.

Watch this one if you have a keen intelligence and want something different.

Bottom line - deeply atmospheriс, very touching, mystic and dramatic movie with a horror flavor. Close by the aftertaste to Insidious and Sinister, little below on the horror scale, and a bit up on intellectual. Don't expect massive effects, it is definitely not about it.

I loved this slow pace, rich decorations, brave camera angles and the sound work. Finally not only boom-sound effects! Just a subtle squeaking wood under one's feet in an old empty house - that's a kind of scare I was looking for. The art of attention to details is here again.

I can agree that The Last Will and Testament of Rosalind Leigh didn't untap all the potential it has uncovered. Surely not because of lacking substance.

I rather believe that the author wanted to say way more than runtime allowed to - on religion, obsessions, mother-son relationship, on religion and loneliness.. Or may be he left the space for our imagination by intent. Whatever the reason the more interesting it will be to see next works from Rodrigo Gudino I'm definitely subscribing to.