IMDb रेटिंग
5.3/10
8.3 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंWhen she learns the supernatural pit worshipped by her remote community in the woods has demanded her as a blood sacrifice, Ada struggles to find a way to survive, while the pit lashes out i... सभी पढ़ेंWhen she learns the supernatural pit worshipped by her remote community in the woods has demanded her as a blood sacrifice, Ada struggles to find a way to survive, while the pit lashes out in anger.When she learns the supernatural pit worshipped by her remote community in the woods has demanded her as a blood sacrifice, Ada struggles to find a way to survive, while the pit lashes out in anger.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- कुल 1 नामांकन
Carol Jean Wells
- Little Girl
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Yep, that's about it. After I finished watching the film and I came here to check out the rating, I was not surprised at all that it was a mere 5.2. And deservedly so...
The great writer Charlie Kaufman in his brilliant film 'ADAPTATION' had the experienced filmmaker tell his character that 'Rule #1' in writing was to make sure to give the audience a 'Slam-Bang' ending. Well, this is precisely, in my lowly and wretched opinion, where the filmmakers here fell far short.
The reason why this movie currently only has a '5.2' rating isn't because it wasn't made well. It isn't because it wasn't acted well, because the acting was superb. It wasn't because technically it wasn't down well, because the writing, direction, pacing, and above all 'Mood' was excellent. It it certainly wasn't because the story was poor; the idea was frigg'n BRILLIANT!
The reason, as clearly stated in my title above is because of the ending. And, without giving too much away, I do not mind 'Dark' endings. I do not mind endings that might give you a shock. BUT... in my lowly and wretched opinion, one thing I feel that a director should never, NEVER do, is put the audience through such a grueling and fascinating and creative journey and then just end it with a completely pointless, and I mean POINTLESS letdown.
Inexcusable...
And, thus, the deserved 5.2 rating. IF, and I really mean this, IF the filmmakers had just given the bloody ending a BIT more thought so that the audience either felt rewarded for going through all that they had, or given it some kind of nice twist, or at least given us some irony, just bloody SOMETHING, ANYTHING instead of the paltry nothing, meaningless ending that in my opinion did absolutely NOTHING for the audience, I feel quite honestly that it would have been a truly great film. But, sadly, It simply didn't leave us with a feeling of satisfaction. It didn't leave us with a sense of Mystery. It didn't even leave us with a true sense of Horror. The audience is left sitting there going, 'Is that it...?'
It just left us with a mindlessly STUPID non-ending that did nothing for us in any way at all...
The great writer Charlie Kaufman in his brilliant film 'ADAPTATION' had the experienced filmmaker tell his character that 'Rule #1' in writing was to make sure to give the audience a 'Slam-Bang' ending. Well, this is precisely, in my lowly and wretched opinion, where the filmmakers here fell far short.
The reason why this movie currently only has a '5.2' rating isn't because it wasn't made well. It isn't because it wasn't acted well, because the acting was superb. It wasn't because technically it wasn't down well, because the writing, direction, pacing, and above all 'Mood' was excellent. It it certainly wasn't because the story was poor; the idea was frigg'n BRILLIANT!
The reason, as clearly stated in my title above is because of the ending. And, without giving too much away, I do not mind 'Dark' endings. I do not mind endings that might give you a shock. BUT... in my lowly and wretched opinion, one thing I feel that a director should never, NEVER do, is put the audience through such a grueling and fascinating and creative journey and then just end it with a completely pointless, and I mean POINTLESS letdown.
Inexcusable...
And, thus, the deserved 5.2 rating. IF, and I really mean this, IF the filmmakers had just given the bloody ending a BIT more thought so that the audience either felt rewarded for going through all that they had, or given it some kind of nice twist, or at least given us some irony, just bloody SOMETHING, ANYTHING instead of the paltry nothing, meaningless ending that in my opinion did absolutely NOTHING for the audience, I feel quite honestly that it would have been a truly great film. But, sadly, It simply didn't leave us with a feeling of satisfaction. It didn't leave us with a sense of Mystery. It didn't even leave us with a true sense of Horror. The audience is left sitting there going, 'Is that it...?'
It just left us with a mindlessly STUPID non-ending that did nothing for us in any way at all...
Ada is a sexually active girl in a religious community that lives in the forest making human sacrifice to their god, The Pit. The Pit possesses a chosen member of the community, making a jug with a face molded into it. The person who's face is on the jug is the person they must sacrifice. The Pit wants what it wants. When Ada finds her face on the new jug, she hides it as she suspects she may be pregnant.
This is a great, original new dramatic horror story with some excellent performances. Lauren Ashley Carter gives us reason to like a girl, who if given a different perspective of, most of us would judge harshly and look down upon as she's pregnant with her brother's child. Both her father and mother, played by Larry Fessenden and Sean Young, are played perfectly. However it's Sean Bridgers as Dawai, the jug-maker, who steals the show with his character.
Jug Face is written and directed by Chad Crawford Kinkle. As good of a writer he may show promise to be, what holds Jug Face back from being a great film is that it is poorly paced. Enough time isn't spent on building suspense, adding tension, exploring the horror of all that is going on. We wish the film was longer so we could have spent more time getting to know the characters so that we care whether or not they are going to die. Whether this is a lack of talent or experience as a director is uncertain, what is certain is that the performances and the story make up for this. It's through Sean Bridgers and Lauren Ashley Carter that we come to care for their characters. Sean Young plays one of the most frightening mothers put to screen since Carrie and is more dreadful than The Pit.
Overall, Jug Face will be a twisted, original treat for fans of indie horror.
This is a great, original new dramatic horror story with some excellent performances. Lauren Ashley Carter gives us reason to like a girl, who if given a different perspective of, most of us would judge harshly and look down upon as she's pregnant with her brother's child. Both her father and mother, played by Larry Fessenden and Sean Young, are played perfectly. However it's Sean Bridgers as Dawai, the jug-maker, who steals the show with his character.
Jug Face is written and directed by Chad Crawford Kinkle. As good of a writer he may show promise to be, what holds Jug Face back from being a great film is that it is poorly paced. Enough time isn't spent on building suspense, adding tension, exploring the horror of all that is going on. We wish the film was longer so we could have spent more time getting to know the characters so that we care whether or not they are going to die. Whether this is a lack of talent or experience as a director is uncertain, what is certain is that the performances and the story make up for this. It's through Sean Bridgers and Lauren Ashley Carter that we come to care for their characters. Sean Young plays one of the most frightening mothers put to screen since Carrie and is more dreadful than The Pit.
Overall, Jug Face will be a twisted, original treat for fans of indie horror.
The emperor has no clothes.
It is next to impossible to have a scary movie with nothing scary.
The people who believe that 'less is more' are fooling themselves. Crap like Blair Witch and Paranormal Activity try to substitute style for substance under the guise that people will fill in the omissions of the movie with their own imagination. Well that is BS.
The lead actress is excellent. All of the performances were exemplary. BUT there is no real monster, almost no back story and almost no resolution.
I don't want to give anything away but this movie didn't resolve itself so much as dissolve into credits.
OK, it's one thing to criticize so I will make up a scarier ending.
Something freaking scary and mean comes out of the pit and eviscerates the victims in front of the whole clan. The chick runs away with the potter and while in the big city, the monster rips up the potter in front of hundreds of people. The girl becomes resigned and goes back to goober holler and kills almost everyone in the clan to get out of being the sacrifice. The END. THERE. THAT is a better ending.
It is next to impossible to have a scary movie with nothing scary.
The people who believe that 'less is more' are fooling themselves. Crap like Blair Witch and Paranormal Activity try to substitute style for substance under the guise that people will fill in the omissions of the movie with their own imagination. Well that is BS.
The lead actress is excellent. All of the performances were exemplary. BUT there is no real monster, almost no back story and almost no resolution.
I don't want to give anything away but this movie didn't resolve itself so much as dissolve into credits.
OK, it's one thing to criticize so I will make up a scarier ending.
Something freaking scary and mean comes out of the pit and eviscerates the victims in front of the whole clan. The chick runs away with the potter and while in the big city, the monster rips up the potter in front of hundreds of people. The girl becomes resigned and goes back to goober holler and kills almost everyone in the clan to get out of being the sacrifice. The END. THERE. THAT is a better ending.
Described as a horror film, Jug Face isn't the traditional horror film but more so the kind with creepy and disturbing scenes spread out, with a supernatural theme, and several spiritual ghost like flashbacks and spooks.
This is an independent film which may be a little slower paced and slightly confusing for the casual audience. At times it was difficult in understanding the characters due to their accents and slurred speech. The dialogue is very important here and if you aren't fully hearing what they are saying, you miss a lot.
It is most definitely a bizarre film, though in a way somewhat original. Reminded somewhat of the Witch (2015)- slower paced supernatural horror/thriller.
Most definitely a film which requires close paying attention because there are slight details which may be confusing if you are half paying attention. Not everything is spoon fed.
The entire "jug face" and "sacrifice into the pit" was something did not fully understand at first, yet after rewatching parts of the beginning, it was made more clear.
The performance by lead actress is definitely the highlight (baring a resemblance to Maisie Williams and in some scenes at times Kristen Stewart). The sculpture "jug face" maker Dawai who comes along greatly steals his scenes in the second half was another highlight. As well as Sean Young playing the aggressive, abusive and firm mother. The scenery looks nice in the woods/out doors.
What wasn't exactly clear or mentioned is what time period the film takes place. The characters are from a weird cult like community with firm weird beliefs, and they have very non-present day names (Ada, Dawai, Loriss, Jessaby). Though there is a scene where our protagonist Ada goes into a pharmacy and the store looks quite present dated.
Also there is a slight theme of incest. This was brief and only really shown in the opening but does end up being a storyline. We last see the brother being "sacrificed" by the father in the pit for claiming to being sick. Apparently the pit swallows people and kills them (off screen shown- nothing graphic shown).
The film could have been expanded a little more as the ending is entirely depressing and felt quite rushed. It wasn't exactly predictable but there could have been a twist thrown in.
Jug Face certainly isn't a film for everyone as people may be creeped out and disturbed by some of its themes, though from an independent film standpoint. It is quite a nice hidden gem, and a film in which have enjoyed the more having thought about after its viewing. It is more layered than initially thought of.
This is an independent film which may be a little slower paced and slightly confusing for the casual audience. At times it was difficult in understanding the characters due to their accents and slurred speech. The dialogue is very important here and if you aren't fully hearing what they are saying, you miss a lot.
It is most definitely a bizarre film, though in a way somewhat original. Reminded somewhat of the Witch (2015)- slower paced supernatural horror/thriller.
Most definitely a film which requires close paying attention because there are slight details which may be confusing if you are half paying attention. Not everything is spoon fed.
The entire "jug face" and "sacrifice into the pit" was something did not fully understand at first, yet after rewatching parts of the beginning, it was made more clear.
The performance by lead actress is definitely the highlight (baring a resemblance to Maisie Williams and in some scenes at times Kristen Stewart). The sculpture "jug face" maker Dawai who comes along greatly steals his scenes in the second half was another highlight. As well as Sean Young playing the aggressive, abusive and firm mother. The scenery looks nice in the woods/out doors.
What wasn't exactly clear or mentioned is what time period the film takes place. The characters are from a weird cult like community with firm weird beliefs, and they have very non-present day names (Ada, Dawai, Loriss, Jessaby). Though there is a scene where our protagonist Ada goes into a pharmacy and the store looks quite present dated.
Also there is a slight theme of incest. This was brief and only really shown in the opening but does end up being a storyline. We last see the brother being "sacrificed" by the father in the pit for claiming to being sick. Apparently the pit swallows people and kills them (off screen shown- nothing graphic shown).
The film could have been expanded a little more as the ending is entirely depressing and felt quite rushed. It wasn't exactly predictable but there could have been a twist thrown in.
Jug Face certainly isn't a film for everyone as people may be creeped out and disturbed by some of its themes, though from an independent film standpoint. It is quite a nice hidden gem, and a film in which have enjoyed the more having thought about after its viewing. It is more layered than initially thought of.
I have just finished watching JUG FACE for the first time and I must admit that this is not at all how I expected to feel. The title alone does nothing to promote high expectations. Neither does the few clips that have been showing on the previews from other dvds. This is by all accounts a low budget affair but it still has ...something. There's not a lot of astounding visual effects to distract you or sugarcoat the story but the one thing this film has which is easy to spot is authenticity. It is not the shadowy beings that roam the woods that scare you. It's not the unknown entity that dwells in the pit. Those things are really just there to provide a focus for the real horrors in this movie which are the people that live there. The unshakable faith that the followers have in their myths and the fervor that is palpable in their rhetoric seems to dance just behind their eyes. The conviction that empowers them to commit unspeakable acts. These are the things that stand out about JUG Face. It's an absolutely enthralling depiction of single mindedness and ignorant worship. The characters here are convincing if not always polished. You really feel that they don't believe they have any other choices than the ones which they are compelled to make. They don't question their lives they simply live them out until the pit chooses them. However, once she is chosen, Ada must make a choice of her own...With a larger budget this could have been a masterpiece of modern horror. As is, this is recommended for fans of true dread and moodily atmospheric thrillers. 7 out of 10.
क्या आपको पता है
- ट्रिवियाSean Young said that she found it difficult to play an unsympathetic character, but she enjoyed working with Carter and Fessenden. Young was deliberately made to look old, which she said was helped by the custom-made clothing.
- गूफ़When Ada and Eilen are washing clothes in the stream, they are both barefoot. Ada wades across the river and up the bank to hang the clothes and has her vision of the creature attacking Eilen. She screams, her mother runs to her, and they both race down to the river where they see blood, at which point Ada is still barefoot. The two women then follow the blood trail to the pit, running all the way. When they arrive at the pit, Ada is wearing black socks and boots over white stockings.
- कनेक्शनFeatured in Woodlands Dark and Days Bewitched: A History of Folk Horror (2021)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Jug Face?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,50,000(अनुमानित)
- चलने की अवधि
- 1 घं 21 मि(81 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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