एक दूरदराज़ ग्रह पर जाने के लिए मजबूर एक कॉलोनी शिप का चालक दल, अपनी कल्पना से परे एक खतरे के साथ एक अज्ञात स्वर्ग की खोज करता है और उन्हें एक खौफ़नाक निकास को अंजाम देना होगा.एक दूरदराज़ ग्रह पर जाने के लिए मजबूर एक कॉलोनी शिप का चालक दल, अपनी कल्पना से परे एक खतरे के साथ एक अज्ञात स्वर्ग की खोज करता है और उन्हें एक खौफ़नाक निकास को अंजाम देना होगा.एक दूरदराज़ ग्रह पर जाने के लिए मजबूर एक कॉलोनी शिप का चालक दल, अपनी कल्पना से परे एक खतरे के साथ एक अज्ञात स्वर्ग की खोज करता है और उन्हें एक खौफ़नाक निकास को अंजाम देना होगा.
- पुरस्कार
- 3 जीत और कुल 18 नामांकन
फ़ीचर्ड समीक्षाएं
I had high expectations going into Covenant, I'd enjoyed Prometheus despite it's well documented flaws and was expecting it to rise above it's predecessor. It didn't. I can suspend belief for some things but others I can't overlook, the crew were well cast but the writing had some major flaws in much the same vein as Prometheus, highly trained people making incredibly bad decisions. You can argue that under pressure mistakes are made but not school-boy errors, taking an obviously sick and infected man onto your ship with no hint of quarantine being a major one. Having said that, I did think the aliens themselves were well projected and frightening, men-in-suits works better for me than CGI so on this point Scott won. The first two acts were good barring the critical errors, but the final act was telegraphed and obvious, it left me wondering where this great franchise can go to next? I will watch it again on disc and will definitely add it to my collection but to feel this disappointed after waiting for another of my favourite franchises to appear it left a bitter taste in my mouth, and it wasn't the Coke Zero.
When I went into watching Covenant on opening night, I went in with neither excitement nor hesitation but was just curious. I was one of the people who didn't hate Prometheus because I admired the new mythology Ridley Scott was trying to create. However, I could see that it was poorly executed especially when connecting to Alien. Covenant improves on those ideas with better-written characters but in the end mostly fails as a memorable Alien film.
The parts I liked the most surprisingly were the Prometheus tie-ins. The film constantly delves on the ideas of creation, religion and faith without feeling as forced like in Prometheus. From the opening scene of android David's "birth" to the crew of the Covenant being a colony ship carrying couples, the film carries on these philosophical ideas while tying in very well with the origin of the iconic Xenomorph. While it does not explain everything that was left open in Prometheus, it does feel satisfying that Covenant tries to give some answers rather then just leave with questions.
Once again Michael Fassbender proves to be the standout of this film. But this time he shows off double the effort when he plays two androids, the original David and the Covenant's own personal android Walter. David gets to be a lot more fleshed out and we get a better understanding behind his questionable actions. And as Walter, Fassbender displays a more restrained, machine-like personality but still conveying a sense of loyalty to the crew. And seeing the two Fassbender's interact with one with each other were the most compelling scenes in the film even if one scene was unintentionally hilarious. Danny McBride should also be credited for taking on a role more serious then his usual ones in comedy. Billy Crudup also was good as a religious man whose leadership is conflicted with his Christian beliefs. Katherine Waterston did well in the lead role but is not as unique as compared the Sigourney Weaver as Ellen Ripley. And now here is where the film's faults become very present. While the characters are an improvement from Prometheus, the movie's plot forces them to make choices that feel out of character and silly.
Probably my biggest disappointment was the titled creature itself. The Xenomorph does not show up till maybe like 20 minutes towards the end and its presence just feels like a forced afterthought. And I didn't mind the Xenomorph being more cg-heavy when compared to past films but the subtlety of the creature hiding and waiting to pounce from the darkness was gone. With the creature attacking right out in the opening and Ridley Scott showing too much of it on camera, it no longer felt like the intelligent, calculative killing machine I remembered. It became just another dumb generic movie monster. Even the Alien doppelgänger movie that came this year, Life, was a better Alien movie then this actual Alien movie.
The film also has twist ending that leaves a lot of plot holes to examine and is just more annoying and stupid then smart.
In the end Covenant will satisfy those who had problems with Prometheus convoluted mythology with some intriguing sci-fi ideas but if you're looking for a great monster movie then watch the first two Alien films then this one.
The parts I liked the most surprisingly were the Prometheus tie-ins. The film constantly delves on the ideas of creation, religion and faith without feeling as forced like in Prometheus. From the opening scene of android David's "birth" to the crew of the Covenant being a colony ship carrying couples, the film carries on these philosophical ideas while tying in very well with the origin of the iconic Xenomorph. While it does not explain everything that was left open in Prometheus, it does feel satisfying that Covenant tries to give some answers rather then just leave with questions.
Once again Michael Fassbender proves to be the standout of this film. But this time he shows off double the effort when he plays two androids, the original David and the Covenant's own personal android Walter. David gets to be a lot more fleshed out and we get a better understanding behind his questionable actions. And as Walter, Fassbender displays a more restrained, machine-like personality but still conveying a sense of loyalty to the crew. And seeing the two Fassbender's interact with one with each other were the most compelling scenes in the film even if one scene was unintentionally hilarious. Danny McBride should also be credited for taking on a role more serious then his usual ones in comedy. Billy Crudup also was good as a religious man whose leadership is conflicted with his Christian beliefs. Katherine Waterston did well in the lead role but is not as unique as compared the Sigourney Weaver as Ellen Ripley. And now here is where the film's faults become very present. While the characters are an improvement from Prometheus, the movie's plot forces them to make choices that feel out of character and silly.
Probably my biggest disappointment was the titled creature itself. The Xenomorph does not show up till maybe like 20 minutes towards the end and its presence just feels like a forced afterthought. And I didn't mind the Xenomorph being more cg-heavy when compared to past films but the subtlety of the creature hiding and waiting to pounce from the darkness was gone. With the creature attacking right out in the opening and Ridley Scott showing too much of it on camera, it no longer felt like the intelligent, calculative killing machine I remembered. It became just another dumb generic movie monster. Even the Alien doppelgänger movie that came this year, Life, was a better Alien movie then this actual Alien movie.
The film also has twist ending that leaves a lot of plot holes to examine and is just more annoying and stupid then smart.
In the end Covenant will satisfy those who had problems with Prometheus convoluted mythology with some intriguing sci-fi ideas but if you're looking for a great monster movie then watch the first two Alien films then this one.
'Alien' is still to this day a tense, shocking suspenseful and frightening masterpiece, one of my favourites of the genre. The bigger and bolder 'Aliens' is one of those rare sequels that is every bit as good as its predecessor. Both are two of my favourite films and the character of Ripley is one of the most iconic female characters in film. 'Alien 3' and 'Resurrection' had their issues but to me weren't that bad, while 'Prometheus' had some fine elements while also some major flaws.
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
My thoughts on 'Alien: Covenant' is fairly similar to my ones on 'Prometheus'. Not as bad as led to believe (having read reviews that were mostly mixed to negative), but could have been much better considering the brilliance of 'Alien' and 'Aliens'. With a good cast, and with the involvement of a hit and miss but talented (especially visually) director Ridley Scott, 'Alien: Covenant' could and should have been far better. Some undeniable strengths here, at the same 'Alien: Covenant' also commits the same faults as 'Prometheus', and makes even more of the mistake of having little point to it other than providing a few necessary answers to loose ends from 'Prometheus'.
Lets start with 'Alien: Covenant's' strengths. Even when the writing and story weren't up to snuff, Scott's films always looked visually beautiful. 'Alien: Covenant' is not an exception. The settings look tremendous, of sheer beauty and with a real eeriness, the cinematography complements it perfectly and is often powerfully arresting and most of the special effects (apart from the disappointingly cheap-looking ones for the xenomorph) are a feast for the eye. Scott's direction has moments where it is superb, if more in the visuals and spectacle than the narrative.
Jed Kurzel's music score is hauntingly unsettling and recalls one fondly of the music in the original film by Jerry Goldsmith. There are a few scary moments (though this doesn't come consistently) and credit is due for providing much needed answers to questions that were on people's lips after watching 'Prometheus'.
Of a pretty good cast, considering what they had to work with, Michael Fassbender's commandingly and intensely acted dual role is the standout. Katherine Waterston brings steel and vulnerability, yet another performance demonstrating why she is one to watch, and surprisingly Danny McBride succeeds in trying to fully form his character rather than be annoying or looking stoned. Billy Crudup also tries his best with little to do.
However, genuine tension and suspense is replaced by monster/alien action and attempts at character motivations. Sadly too much of the monster/alien action is not that exciting and only sporadically scary, cheapened by at times excessive and gratuitous gore (by far the goriest and bloodiest of the 'Alien' franchise and the approach felt a little out of place). On top of that the characters (in a film where there is too many of them in the first place) are very thinly sketched rather than fully formed and of the lot only Tennessee, Walter and David properly raise above forgettable, David especially being pretty splendidly drawn actually. The constant frustrating decision making from most of the characters also prevents one from properly connecting to them.
Script is also often very weak, even more rambling and cliché ridden than that of 'Prometheus', with philosophising and thrown in references to the likes of Wagner and Michaelangelo that gives a sense that the film wasn't sure of its identity. The story suffers from dull pacing and from being over-stuffed of too many ideas not done enough with. By the time the big reveal came it leaves one with a so what feel, due to it being so obvious too early on, and there is far too much of a you have seen it all before vibe.
In conclusion, tries hard and there's no doubting that a lot of work went into the visual aesthetics and the acting but 'Alien: Covenant' should have been much more. Certainly not awful but a disappointment. 5/10 Bethany Cox
Alien: Covenant (2017)
** (out of 4)
Sequel to PROMETHEUS and a connection to the ALIEN series, this sci-fi film has a spaceship trying to locate a planet so that the human race can continue. The crew are planning on building a colony but they notice a much closer planet that can hold life. They decide to head there to see what's on it and soon the horror starts.
To put it mildly, ALIEN: COVENANT is a major disappointment. It seems a lot of fans were unhappy with PROMETHEUS because it was more of a thinking man's movie and less of a action/horror/sci-fi film. It seems that this film was in trouble from the start because you have to wonder if there was some sort of debate before hand on what should be done with it. PROMETHEUS was a terrific movie that made you think about a lot of things but sadly this sequel doesn't do that. Instead, it almost seems as the filmmakers were forced to answer a few questions about PROMETHEUS and then they wanted to throw in the action of an ALIEN sequel.
What really shocked me about this movie is the fact that it almost put me to sleep several times. I'm not going to say that the film is a cure for insomnia but at the same time it's deadly slow at times even though there's usually something always going on. As I said, the screenplay doesn't seem to know what the film should do and the majority of the running time is just downright boring. The film starts off with a tragedy yet it's hard to have any emotions for the characters because we're just getting to know them. Another problem is the fact that the characters are all rather bland with the exception of Michael Fassbender's two-part role.
As I said, I thought the characters were rather boring and I'd argue that not many of the performances are all that memorable. Perhaps a longer director's cut will eventually show up but there's really not too much here. Fassbender delivers a fine performance but I can't say I was impressed with the rest of the cast. On a technical level Ridley Scott is a visual genius so all of that stuff looks great. There's some extremely gory scenes of violence, which are very good but the film is just way too uneven to work.
It's like part of the movie wanted to be another thinking man's movie but there's another part that wanted to be a bloody action film. It just doesn't work in the end.
** (out of 4)
Sequel to PROMETHEUS and a connection to the ALIEN series, this sci-fi film has a spaceship trying to locate a planet so that the human race can continue. The crew are planning on building a colony but they notice a much closer planet that can hold life. They decide to head there to see what's on it and soon the horror starts.
To put it mildly, ALIEN: COVENANT is a major disappointment. It seems a lot of fans were unhappy with PROMETHEUS because it was more of a thinking man's movie and less of a action/horror/sci-fi film. It seems that this film was in trouble from the start because you have to wonder if there was some sort of debate before hand on what should be done with it. PROMETHEUS was a terrific movie that made you think about a lot of things but sadly this sequel doesn't do that. Instead, it almost seems as the filmmakers were forced to answer a few questions about PROMETHEUS and then they wanted to throw in the action of an ALIEN sequel.
What really shocked me about this movie is the fact that it almost put me to sleep several times. I'm not going to say that the film is a cure for insomnia but at the same time it's deadly slow at times even though there's usually something always going on. As I said, the screenplay doesn't seem to know what the film should do and the majority of the running time is just downright boring. The film starts off with a tragedy yet it's hard to have any emotions for the characters because we're just getting to know them. Another problem is the fact that the characters are all rather bland with the exception of Michael Fassbender's two-part role.
As I said, I thought the characters were rather boring and I'd argue that not many of the performances are all that memorable. Perhaps a longer director's cut will eventually show up but there's really not too much here. Fassbender delivers a fine performance but I can't say I was impressed with the rest of the cast. On a technical level Ridley Scott is a visual genius so all of that stuff looks great. There's some extremely gory scenes of violence, which are very good but the film is just way too uneven to work.
It's like part of the movie wanted to be another thinking man's movie but there's another part that wanted to be a bloody action film. It just doesn't work in the end.
This was dumb.
The crew of the spaceship, Covenant, is transporting 2,000 colonists to a new solar system, but their journey is interrupted by a solar flash which damages the ship. While making repairs, they pick-up a signal from a previously uncharted planet. Upon locating it and determining it can support human life, the captain (Billy Crudup) makes a spur of the moment decision to chuck aside all the planning that was put into their expedition to make this new planet their colonial destination. He gets some slight push-back about this flippant decision from his second-in-command, "Daniels" (Katherine Waterston who looks eerily like her father), but that seems to be the only complaint.
So, the crew set down on this planet with no real plan, no protective gear, and just start winging it with, of course, disastrous results because this is an "Alien" movie.
The crew, especially the captain, appear to have the intelligence of turnips. They proceed to act like the Scooby-Do gang and/or the begging-to-be-victims characters from the "Friday the 13th" and "Halloween" franchises by constantly splitting-up. I groaned every time a character said: "I'll be right back" as he or she walks off alone. And, boy, are they panicky. It's as if they had no training for their jobs whatsoever. Who green-lit this expedition with these fools? (The rampant stupidity of these characters is downright insulting to the audience's intelligence.)
I don't know what's going on with poor Ridley Scott. For him to go forward with this stupid story with all its plot holes that require characters to repeatedly act like irrational fools is sad. The original "Alien" was such a smart movie with believable characters who were intelligent and professional. This is a pale imitation with a recycled plot twist from the original film except grossly embellished. Also, although Ms. Waterston is cute, her Daniels is no "Ellen Ripley."
Most of the other actors didn't resonate at all. Years from now, while they're trying to land new roles and are asked about their previous work they can respond: "Well, I played panicky idiot #3 on 'Alien: Covenant.'"
The crew of the spaceship, Covenant, is transporting 2,000 colonists to a new solar system, but their journey is interrupted by a solar flash which damages the ship. While making repairs, they pick-up a signal from a previously uncharted planet. Upon locating it and determining it can support human life, the captain (Billy Crudup) makes a spur of the moment decision to chuck aside all the planning that was put into their expedition to make this new planet their colonial destination. He gets some slight push-back about this flippant decision from his second-in-command, "Daniels" (Katherine Waterston who looks eerily like her father), but that seems to be the only complaint.
So, the crew set down on this planet with no real plan, no protective gear, and just start winging it with, of course, disastrous results because this is an "Alien" movie.
The crew, especially the captain, appear to have the intelligence of turnips. They proceed to act like the Scooby-Do gang and/or the begging-to-be-victims characters from the "Friday the 13th" and "Halloween" franchises by constantly splitting-up. I groaned every time a character said: "I'll be right back" as he or she walks off alone. And, boy, are they panicky. It's as if they had no training for their jobs whatsoever. Who green-lit this expedition with these fools? (The rampant stupidity of these characters is downright insulting to the audience's intelligence.)
I don't know what's going on with poor Ridley Scott. For him to go forward with this stupid story with all its plot holes that require characters to repeatedly act like irrational fools is sad. The original "Alien" was such a smart movie with believable characters who were intelligent and professional. This is a pale imitation with a recycled plot twist from the original film except grossly embellished. Also, although Ms. Waterston is cute, her Daniels is no "Ellen Ripley."
Most of the other actors didn't resonate at all. Years from now, while they're trying to land new roles and are asked about their previous work they can respond: "Well, I played panicky idiot #3 on 'Alien: Covenant.'"
क्या आपको पता है
- ट्रिवियाOn November 27, 2015, Sir Ridley Scott announced that this film would be the second (following Prometheus (2012)) in a new Alien trilogy that will take place closer to, and lead up to, the original एलियन (1979) film. He later suggested that there may even be a fourth prequel film. However, the future of the series became uncertain after the purchase of 20th Century Fox by Disney in December 2017. The next film, tentatively titled 'Alien: Awakening', was set to enter preproduction that same month, but according to some sources, the project was shelved indefinitely. The commercial underperformance of Alien: Covenant as well as its lukewarm reception by critics and fans were named as reasons, although no official statements were made by Disney. In early 2019, however, the script called Alien: Awakening was actively being written, and Untitled Alien Prequel was officially in production as of 2022.
- गूफ़During the opening act, the Covenant is damaged by a shockwave after Mother detects a "neutrino storm". Neutrinos are nearly massless particles which so rarely interact with other material that they commonly pass though the entire Earth without ever causing a reaction. They could not damage the ship as portrayed in the film. However, the ship wasn't damaged by a neutrino storm at all, but by (as the crew puts it) a "highly charged shockwave from a stellar ignition" (e.g. a supernova) and/or a "spontaneous stellar flare". A neutrino burst is merely something that occurs during a stellar ignition event but is not the cause of the event or any resulting shockwaves from it.
- क्रेज़ी क्रेडिटThe 20th Century Fox logo is in a shade of dark blue-gray.
- इसके अलावा अन्य वर्जनChinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well.
- कनेक्शनEdited into Alien: Covenant - Advent (2017)
- साउंडट्रैकTheme from Alien
Composed by Jerry Goldsmith
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
Everything New on Hulu in June
Everything New on Hulu in June
There's a whole lot to love about Hulu's streaming offerings this month — get excited for brand-new series premieres and film favorites to watch at home.
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Prometheus 2
- फ़िल्माने की जगहें
- Milford Sound, Fiordland National Park, Southland, न्यूज़ीलैंड(spacecraft landing site)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $9,70,00,000(अनुमानित)
- US और कनाडा में सकल
- $7,42,62,031
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,61,60,621
- 21 मई 2017
- दुनिया भर में सकल
- $24,08,92,187
- चलने की अवधि2 घंटे 2 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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