The Battery

I love film and I love it even more when it sneaks up and surprises me with something completely unpredictable and original. Jeremy Gardner's The Battery, made for only $6,000 and released on video-on-demand outlets as of June 4, 2013, is one of the most surprising endeavors I've stumbled upon in months. It's a free-spirited, "anti-zombie zombie movie," combining wonderfully played dialog, palpable circumstances, and enough wit and soul to liven an entire franchise of movies. If this is the future of independent horror, I got some serious renting to do.

Gardner, who directed, wrote, and produced the film, stars as Ben, traveling down the back-roads of Connecticut with Mickey (Adam Cronheim), both of whom were once ballplayers. Their polar-opposite personalities and resistance of closeness and bonding tells us they weren't the two sitting next to each other at the bar when they celebrated a win. Ben and Mickey are traveling the back-roads in an attempt to flee the zombie apocalypse and find adequate shelter.

I'll interrupt myself by saying that I use the phrase "zombie apocalypse" loosely; very loosely. Gardner is smart to shove the undead to the background, while the relationship and humanity of Ben and Mickey proudly takes the foreground here. While both men may not be the best of friends, neither would've gotten far without the help of each other. Mickey is petrified of "zombies" (I put the word in quotes since the only time the word is uttered is reluctantly and hesitantly indicating the overusing of it in recent times) and leaves all the killing and maiming to Ben, who likely would've went insane without the companionship.

The device used to unite the men are Mickey's headphones, which do different things both both men. Mickey uses them to temporarily close out the world around them; he employs them when he is frazzled or nervous about the dubious times. Ben uses them as a lighter form of escapism, cheerily dancing to Rock Plaza Central's "Anthem for the Already Defeated," making for one of the best scenes in the entire picture.

The Battery works so well because it doesn't try to be just another film capitalizing off of the incredibly childish, overblown idea of a zombie apocalypse, which would be much easier to do in the wake of The Walking Dead and World War Z. An "anti-zombie zombie movie" is the perfect way to describe this picture. Despite placing emphasis on the undead, the film's focus is on the living, making for a very realistic, pragmatic take on a relationship that may come through during such an abhorrent event.

With sun-soaked cinematography by Christian Stella, capturing the woodsy atmosphere and the sweltering climate of the wilderness and vastly open plains of grass and wheat better than any films I've seen in recent years and a soundtrack composed of delightful but not cliché indie rock tunes, aesthetically, The Battery has it all to a tee. This is certainly one of the best looking films of the year, as well. While this is Gardner's first formal outing, he conducts it like an incomparable professional, staging shots that are tricky and clean, making use of a setting for more than twenty minutes, and even holding on one continuous shot for eleven minutes. None of this is boring, by the way. The final act takes place entirely in a van and is one of the most intimate, realistic exchange between two characters I've seen in a film like this, mainly because the conversations and exchange of thought it so typical and atypical to the situation. Regardless, the film is wholly unpredictable and that's one of the highest compliments I can pay to a film.

Stories like Ben and Mickey's are far more interesting than redundant survivalist drama in the wake of an apocalypse or a subversive yet lukewarm look at zombie romanticism. If we're past the point of ques and cinematic semantics and are formally referring to the The Battery as a horror film than this is, by far, the best horror film of 2013. It certainly is one of the best dramas of the year as well. And comedies. And action films. And thrillers. And satires. And films in general.

Starring: Jeremy Gardner and Adam Cronheim. Directed by: Jeremy Gardner.

Ben (the director, Jeremy Gardner) & Mickey (Adam Cronheim) are two ex pro baseball players who are eking out an existence while wandering a zombie infested America. Ben is nomadic and doesn't like staying in one place for too long, while Mickey longs for settlement. Mickey hides himself away from the zombie apocalypse via solace in his headphones which he almost permanently wears, while Ben is more the hunter gatherer type, more concerned with survival. On they wander, smoking, fishing, playing catch and generally getting on each others nerves, as when one has survived a zombie apocalypse, one unfortunately doesn't get to choose one's traveling companion.

And that's pretty much it in terms of plot as The Battery is more of a quirky, offbeat character driven road film than an outright zombie film, with the zombies themselves only very occasionally making an appearance. However, while being flawed, The Battery is at heart a pretty decent film, with great and believable chemistry between our two squabbling protagonists, and while shot on a minuscule paltry budget of a mere $6,000 it's a beautiful looking film and easily transcends its shoestring budget via its wholly believable performances. It's also gut bustingly funny in parts with great dialogue and one unutterably wrong but absolutely hilarious scene that had me on the floor.

It's not a film without its flaws though, with some scenes going on far too long, which kinda annoyed me and I really think it could've benefited with some leaner editing. However, for a debut film shot with such ultra limited resources, it's overall a minor quibble as ultimately The Battery is a winner, so horror fans should give it a chance as it's an ambitious and satisfying film with a ton of heart. Awesome soundtrack too.

A low budget movie about 2 baseball players traveling through zombie infested land. That is the basic concept of this feature. I found this movie to be very interesting but in my opinion it would have worked much better as a 25-30min long short flick. I see lot of good ideas bubbling under the surface but it's dragged on by way too many music scenes of those 2 main characters smoking, eating or just doing nothing. that is not the right way to add to the length of the movie. The music was OK :) I see a bright future for all involved, especially Jeremy Gardner. Overall it's well made budget movie. but this flick has too little flesh on the bones to justify the 100min running time.

I saw this film at the Imagine film festival 2013 in Amsterdam. The festival website labeled it as Horror, but the IMDb website rightly adds the Drama label as well, the latter better describing the essence of the story. There is no real plot, other than the zombie plague that apparently is spreading. We are left in the dark how and why this came about. The number of zombies in sight is kept to a minimum, being not really important for the story, only needed as entourage creating the circumstances in which the two men have to survive. The few humans they encounter on their journey are hostile on average, only trying to survive like our two main characters. Meanwhile they talk about lost relatives, family members, and (of course) former girl friends whose fate is uncertain.

We see two very different characters, formerly working together as a so-called Battery (a catcher and pitcher couple in baseball), roaming from place to place, eating canned food, using empty houses for shelter when available (after being checked for zombies, and swept clear of it when needed), but otherwise having nothing useful to do other than practicing and quibbling. Their interaction is the real subject of this film, and keeps us interested for the whole 101 minutes running time. The secret ingredient is the humor that is interwoven throughout, and their differences in coping behavior.

The long final scene in the confines of a car is unique. From the Q&A after the screening we learned that it was even 17 minutes long originally, later cut down to 11 minutes, but still stretching the patience of contemporary viewers. But it worked: wondering how this would come to an end (and which end?) kept us alive and prevented a walk out. Unique for the film as a whole is that it adds humanity to the zombie category (a takeaway quote from the Q&A). It shows that it is not always needed to have an abundance of blood&gore in a horror movie to keep us interested. Apparently, this story works as a vehicle to let us think about what might happen when our way-of-life is turned upside-down. How will I cope in such circumstances??

Of course, the post-apocalypse situation always gives rise to questions: where to find petrol (out of stranded cars??), bullets (how to obtain??), and batteries. They burn a lot of the latter, e.g. the walkie-talkies took 4 each, and the continuous use of a discman is utterly irresponsible. But all of that may be wrong questions to ask, especially in this movie that tries to be different and succeeds very well in that, so we really should not be bickering about such tiny details.

All in all, I was very satisfied to put this film on my "must see" list, regardless of the synopsis not sounding that much interesting. But it worked out very well for me, after all, as can be derived from above paragraphs. I scored a maximum (excellent) for the audience award when leaving the theater. As of today, this film ended second (score 8.43) on the audience award listing, so I'm not alone in this.

At last a good zombie flick. Since a long time now. Since 2007 and the rebirth of the zombie genre with 28 WEEKS LATER - a terrific experience as a viewer - we found legion of not only zombies but zombie movies, and not necessarily the best ones. Most of them worth the garbage can. I love this kind of small production, made among pals for six thousand bucks, with a total freedom, and without f...executive to watch every move you make, evaluate how much toilet paper you bring to the men's room. All those jerks who know sh...about movie production, who hardly know how a set is made and who only watch the dol register. Those clerk pricks. Yes, I like this little feature, but I agree with another viewer, it could have been shorter, for instance seventy minutes. It would have been far enough. Sure, the character study is OK. Well done for such a tiny budget. A good little gem.