IMDb रेटिंग
5.5/10
5.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn the throes of a zombie apocalypse, a troubled woman from Las Vegas with a dark past finds herself stranded in the desert with a lone and ravenous zombie on her tail.In the throes of a zombie apocalypse, a troubled woman from Las Vegas with a dark past finds herself stranded in the desert with a lone and ravenous zombie on her tail.In the throes of a zombie apocalypse, a troubled woman from Las Vegas with a dark past finds herself stranded in the desert with a lone and ravenous zombie on her tail.
- पुरस्कार
- 3 जीत और कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
I just stumbled across this on one of the premium networks, and frankly expected more of the same - just another zombie retelling, which is kind of old, at this point.
Boy, was I wrong.
This story is so clever, and at times hilarious.
The two main actors - Brittany Allen, as a coke-addicted stripper stranded in the desert, and Juan Riedinger a zombie in not-so-hot pursuit - are absolutely dead on. So to speak.
I could see where zombie purists might not like it, simply because it's so unconventional, but I think it's a hidden gem.
Amazingly well shot, with a consistent vision and look through out, this is one of the few standout Zombie flicks of the last decade - maybe not as good as Zombieland, but at least the equal of 'The Girl with all the Gifts'.
The characters are consistent where needed, and the evolution of Molly follows a realistic path of growth. The pacing from start to finish is just about perfect, it never drags and it never feels rushed
You'll be rooting for the Zombies, especially 'Smalls', several times as events unfold.
There's a couple of film makers goofs, but it'll take other film makers to spot them.
A must-see for Zombie fans, and a good watch for everyone else.
A stripper-mom fleeing a zombie apocalypse finds herself alone and stranded in the desert as one of the creatures stalks her ...
Good concept with an interesting twist and energetic climax. Plenty of style, with fine cinematography and a few big-bucks effects. This is from the writer/director/producer team behind Grave Encounters, so you might expect a bleak and harrowing story, but it's surprisingly big hearted if not quite optimistic.
But surprise surprise - this experienced team allow a lot of niggles to interrupt the story, with constant lapses in plausibility and logic. For example, in the opening scene the getaway car digs its rear wheel into the sand and won't budge - instantly I thought of a way to dislodge it, but the characters didn't even begin to think - even for the comedy effect. Later, there are plenty opportunities to exploit the creature's weakness, but the heroine doesn't have the wit to even try. A safe-haven house appears and disappears for no reason. The story is peppered with these problems, which kept dragging me out but are easily fixable. It undermined the humour and pathos the story was aiming for, so that's frustrating.
The final act has a serious change of tack, which kinda works. It does deliver on character and emotion, but its awkwardness might have been less if the earlier story had flowed more smoothly. So there's plenty to enjoy in this movie, but the script was just a bit off.
The landscapes are gorgeous, and there's a good car-shot with a face in the wing mirror, plus a fire-lit reveal of the monster creeping up from behind. Also plenty of gore and skin.
Lead actress does well, with a great squeal & scarper when trying to confront the zombie. And the zombie's movements are well done, and he even generated sympathy. Was the chemistry believable? Would have helped to have better dialogue.
Enjoyed the music. And the title comes from a gross-out snack.
Overall: Quality, but sloppy.
Good concept with an interesting twist and energetic climax. Plenty of style, with fine cinematography and a few big-bucks effects. This is from the writer/director/producer team behind Grave Encounters, so you might expect a bleak and harrowing story, but it's surprisingly big hearted if not quite optimistic.
But surprise surprise - this experienced team allow a lot of niggles to interrupt the story, with constant lapses in plausibility and logic. For example, in the opening scene the getaway car digs its rear wheel into the sand and won't budge - instantly I thought of a way to dislodge it, but the characters didn't even begin to think - even for the comedy effect. Later, there are plenty opportunities to exploit the creature's weakness, but the heroine doesn't have the wit to even try. A safe-haven house appears and disappears for no reason. The story is peppered with these problems, which kept dragging me out but are easily fixable. It undermined the humour and pathos the story was aiming for, so that's frustrating.
The final act has a serious change of tack, which kinda works. It does deliver on character and emotion, but its awkwardness might have been less if the earlier story had flowed more smoothly. So there's plenty to enjoy in this movie, but the script was just a bit off.
The landscapes are gorgeous, and there's a good car-shot with a face in the wing mirror, plus a fire-lit reveal of the monster creeping up from behind. Also plenty of gore and skin.
Lead actress does well, with a great squeal & scarper when trying to confront the zombie. And the zombie's movements are well done, and he even generated sympathy. Was the chemistry believable? Would have helped to have better dialogue.
Enjoyed the music. And the title comes from a gross-out snack.
Overall: Quality, but sloppy.
First off, this is worth a watch, and it's far better than the 2-3 stars some reviewers are awarding.
Woman takes an unplanned "walking holiday" in the Nevada desert and picks up an unwanted follower in the form of a slow but relentless Zombie, is a great premise.
Brittany Allen as Molly does a perfectly acceptable job in the lead playing a character who has to deal with increasingly grim situations with nothing but steely determination 5 grams of cocaine to see her through.
In the last act the film lost it's clarity but still just about kept it together.
6 out of ten, could have been a 7 with a tighter ending.
Woman takes an unplanned "walking holiday" in the Nevada desert and picks up an unwanted follower in the form of a slow but relentless Zombie, is a great premise.
Brittany Allen as Molly does a perfectly acceptable job in the lead playing a character who has to deal with increasingly grim situations with nothing but steely determination 5 grams of cocaine to see her through.
In the last act the film lost it's clarity but still just about kept it together.
6 out of ten, could have been a 7 with a tighter ending.
"It Stains the Sands Red" (2017) is a pretty decent zombie film; I'd rate it an 8 out of 10.
The fun starts with a truly impressive aerial shot of Las Vegas in the midst of a full blown zombie apocalypse — it's great special effects work, and it's almost enough to compensate entirely for the limited scope of the story that follows it. (This film focuses largely on one stranded woman being pursued by one zombie antagonist through the Nevada desert.)
Although much of the film might be too slow for some horror fans, it's actually surprisingly intelligent. The movie focuses on things often neglected in survival horror scenarios like this one — factors like exhaustion, the elements, firearms proficiency, the availability of basic utilities and even the availability of addictive drugs. There's more to admire too — there's a plot twist late in the game that I thought was skillfully executed. (I won't spoil it here.) Finally, our ostensibly addle-brained anti-heroine does a couple of things that I never would have thought of in order to survive.
It also boasts an incongruously beautiful setting. (This was shot in Nevada's "Valley of Fire.")
"It Stains the Sands Red" isn't perfect. There are a couple of stupid parts, particularly near the end of the story. (Were these otherwise talented screenwriters just running out of steam?) And there is one surprise plot development that will be sure to have some genre fans rolling their eyes and groaning.
Also, the makeup effects for the monster were good enough, but not stellar. (Like many longtime fans of zombie horror, I think I've been spoiled by the genius of Greg Nicotero and Tom Savini.)
I 'd still name this as a good move, however, and I'd recommend it.
The fun starts with a truly impressive aerial shot of Las Vegas in the midst of a full blown zombie apocalypse — it's great special effects work, and it's almost enough to compensate entirely for the limited scope of the story that follows it. (This film focuses largely on one stranded woman being pursued by one zombie antagonist through the Nevada desert.)
Although much of the film might be too slow for some horror fans, it's actually surprisingly intelligent. The movie focuses on things often neglected in survival horror scenarios like this one — factors like exhaustion, the elements, firearms proficiency, the availability of basic utilities and even the availability of addictive drugs. There's more to admire too — there's a plot twist late in the game that I thought was skillfully executed. (I won't spoil it here.) Finally, our ostensibly addle-brained anti-heroine does a couple of things that I never would have thought of in order to survive.
It also boasts an incongruously beautiful setting. (This was shot in Nevada's "Valley of Fire.")
"It Stains the Sands Red" isn't perfect. There are a couple of stupid parts, particularly near the end of the story. (Were these otherwise talented screenwriters just running out of steam?) And there is one surprise plot development that will be sure to have some genre fans rolling their eyes and groaning.
Also, the makeup effects for the monster were good enough, but not stellar. (Like many longtime fans of zombie horror, I think I've been spoiled by the genius of Greg Nicotero and Tom Savini.)
I 'd still name this as a good move, however, and I'd recommend it.
क्या आपको पता है
- ट्रिवियाThe airport scenes are filmed at Wendover Airfield Utah. This was a US Army Airfield during World War 2. The B-29 "Enola Gay" that was used to drop the first nuclear bomb on Hiroshima Japan was based here prior to deployment to the Pacific Theater.
- गूफ़When the red car was shown at the airport it was a 64 or 65 Pontiac GTO. On the road, as she is driving, it is a 68 Olds.
- क्रेज़ी क्रेडिटIn the credits co-writer Stuart Ortiz thanks multiple famous serial killers such as Ted Bundy
- कनेक्शनFeatured in WatchMojo: Top 20 Outbreak Movies (2020)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is It Stains the Sands Red?Alexa द्वारा संचालित
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