The Passenger

The acting is impressive across the board, with everyone's performance hitting the mark. But with much of the film featuring the two leads alone with each other it's Berchtold and Gallner who really get to shine.

A ride well worth taking, The Passenger is a hard film to watch, but most viewers will find it harder to turn it off. It's brutal both physically and emotionally and becomes increasingly more suspenseful as it builds to a seemingly inevitable climax.

It becomes something more than just the standard Hollywood psycho just as The Passenger is something other than the typical Hollywood thriller.

The first time in a long time that I've been enthralled by a movie from beginning to end. The tense atmosphere is consistent throughout, and the character development is so well done. This is a story about trauma and raw emotion, and I must say that both main actors were exceptional at bringing that emotion to the screen in their own ways. You can feel the pain of both manifest itself in different ways as more of their past and mental states are revealed.

The script is very well done, with no exaggeration and questionable character actions that can be prevalent in similar films. I love discovering indie gems like this in a world of unoriginality and remakes. Top marks!

NOT HORROR.

My attention span has atrophied in the last 20 years as I'm sure many people's have with internet culture- to the point where I have trouble sitting still and watching a movie for 1.5 hours. I watched this film straight through with only a break to pee.

I'm not sure why this film got stuck in the horror category, it just isn't. It's a character study and an examination of different ways people deal with trauma.

The two young men in this film have very different reactions to trauma, and this movie examines all sorts of themes about trauma and the idea that it's maybe always easy to see your way out of other people's problems while yours seem hopeless.

Kyle Galliner who plays the driver (as opposed to the passenger) absolutely knocks it out of the park with his performance, showing how a violent angry man still has his own brand of compassion and even love for someone in pain.

Not everyone will like this film, particularly if you are wanting a horror movie. But if you are a certain kind of person this movie will hit hard. I'd say watch the first 15 minutes, if that doesn't just draw you in then maybe you aren't that kind of person.

A young man, who's not living, but merely existing, has his life changed or awaken by a deranged and violent coworker one workday. A shocking incident sends both men on an unpredictable, violent and ultimately inspirational journey to self-discovery for one man and a doomed ending for the other man. Oddly, the deranged violent coworker, played masterfully by the always versatile and great Kyle Gallner, is an effective life coach to his timid coworker. Sure his methods are unorthodox and psychotic, but he gets the job done. Gallner is a perfect balance of uneasy calmness and explosive rage, and his final scene saying what he wanted to be as a child was sadly and beautifully acted. If a critically-acclaimed studio produced this movie or it pushed a certain political agenda, he would have been nominated for the "big" primetime award. Mostly everything behind and in front of the camera works, but something was missing. I don't know if it's in the drawn-out mall scene, but something's missing. I appreciate the ambiguous writing behind what happened to Benson (Gallner) as a child. His emotions when running into his past was enough. A good movie that takes you on a thrill ride, simmers some, thrills a little more, and then it just ends.

The Passenger is definitely one of my favorite 2023 watches; it's very well directed and the storyline is written progressively. Kyle Gallner is the star of the film with his antihero character where you can have a love-hate relationship with him. I feel like he's perfectly casted in this role and he just never disappoints with his performances lately. Perhaps 2023 is Kyle Gallner's year and I am all here for it and I just hope he is getting all the recognition he deserves.

The film is kind of like Terrence Malick's Badlands, also with a serial killer holding another character hostage, but with a sweet ending of betrayal, friendship, and love. Randy and Benny are two co-workers who soon and slowly forms a brotherhood bond as they drive along their small town, where not only they open up about their deepest darkest traumas but also their deepest sweetest desires. It's a story that you ought to not romanticize because of a character who's fixed to be a villain/murderer, but wherein you just realize that this villain, this antagonist of the story, still has a heart...for one person; the person he feels sorry for being oppressed, being maltreated...This antagonist, Benson, finally takes a stand for Randy, and teaches him that it's okay to react, to have some self-respect, that in the end, it's the thing that ends all this tragedy.