IMDb रेटिंग
5.8/10
32 हज़ार
आपकी रेटिंग
बॉक्स स्टोर की एक बड़ी कर्मचारी अपने जीवन और अपनी जीवन-कथा को नए सिरे से पेश करती है और मैडिसन एवेन्यू को दिखाती है कि स्ट्रीट स्मार्ट क्या कर सकते हैं.बॉक्स स्टोर की एक बड़ी कर्मचारी अपने जीवन और अपनी जीवन-कथा को नए सिरे से पेश करती है और मैडिसन एवेन्यू को दिखाती है कि स्ट्रीट स्मार्ट क्या कर सकते हैं.बॉक्स स्टोर की एक बड़ी कर्मचारी अपने जीवन और अपनी जीवन-कथा को नए सिरे से पेश करती है और मैडिसन एवेन्यू को दिखाती है कि स्ट्रीट स्मार्ट क्या कर सकते हैं.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 1 नामांकन
Dave Foley
- Felix Herman
- (as David Foley)
फ़ीचर्ड समीक्षाएं
Rating 6.0/10
It is watchable, but the performance of Jennifer Lopez is poor. I don't understand why they rate it 10 ! Are they all paid critics ? What's the point in rating if it is fake ! So disappointing !
I enjoyed this very much. Laughed out loud and was moved to tears. It is not meant to be taken too seriously. If you want a fun, enjoyable night at the movies,
I would highly recommend this.
When Jennifer Lopez finds erself out of the running for a managers job a work because she never went to college, she winds up inventing a Harvard education, a Peace Corps term and a dazzling career as a consultant to land a job in Manhattan. And reconnect with the daughter she abandoned twenty years earlier. Can she keep all the balls in the air or will they come crashing down on her?
You'll recognize the outline as that of 1988's WORKING GIRL But while that was a romantic comedy with some serious societal statements to make, his is a drama both societal and personal, with a couple of funny low-comedy gags. It also raises once again the question of why Miss Lopez isn't a star. Everyone agrees she's gorgeous and talented, and some very well respected directors have directed her in movies; yet although everyone know who she is, the public doesn't seem to clamor for her. My take: there's not one role that she has made her own, so that I can't think of anyone else in the role.
With the able support of Leah Remini, Treat Williams, and Milo Ventimiglia.
You'll recognize the outline as that of 1988's WORKING GIRL But while that was a romantic comedy with some serious societal statements to make, his is a drama both societal and personal, with a couple of funny low-comedy gags. It also raises once again the question of why Miss Lopez isn't a star. Everyone agrees she's gorgeous and talented, and some very well respected directors have directed her in movies; yet although everyone know who she is, the public doesn't seem to clamor for her. My take: there's not one role that she has made her own, so that I can't think of anyone else in the role.
With the able support of Leah Remini, Treat Williams, and Milo Ventimiglia.
This film is sold as one thing but tries to be two which about ruins both. The story the film was sold on is about women in a dead end job who is given a chance at a big league job by a faked resume. But it's also got a very melodramatic/ soap opera story about the woman and her long lost daughter.
The movie also is rather cheap and video-looking, neither Lopez or Remini look particularly good, though Lopez is still playing a character ten years younger than she is--which she pulls off, I only mention this as it has the feel of a 90's cable tv movie.
Interactions with Remini and Lopez are good, probably the best thing about the movie actually, then again the focus of the film shifts to the melodrama lost child thing, of which Remini is virtually abscent from.
The director was well cast to direct this kind of film but his earlier films are much better and have a sense of being a complete movie that this one lacks.
Supporting characters are most cartoons and, in the faked resume portion of the film are funny enough.
Of course Lopez is a big glamorous star, so for her to pull off this 'working class' act is not easy, but she manages to do it--it's mostly free of star moments--she doesn't sing, isn't shot to show off her famous bottom, she does have one dance scene with friends but it seems realistic enough.
Treat Williams does well in the roll of a basically unconvincing 'good guy' mega corporation owner.
The whole idea of cramming a old hat and unconvincing mother/lost daughter movie into this one is a bad one. This is a film sold as one thing because what they aren't selling doesn't work.
Sad to say it on many levels is a LIFETIME level movie.
The movie also is rather cheap and video-looking, neither Lopez or Remini look particularly good, though Lopez is still playing a character ten years younger than she is--which she pulls off, I only mention this as it has the feel of a 90's cable tv movie.
Interactions with Remini and Lopez are good, probably the best thing about the movie actually, then again the focus of the film shifts to the melodrama lost child thing, of which Remini is virtually abscent from.
The director was well cast to direct this kind of film but his earlier films are much better and have a sense of being a complete movie that this one lacks.
Supporting characters are most cartoons and, in the faked resume portion of the film are funny enough.
Of course Lopez is a big glamorous star, so for her to pull off this 'working class' act is not easy, but she manages to do it--it's mostly free of star moments--she doesn't sing, isn't shot to show off her famous bottom, she does have one dance scene with friends but it seems realistic enough.
Treat Williams does well in the roll of a basically unconvincing 'good guy' mega corporation owner.
The whole idea of cramming a old hat and unconvincing mother/lost daughter movie into this one is a bad one. This is a film sold as one thing because what they aren't selling doesn't work.
Sad to say it on many levels is a LIFETIME level movie.
J.Lo did an amazing work with this movie. It is nice to see actresses like her again on the big screen. It is the kind of romantic comedy that was popular in the early 2000s. I think people will enjoy this movie. However, it is possible to relate this movie with other J. Lo movies because it has a similar storyline. I would suggest the audience to ignore the similarities and focus in the storyline because it explores common circumstances in a funny and enjoyable way. I surely recommend this movie to everyone.
क्या आपको पता है
- ट्रिवियाThe photo that Maya finds on her Facebook page of her with President Barack Obama and First Lady Michelle Obama is a real photo from the inaugural ball in Washington DC in January 2009 which Jennifer Lopez attended.
- गूफ़During the Ginko trimming scene they trim down until there's only one leaf left, in the next scene there are more leaves on the plant.
- साउंडट्रैकSomething's Got a Hold on Me
Written by Etta James, Leroy Kirkland, and Pearl Woods
Performed by Etta James
Courtesy of Geffen Records
under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Second Act?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Jefa por accidente
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,60,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,92,82,227
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $64,89,983
- 23 दिस॰ 2018
- दुनिया भर में सकल
- $7,22,94,844
- चलने की अवधि1 घंटा 43 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1
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