IMDb रेटिंग
4.7/10
48 हज़ार
आपकी रेटिंग
एक औरत, जो अपने बेवफ़ा पति से अलग हो जाती है, एक जवान लड़के के प्यार में पड़ जाती है जो उसके पड़ोस में रहने आया है, लेकिन उनकी कामुक प्रेम कहानी जल्द ही एक खतरनाक मोड़ लेती है.एक औरत, जो अपने बेवफ़ा पति से अलग हो जाती है, एक जवान लड़के के प्यार में पड़ जाती है जो उसके पड़ोस में रहने आया है, लेकिन उनकी कामुक प्रेम कहानी जल्द ही एक खतरनाक मोड़ लेती है.एक औरत, जो अपने बेवफ़ा पति से अलग हो जाती है, एक जवान लड़के के प्यार में पड़ जाती है जो उसके पड़ोस में रहने आया है, लेकिन उनकी कामुक प्रेम कहानी जल्द ही एक खतरनाक मोड़ लेती है.
- पुरस्कार
- 1 जीत और कुल 6 नामांकन
François Chau
- Detective Johnny Chou
- (as Francois Chau)
Forrest Kiyoshi
- Forrest the Bully
- (as Forrest Hoffman)
फ़ीचर्ड समीक्षाएं
This movie has no point, no interesting Plot. You could tell this movie was gonna be bad just by looking at the trailer. Not even if it was the only thing on TV, I would never watch this movie ever again.
I want to forget this movie even exists, I want it erased from my memory. This movie is one of those movies where the actors just accept the movie just for the money without any purpose. Anyway I don't recommend this at all, please don't waste your time on this I'm telling you ahead of time if you haven't seen it. I don't care if it's early 2015, this is the worst movie of the year and if it get's an Oscar I'm deleting myself from this Earth.
I want to forget this movie even exists, I want it erased from my memory. This movie is one of those movies where the actors just accept the movie just for the money without any purpose. Anyway I don't recommend this at all, please don't waste your time on this I'm telling you ahead of time if you haven't seen it. I don't care if it's early 2015, this is the worst movie of the year and if it get's an Oscar I'm deleting myself from this Earth.
I know the saying is actually with friends like ... but with a movie title like this ... what did you expect this to be? Only thing that might surprise you, is the fact that they allegedly went back and shot some extra scenes to make this spicier. How was that before, if this is the spicy/"erotic" version? Not that even further skin/encounters would have helped the movie.
But it is what it is. And that's a terror thriller, with an almost decent villain. It actually doesn't start that bad to be honest. I liked the way this went at the beginning and Jennifer Lopez does a neat job of pulling that role of. But just to a certain degree - after that it's downhill from there. So yes this is a bad movie, but it has a few things that can be seen as saving graces - if you're forgiving enough. Standard at best
But it is what it is. And that's a terror thriller, with an almost decent villain. It actually doesn't start that bad to be honest. I liked the way this went at the beginning and Jennifer Lopez does a neat job of pulling that role of. But just to a certain degree - after that it's downhill from there. So yes this is a bad movie, but it has a few things that can be seen as saving graces - if you're forgiving enough. Standard at best
Of course, this is a bad movie. Yet, there are plenty of guilty pleasures to behold here. When I say it's bad, I didn't say I didn't enjoy it. I mean, there's a lot of potential going on. Unfortunately, it leads to a bit disappointing finale. But, it is salvaged by an amount of suspense before the ensuing chaos.
At first, J.Lo... why did she even bother signing on this? I thought that this is too low even for her standards. But, later on, I think that she's pretty committed on doing this role. So, I decided to lay back and enjoy the ride.
Then, along came Ryan Guzman, as the so-called "Boy Next Door". Hmmm... He did a pretty fine job. When the tension ratchets up, he looks threatening convincingly, despite what critics say about his performance.
The supporting casts are good as well. Kristin Chenoweth stood out for me, adding comic relief and zing along the way.
My main criticism is the script. Not only it's a bit sloppy, almost made-for-TV writing, but it falters in the end. There are some characters' action including Lopez's, that's nonsensical and... stupid, actually.
When it comes to nonsensical and stupid, I just wished they would close it with being campy and over-the-top. It doesn't truly reached that level and the result is only a half-baked mess.
But, all those flaws don't matter too much because Rob Cohen's direction are superior than most of his movies, especially his last offering "Alex Cross", although it's his fault too.
For a movie released in January, it's better than expected. But, for a real nerve-wracking thriller, don't get your hopes up too high.
Just watch it for pure brainless entertainment without much to think about. It's not that bad...
At first, J.Lo... why did she even bother signing on this? I thought that this is too low even for her standards. But, later on, I think that she's pretty committed on doing this role. So, I decided to lay back and enjoy the ride.
Then, along came Ryan Guzman, as the so-called "Boy Next Door". Hmmm... He did a pretty fine job. When the tension ratchets up, he looks threatening convincingly, despite what critics say about his performance.
The supporting casts are good as well. Kristin Chenoweth stood out for me, adding comic relief and zing along the way.
My main criticism is the script. Not only it's a bit sloppy, almost made-for-TV writing, but it falters in the end. There are some characters' action including Lopez's, that's nonsensical and... stupid, actually.
When it comes to nonsensical and stupid, I just wished they would close it with being campy and over-the-top. It doesn't truly reached that level and the result is only a half-baked mess.
But, all those flaws don't matter too much because Rob Cohen's direction are superior than most of his movies, especially his last offering "Alex Cross", although it's his fault too.
For a movie released in January, it's better than expected. But, for a real nerve-wracking thriller, don't get your hopes up too high.
Just watch it for pure brainless entertainment without much to think about. It's not that bad...
This movie was so predictable, and so obvious, that I knew a certain image from the very first scene would presage the denouement. And it did. The acting was mostly adequate, given the material. I had never heard of this Ryan Guzman, and will be surprised if I hear of him again. He was, well, adequate, but his was a role that an accomplished actor would sink his teeth into, and not relent until ALL of the scenery was masticated. Guzman was unable to be scary enough, creepy enough, or charming enough. Blah. Which brings me to Jennifer Lopez. I think she has become a pretty good actress, even though it is hard to tell in this one, due to the script. But I see that she has a producer credit. Can you not tell from a script that a film will be a dud? I'm actually asking. I do not know, having never read a script. The only real redeeming feature of this movie is the extreme beauty of Ms. Lopez. Wow. She is 45 now and is such eye candy. But she is the ONLY reason to see this film.
Like its subject matter, 'The Boy Next Door' is getting such a hush- hush treatment it almost seems as if someone didn't want you to see it. If that is any indication that someone was embarrassed by how this reverse 'Fatal Attraction' thriller turned out, well we're glad to say that it isn't as bad as we had feared. To be sure, that should not be mistaken for any endorsement of its merit, but given how little pre-release publicity its distributors bestowed upon it, we were sure expecting something much, much worse.
In her first big-screen role in two years, Jennifer Lopez plays a middle-aged high-school literature teacher who is still struggling to recover emotionally from her husband's (John Corbett) betrayal one year on and raising her teenage son, Kevin (Ian Nelson, on her own. Enter new neighbour Noah (Step Up's Ryan Guzman), who has moved in next door with his ailing uncle and proves himself to be quite the fix-it hero around her place, especially since Garrett's (Corbett) absence means that there is a space for a man to be around the house. Even better, Noah loves poetry and his intimate knowledge of Homer's 'The Iliad' becomes one of the first few things over which he and Claire (Lopez) develop a connection over.
There is however no mistaking their (mutual) sexual attraction, not when director Rob Cohen introduces Noah bicep-first when he glides into frame to prepare Claire's wonky garage door. When Kevin takes off with Garrett for a weekend camping trip and Claire's had one drink too many after a failed dinner date, Noah seizes the opportunity to get it on with Claire. The morning after, Claire wakes to proclaim their coupling a mistake – no matter that Guzman looks older than he is meant to be in the movie, he is a new transfer senior attending Claire's class at her school. Her rebuff doesn't sit well with Noah, whom we slowly learn is in fact a psychotic stalker who grows even more enraged when he catches her responding to Garrett's advances to give their marriage a second chance.
First-time screenwriter Barbara Curry slowly ratchets up the stakes against Claire – first, Noah 'poisons' Kevin's relationship with his father; then, he threatens to make public photos and even a video of their one-night dalliance; then, he sabotages the brakes on Garrett's Dodger; and finally, he kidnaps Garrett and Kevin – which Cohen builds up as an increasingly thrilling chain of events leading up to their final confrontation. Not only does Noah prove himself to be a master manipulator, he also shows himself to be prone to bouts of violence, in particular against Claire's good friend and the school's vice principal (Kristin Chenoweth).
That said, it isn't anything we haven't yet before, or done to more titillating extremes; yet, despite its familiarity, Cohen guides the proceedings along with the sure hand of a veteran, and it is to his credit that the end result is much more engaging than it ought to be. We're not sure what Lopez saw in the material for her to not only star but produce this rehash of 90s exploitation thrillers, but she at least makes her character sympathetic. The same however cannot be said of Guzman, whose portrayal of menace and malevolence doesn't go much deeper than the acting you'll see in a high school play. And for those who are expecting to see Lopez and Guzman get hot and heavy, well let's just say that you're likely to find yourself left cold.
It is probably too easy to lambast a movie like 'The Boy Next Door', but the truth is there are many worse films out there which deserve to be buried more so than this does. The premise does feel dated, but there hasn't been a sexual thriller like 'Basic Instinct' or for that matter 'Fatal Attraction' in a while, so if you're in the mood for some trashy B-grade thrills, you'll probably find some of those urges satisfied somewhat by this teaser that never does really get past first base.
In her first big-screen role in two years, Jennifer Lopez plays a middle-aged high-school literature teacher who is still struggling to recover emotionally from her husband's (John Corbett) betrayal one year on and raising her teenage son, Kevin (Ian Nelson, on her own. Enter new neighbour Noah (Step Up's Ryan Guzman), who has moved in next door with his ailing uncle and proves himself to be quite the fix-it hero around her place, especially since Garrett's (Corbett) absence means that there is a space for a man to be around the house. Even better, Noah loves poetry and his intimate knowledge of Homer's 'The Iliad' becomes one of the first few things over which he and Claire (Lopez) develop a connection over.
There is however no mistaking their (mutual) sexual attraction, not when director Rob Cohen introduces Noah bicep-first when he glides into frame to prepare Claire's wonky garage door. When Kevin takes off with Garrett for a weekend camping trip and Claire's had one drink too many after a failed dinner date, Noah seizes the opportunity to get it on with Claire. The morning after, Claire wakes to proclaim their coupling a mistake – no matter that Guzman looks older than he is meant to be in the movie, he is a new transfer senior attending Claire's class at her school. Her rebuff doesn't sit well with Noah, whom we slowly learn is in fact a psychotic stalker who grows even more enraged when he catches her responding to Garrett's advances to give their marriage a second chance.
First-time screenwriter Barbara Curry slowly ratchets up the stakes against Claire – first, Noah 'poisons' Kevin's relationship with his father; then, he threatens to make public photos and even a video of their one-night dalliance; then, he sabotages the brakes on Garrett's Dodger; and finally, he kidnaps Garrett and Kevin – which Cohen builds up as an increasingly thrilling chain of events leading up to their final confrontation. Not only does Noah prove himself to be a master manipulator, he also shows himself to be prone to bouts of violence, in particular against Claire's good friend and the school's vice principal (Kristin Chenoweth).
That said, it isn't anything we haven't yet before, or done to more titillating extremes; yet, despite its familiarity, Cohen guides the proceedings along with the sure hand of a veteran, and it is to his credit that the end result is much more engaging than it ought to be. We're not sure what Lopez saw in the material for her to not only star but produce this rehash of 90s exploitation thrillers, but she at least makes her character sympathetic. The same however cannot be said of Guzman, whose portrayal of menace and malevolence doesn't go much deeper than the acting you'll see in a high school play. And for those who are expecting to see Lopez and Guzman get hot and heavy, well let's just say that you're likely to find yourself left cold.
It is probably too easy to lambast a movie like 'The Boy Next Door', but the truth is there are many worse films out there which deserve to be buried more so than this does. The premise does feel dated, but there hasn't been a sexual thriller like 'Basic Instinct' or for that matter 'Fatal Attraction' in a while, so if you're in the mood for some trashy B-grade thrills, you'll probably find some of those urges satisfied somewhat by this teaser that never does really get past first base.
क्या आपको पता है
- ट्रिवियाJennifer Lopez provided clothes from her own wardrobe for her character, Claire, as a means of keeping the budget down.
- गूफ़After Noah defends Kevin from his bullies by beating one of them far too much, Vicky keeps Noah in her office and says that the bully's skull has been fractured. Despite such a serious violent assault during school time and on public school property, Noah does not seem to face any consequences from either the school or the local police. He is not arrested or held accountable to the injured teen's parents or even questioned by any one other than Vicky, the vice principal of the school.
- भाव
[from trailer]
Kevin: Do you wanna take a cookie for the road?
Noah Sandborn: [chuckles] I love your mother's cookies.
- इसके अलावा अन्य वर्जनThe UK release was cut, the distributor chose to remove a moment of strong gory detail (close-up eye gouging) in order to obtain a 15 classification. An uncut 18 classification was available.
- साउंडट्रैकAs Long As You Are Mine
Written by Vega Schenk, John Morrical
Performed by Yes Men feat. MiaKoda
Courtesy of Tryst Records
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Boy Next Door?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Cercana obsesión
- फ़िल्माने की जगहें
- 6326 York Boulevard, Highland Park, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(exteriors of hardware store)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $40,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,54,23,380
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,49,10,105
- 25 जन॰ 2015
- दुनिया भर में सकल
- $5,24,25,855
- चलने की अवधि1 घंटा 31 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें