IMDb रेटिंग
5.9/10
20 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA pianist with stage fright endures a performance under the eyes of a mysterious sniper, who will shoot and kill him if a wrong note is played.A pianist with stage fright endures a performance under the eyes of a mysterious sniper, who will shoot and kill him if a wrong note is played.A pianist with stage fright endures a performance under the eyes of a mysterious sniper, who will shoot and kill him if a wrong note is played.
- पुरस्कार
- 5 जीत और कुल 12 नामांकन
Beth Rollan
- Emma's Publicist
- (as a different name)
Richard Newby
- Executive
- (as Richard A. Newby)
Eric Goode
- Tom's Chauffeur
- (as Eric L. Goode)
फ़ीचर्ड समीक्षाएं
Entertaining suspense movie packs intrigue and ordinary touches in Hitchcock style . Top-notch thriller embroils a famous pianist in killing and twisted intrigue . Having messed up at playing an extremely difficult piano piece a few years before, talented pianist Tom Selznick (Elijah Wood) lives with an extreme case of stage fright . Taking a step in the right direction and talked into it by his up and coming actress wife (Kerry Bishé) , Tom decides to give performing live another try . Already a mess, the situation is made much worse, when in the middle of playing a much easier musical number, Tom discovers a strange note written on his music sheet , the premise is the following : Play or Die .
Ultra-tense Spanish thriller starring Elijah Wood as a concert pianist who moments before his comeback performance suffers from stage fright and to discover that if he fails to play the music precisely as it was written , a nearly impossible feat in this case , then a sniper hidden in the theater will open fire. The picture is realized in Hitch wake , as it has a great number of elements and his own iconography : vertiginous height , innocent man wrongfully chased , blonde bombshells , voyeurism, long non-dialogue sequences , a matter of mistaken identity , MacGuffin ,etc. Do you know what a MacGuffin is, Maestro? It's a person or thing around which the entire film revolves and yet turns out to have little importance to the story . It's a magnificent device whereby a good plot can be given a driving force without the indecency of explanation . Grand Piano (2013), from director Eugenio Mira is an exciting film displaying suspense , intrigue , tension , and interesting drama well written by Damien Chazelle . Packs an ordinary theme of the suspense magician : innocent people become caught up in a cobweb intrigue and uncanny , intelligent villains . From the thrilling story and screenplay including literately and thoughtful dialog , the picture gets unlimited suspense in crescendo , tense , full of lingering frames and with the typical touches Hitchcock . And plenty of MacGuffins , as this picture is heavy with devices . A hidden threat, a hostage, an assistant, an unplayable piece of music, a stage, a key, and the unknown fortune of a deceased mentor .
Enjoyable mystery movie involves a bewildered pianist who hold numerous tricks in order to escape from a cruel killer and being chased cross hall concert and backstage . This agreeable picture by Eugenio Mira has a memorable scene after another and following the steps from master of suspense . This film has these particularities ; furthermore contains a fun intrigue , amusing situations and keeps the action at feverish pitch . Grand Piano is Hitchockian in the truer sense : It's a meticulously crafted piece of filmmaking that's wholly committed to a highly specific , somewhat outlandish premise . In addition , a colorful as well as evocative cinematography by Unax Mendia . Special mention to impressive and rousing musical score by Victor Reyes . The motion picture was well directed by Eugenio Mira (Agnosia , Birthday) and perfectly produced by Rodrigo Cortes (Buried , Red lights) . Mira played these elements like a concert pianist, perfectly timed with a soaring melody. Rating : Above average , well worth watching .
Ultra-tense Spanish thriller starring Elijah Wood as a concert pianist who moments before his comeback performance suffers from stage fright and to discover that if he fails to play the music precisely as it was written , a nearly impossible feat in this case , then a sniper hidden in the theater will open fire. The picture is realized in Hitch wake , as it has a great number of elements and his own iconography : vertiginous height , innocent man wrongfully chased , blonde bombshells , voyeurism, long non-dialogue sequences , a matter of mistaken identity , MacGuffin ,etc. Do you know what a MacGuffin is, Maestro? It's a person or thing around which the entire film revolves and yet turns out to have little importance to the story . It's a magnificent device whereby a good plot can be given a driving force without the indecency of explanation . Grand Piano (2013), from director Eugenio Mira is an exciting film displaying suspense , intrigue , tension , and interesting drama well written by Damien Chazelle . Packs an ordinary theme of the suspense magician : innocent people become caught up in a cobweb intrigue and uncanny , intelligent villains . From the thrilling story and screenplay including literately and thoughtful dialog , the picture gets unlimited suspense in crescendo , tense , full of lingering frames and with the typical touches Hitchcock . And plenty of MacGuffins , as this picture is heavy with devices . A hidden threat, a hostage, an assistant, an unplayable piece of music, a stage, a key, and the unknown fortune of a deceased mentor .
Enjoyable mystery movie involves a bewildered pianist who hold numerous tricks in order to escape from a cruel killer and being chased cross hall concert and backstage . This agreeable picture by Eugenio Mira has a memorable scene after another and following the steps from master of suspense . This film has these particularities ; furthermore contains a fun intrigue , amusing situations and keeps the action at feverish pitch . Grand Piano is Hitchockian in the truer sense : It's a meticulously crafted piece of filmmaking that's wholly committed to a highly specific , somewhat outlandish premise . In addition , a colorful as well as evocative cinematography by Unax Mendia . Special mention to impressive and rousing musical score by Victor Reyes . The motion picture was well directed by Eugenio Mira (Agnosia , Birthday) and perfectly produced by Rodrigo Cortes (Buried , Red lights) . Mira played these elements like a concert pianist, perfectly timed with a soaring melody. Rating : Above average , well worth watching .
The amount of inconsistencies and wildly implausible things in this film, not even related to the story but related to the art of piano playing, really shouldn't be addressed. The film doesn't take itself seriously and clearly seems to know how preposterous it is, and it doesn't care. It has a hell of a lot of fun in what its doing, and by that I mean I did. There's a vibrant energy to this that really makes it pop and work like music in the best scenes, those scenes involving the tense plot work along with the concertos being played. It's really interesting and doesn't feel half-baked like so many thrillers do. Very fun film, definitely recommended.
Suspenseful? -- not so much. But you will want to watch to the end because there is just enough happening to keep your attention.
This is an odd little movie with Wood playing a rather nervous pianist about to perform one of the most complex and challenging music compositions ever written. Then he discovers his life is on the line.
My problem was the constant running off and on stage during the performance because he appears to suffer more from a bowel or bladder issue. He is constantly up and down and running around throughout the concert but always back --- just in time for his piano playing! It got funny after awhile.
The set is pleasing and there aren't many surprises in the plot ... but watch to the very end because something happens!
This is an odd little movie with Wood playing a rather nervous pianist about to perform one of the most complex and challenging music compositions ever written. Then he discovers his life is on the line.
My problem was the constant running off and on stage during the performance because he appears to suffer more from a bowel or bladder issue. He is constantly up and down and running around throughout the concert but always back --- just in time for his piano playing! It got funny after awhile.
The set is pleasing and there aren't many surprises in the plot ... but watch to the very end because something happens!
Here's a director who knows how to shoot a film and he directed the hell out of this silly script, but you can throw the fanciest camera tricks at a dog of a script -- but good looking nonsense is still nonsense. This is one of those high concept screenplays that seems churned out by an automated software writing program, not a human who actually sat down to write this. Elijah Wood gives a one note (pun!) performance and he's either miscast or just downright boring as our lead - though his hands do a convincing job. An off screen for most of the film John Cusack is our villain who will shoot Mr. Wood and his pretty little wife if he plays a wrong note. Cusack's expository dialogue over the last act of the film, explaining his motives are eye rolling and the remaining 15 minutes seem like the automated writing software malfunctioned when character motivation and narrative collided. A dumb, harmless film.
A film that has clearly started with a high concept - like Speed but playing a piano rather than driving a bus - and the plot has been fitted round that. Having started from that fairly ludicrous premise, you might hope that the film would either embrace it and not take itself seriously, or find clever twists to add. Unfortunately it does neither. It's short enough to avoid being boring, and competently shot and acted, but really has very little to offer.
It's hard to think of the target audience for this - a run of the mill thriller based around classical music? - and I am mystified by its inclusion at the London Film Festival.
It's hard to think of the target audience for this - a run of the mill thriller based around classical music? - and I am mystified by its inclusion at the London Film Festival.
क्या आपको पता है
- ट्रिवियाWood had worked with a teacher three weeks prior to going to Barcelona and found it stressful having to play the piano and speak at the same time saying, "It was incredibly technical [...] lots of moments where it was jumping from where I'd play, listen to a click, listen to music, have to be in the right place and the right time and hear dialogue and repeat dialogue".
- गूफ़The opening drive into Chicago begins southbound on Lake Shore Drive, then northbound on LaSalle (recognizable from the Batman films), then south on Wabash, then suddenly across the river, coming east on Washington, where the car finally stops at the Lyric Opera building. The interiors were shot elsewhere, so nothing looks like the actual hall.
- क्रेज़ी क्रेडिट"The Impossible Piece" plays as the end credits roll.
- कनेक्शनFeatured in Dont' Miss a Note: The Making of Grand Piano (2014)
- साउंडट्रैकTen Happy Fingers
Written by Dr. Seuss (as Theodore Geisel) and Friedrich Hollaender (as Frederick Hollander)
from The 5,000 Fingers of Dr. T. (1953) (uncredited)
Used by permission of Shapiro Bernstein Spain Mood Music Division
Courtesy of Columbia Pictures Industries,Inc.
Under license from Sony Pictures Music group
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- 關鍵琴聲
- फ़िल्माने की जगहें
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बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $22,555
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,964
- 9 मार्च 2014
- दुनिया भर में सकल
- $16,18,085
- चलने की अवधि1 घंटा 30 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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