IMDb रेटिंग
2.7/10
1.6 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंJack and Melissa are frightened by their son's bizarre and violent behavior; they soon learn that he is the gateway to the Apocalypse, and it will happen on his birthday, 11-11-11.Jack and Melissa are frightened by their son's bizarre and violent behavior; they soon learn that he is the gateway to the Apocalypse, and it will happen on his birthday, 11-11-11.Jack and Melissa are frightened by their son's bizarre and violent behavior; they soon learn that he is the gateway to the Apocalypse, and it will happen on his birthday, 11-11-11.
Tracy Winters
- Janice
- (as Tracy J. Pulliam)
Madonna Young Magee
- Annie
- (as Lena La Fratta)
Rebecca Light
- Sara
- (as Rebecca Sigl)
फ़ीचर्ड समीक्षाएं
No, not nearly as fun as that.
The plot (ha, did I say "plot"...) skips around, the acting is pretty abysmal, weird, dumb, bizarre and makes no sense while being also being fairly predictable.
You might want to look elsewhere. Just sayin'.
The plot (ha, did I say "plot"...) skips around, the acting is pretty abysmal, weird, dumb, bizarre and makes no sense while being also being fairly predictable.
You might want to look elsewhere. Just sayin'.
The very few first minutes were promising enough. From then on - the movie deteriorated: unlikable characters, plot full of holes, irrational decisions of the characters and the ending seems like someone got stuck with the screenplay and decided to wrap it up quickly and go home for dinner (don't get me started on the visual effects, either, which, although not being the main issue here, leave much to be desired). I like endings that makes you think, but in this case, my only thought was "gotta warn others from wasting one hour and a half of their life on this".
I guess my main dissatisfaction with this movie is that the storyline did not make much sense, even for the horror genre.
so... don't.
I guess my main dissatisfaction with this movie is that the storyline did not make much sense, even for the horror genre.
so... don't.
The Asylum's movies are mostly terrible(there are a few tolerable ones though), so there was little surprise that 11/11/11 would be too. There is something compulsively watchable in how bad their movies are, hence the watching of them despite knowing how they'll turn out. 11/11/11 is a cheap-looking movie for starters. The editing at best is choppy, there is nothing dynamic about the lighting and the special effects are laughably fake, almost as if it took 5 minutes and less than $5 to construct. And the gore needs to be mentioned, as the blood was more melted jam than blood. The sound effects and music are generic and sluggish, forgettable also in every way. The dialogue has enough awkwardness and cheesiness to make your head hurt, and the story is terminally dull being too obvious and predictable to be scary, thrilling or suspenseful. The characters are not likable or interesting in the slightest, the direction is amateurish and has no distinctive style and the actors can't act their way out of a paper bag, that's how painful it was to watch them. In conclusion, a terrible movie, to be avoided and only to be seen just to see if The Asylum make another atrocity or a watchable movie. 1/10 Bethany Cox
Jack and Mellisa Vales soon suspect that the 'spooky' coincidences that occur at their new house could have to do with their son, who also might happen to be Satan. Or the person that founded the Asylum movie company, they're pretty indistinguishable from each other.
It's an Asylum film, so telling you that it's cheap, badly acted, or obscenely tedious would be an exercise in redundancy. To be perfectly blunt, I no longer really blame them for releasing an unending putrid stream of cinematic atrocities. They must make money from some gullible sap out there. Having instant Netflix,however, I don't waste my money, just my time (which is also a travesty in its own way)
My Grade: F+
It's an Asylum film, so telling you that it's cheap, badly acted, or obscenely tedious would be an exercise in redundancy. To be perfectly blunt, I no longer really blame them for releasing an unending putrid stream of cinematic atrocities. They must make money from some gullible sap out there. Having instant Netflix,however, I don't waste my money, just my time (which is also a travesty in its own way)
My Grade: F+
I started watching this mess and soon found myself rolling my eyes. As a serious horror movie, 11/11/11 undoubtedly fails. The story about a boy being possessed is old hat. The script is amateurishly stupid. By the time of the second death scene I was about to hit the back button and end this madness of a so called movie. A funny thing happened. My wife started laughing. I asked if she was laughing because the movie was so bad. She said she was laughing because the movie was intentionally bad and she found the silliness clever and amusing,
As a camp movie, I think 11/11/11, works..., for awhile. Aurelia Scheppers steals the show as a twisted nanny. The problem is I don't think 11/11/11 is intended to be humorous. The last half an hour is played straight and returns to being a mundane tale about satan worship. The father is on screen the most and his performance is as flat as the sidewalk.
Despite it's obvious flaws, the pace of the movie is fast. There are enough laughs in the middle to make it watchable..., if you view it with tongue firmly in cheek.
As a camp movie, I think 11/11/11, works..., for awhile. Aurelia Scheppers steals the show as a twisted nanny. The problem is I don't think 11/11/11 is intended to be humorous. The last half an hour is played straight and returns to being a mundane tale about satan worship. The father is on screen the most and his performance is as flat as the sidewalk.
Despite it's obvious flaws, the pace of the movie is fast. There are enough laughs in the middle to make it watchable..., if you view it with tongue firmly in cheek.
क्या आपको पता है
- ट्रिवियाReleased on November 1st, 2011 to capitalize on 11-11-11 (2011), which was released in the U.S. on November 11th, 2011.
- गूफ़(at around 1h 6 mins) When Denise (the nanny) escapes from the police car, she simply opens the door and walks away. Rear doors on patrol cars do not open from the inside, they must be opened from the outside.
- साउंडट्रैकJazz Party
Written and Performed by Yoshi Miyamoto
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- चलने की अवधि1 घंटा 27 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1 / (high definition)
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