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Die andere Heimat: Chronik einer Sehnsucht

  • 2013
  • Not Rated
  • 3 घं 51 मि
IMDb रेटिंग
7.9/10
1.6 हज़ार
आपकी रेटिंग
Jan Dieter Schneider in Die andere Heimat: Chronik einer Sehnsucht (2013)
Trailer 2 for Home from Home: Chronicle of a Vision
trailer प्ले करें2:16
8 वीडियो
12 फ़ोटो
DramaHistory

अपनी भाषा में प्लॉट जोड़ेंJakob longs for a new life for himself and his troubled family in Brazil.Jakob longs for a new life for himself and his troubled family in Brazil.Jakob longs for a new life for himself and his troubled family in Brazil.

  • निर्देशक
    • Edgar Reitz
  • लेखक
    • Edgar Reitz
    • Gert Heidenreich
  • स्टार
    • Jan Dieter Schneider
    • Antonia Bill
    • Maximilian Scheidt
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.9/10
    1.6 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Edgar Reitz
    • लेखक
      • Edgar Reitz
      • Gert Heidenreich
    • स्टार
      • Jan Dieter Schneider
      • Antonia Bill
      • Maximilian Scheidt
    • 12यूज़र समीक्षाएं
    • 57आलोचक समीक्षाएं
    • 70मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 9 जीत और कुल 8 नामांकन

    वीडियो8

    Home from Home: Chronicle of a Vision
    Trailer 2:16
    Home from Home: Chronicle of a Vision
    Home from Home: Chronicle of a Vision
    Trailer 2:26
    Home from Home: Chronicle of a Vision
    Home from Home: Chronicle of a Vision
    Trailer 2:26
    Home from Home: Chronicle of a Vision
    Home from Home: Chronicle of a Vision
    Clip 3:06
    Home from Home: Chronicle of a Vision
    Home from Home: Chronicle of a Vision
    Clip 2:19
    Home from Home: Chronicle of a Vision
    Home From Home: Alexander Von Humboldt
    Clip 3:05
    Home From Home: Alexander Von Humboldt
    Home From Home: Rebellion Against The Baron
    Clip 3:16
    Home From Home: Rebellion Against The Baron

    फ़ोटो12

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 7
    पोस्टर देखें

    टॉप कलाकार97

    बदलाव करें
    Jan Dieter Schneider
    Jan Dieter Schneider
    • Jakob Simon
    Antonia Bill
    • Jettchen Niem
    Maximilian Scheidt
    • Gustav Simon
    Marita Breuer
    Marita Breuer
    • Margarethe Simon
    Rüdiger Kriese
    • Johann Simon
    Philine Lembeck
    • Florinchen
    Mélanie Fouché
    Mélanie Fouché
    • Lena Zeitz
    Eva Zeidler
    • Großmutter
    Reinhard Paulus
    • Unkel
    Barbara Philipp
    • Frau Niem
    Christoph Luser
    • Franz Olm
    Rainer Kühn
    • Dr. Zwirner
    Andreas Külzer
    • Dorfpfarrer Wiegand
    Julia Prochnow
    • Hebamme Sophie Gent
    Martin Haberscheidt
    • Fürchtegott Niem
    Kathy Becker
    • Nachbarin
    Dettmer Fischbeck
    • Nachbar
    Klaus Meininger
    • Lehrer
    • निर्देशक
      • Edgar Reitz
    • लेखक
      • Edgar Reitz
      • Gert Heidenreich
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं12

    7.91.5K
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    फ़ीचर्ड समीक्षाएं

    7kosmasp

    Should I stay or should I go?

    Not only a song title, but also a dilemma many people in villages might face. There's always reasons that will feed into both sides of the argument (or the decision on what to do). This movie has been considered and called "boring" by some. And I wouldn't blame anyone saying that, because the pace of the movie is really slow.

    It takes the time to introduce the characters and it also takes the time to make the evolve (or devolve). The journey might not lead always where you expect it to go and "rules" (unwritten ones) defy feelings many times. But some things can obviously not be changed. So the characters do have to go with the flow of things. Melodrama that could be easily avoided ensues, but that's life isn't it?
    8willwoodmill

    Edgar Reitz returns with another installment to his classic Heimat series

    Way back in 1984 German director Edgar Reitz directed a TV miniseries called Heimat: A Chronicle of Germany. (Heimat meaning Homeland.) This 15 hour long miniseries became the first part of his Heimat films. In these films he would try and tell Germany's history through characters in the small fictional town of Schabbach. He would later add two more TV miniseries and two films to his massive series. The most recent edition to the Heimat story being Home from Home: Chronicle of a Vision.

    For the newest edition to the series Edgar Reitz decided to take the story all the way back to the beginning, specifically the town of Schabbach in the mid 19th Century. Which is the farthest back in time any Heimat film has taken place. The film mainly focuses on the story of Jakob, (played by Jan Dieter Schneider in his first thematic performance, and it's a great debut.) a young member of Schabbach who has dreams of leaving his small poor town and emigrate to Brazil. But unfortunately for him he keeps finding himself unexpectedly detained. And as the years slowly go by he becomes less and less hopeful of ever leaving Schabbach.

    I should mention this before continuing the review, you don't need to see all of the other Heimat film before you see this one, it's a prequel and for the most part not connected to the other films at all. So don't let the Heimat series massive length deter you from watching Home from Home Even though Home from Home is much shorter than most of the other installments to the Heimat series, it is still a very long film. Home from Home clocks in at nearly four hours long but it doesn't feel nearly that long. The film is slow paced, but it never feels boring because it's able to enchant the audience with its likable characters and simple and relatable themes. We follow Jakob and his family through all there different toils and troubles that they are faced with, whether it be the difficulties of planting and harvesting seasons, oppression from the rich Barron, or finding new love. By the end of the film we are incredibly close to these characters and feel a deep personal connection with them, nearly every single character has there own private scene, so the audience can't help but feel part of the small town of Schabbach There are also several different scenes or objected that reused or referenced throughout the film, giving the film a nice since of cohesion.

    The cinematography, while being amazing for most of the film, does have some weaker parts. Home from Home is mostly a black and white film, but there are a few objects throughout the film that are in color. (Like the girl in the red dress from Schindler's List.) And sometimes this really works, and other times it doesn't. Sometimes it just looks really out of place and really just come across as an eyesore, the coloring is really sloppy and does not fit with the rest of the film. Not to mention that sometimes it's completely unnecessary, so you end up wondering why it was still in the final cut of the film. But the soundtrack is luckily consistently good throughout the film, and fits Home from Home perfectly.

    While you're watching Home from Home you don't realize the effect it's having on you. But when it's over, you'll find it's difficult to get Home from Home out of you're head. You'll find yourself mulling over the characters and events constantly, and you'll find that you miss the characters and will want to return to the film just to relive the moments. And as I aid before you don't need to see the other Heimat films before you see this one, so do yourself a favor and check it out

    8.3
    9t-dooley-69-386916

    Stunning and beautiful prequel to Heimat

    Home from Home; Chronicle of a vision is also called 'Die Andere Heimat'. It is the story of Jakob in a fictional village it chronicles a time when emigration was the curse of all Europe. There was a better life awaiting in the New World – and in the case of Jakob this was Brazil.

    It also tells the story of inter familial strife, the rifts that religion can cause and the triumph of love and intelligence over everything. It is filmed in black and white and is done so beautifully. Black and white needs much more lighting to get it to look right and this has been done here pains takingly. There is colour too but only at crucial moments to highlight the beauty of a flower or a meadow and to add simple emphasis to a scene – as done in the silent films 'Gold' and 'The Phantom of the Opera'.

    We span many years and this lasts a whopping 235 minutes – I watched in two sittings but it is well worth it. It has a lost world charm about it and yet still so many things to impart. Simple, stunning, evocative and very moving in places too. This is a film for real cinephiles and especially those who love European cinema.
    8lasttimeisaw

    An estimable roman-fleuve faithfully recapitulates its auteur's life's work, aided by its chromatic aesthetics and a humble precept of naturalism

    A cinematic recapitulation of his canonical Heimat (roughly can be interpreted as "homeland") mini-series (three chronological installments encompassing a totol 30 episodes, released in 1984, 1993 and 2003 respectively), which conscientiously survey the shifting ethos of Germany from mid-19th century till the millennium through families dwelling in a fictitious Hunsrück village called Schabbach, octogenarian New German Cinema veteran Edgar Reitz's latest edition marks his first feature film in 35 years, on top of its whopping 225-minutes running time.

    HOME FROM HOME is au fond a prequel, sets its time-frame precisely from 1840 to 1844, and the cynosure here is a geeky adolescent boy Jakob Simon (Schneider), the youngest son of a blacksmith family in the village, who is not cut from the same cloth like his peers, for example his elder brother Gustav (Scheidt), and is often called on the carpet by their parochial father Johann (Kriese) for shirking day-to-day drudgery. Jakob is an avid bookworm and is weaned on the vast world purveyed by other people's words and imagination, he begins to envisage a life beyond his home-bound hardscrabble status quo (the area is constantly plagued by crop failure, harsh weather and pandemic illness), specifically, to emigrate to Brazil, for that purpose, he even masters the language of a particular tribe of South-American Indian, and often effuses about it with sheer elation, say, in front of Jettchen (Bill), the corn-fed girl he cottons to.

    Little does Jakob know, what kismet lays in store for him is diametrically opposite of that ideal, the Grim Reaper sporadically assails the family either by abrupt fits or after a chronic affliction; Jettchen, who takes a jollification-addled fancy on Gustav, a hammer blow directly precipitates Jakob's self-inflicted prison stint, ends up becoming his sister-in-law; but the last straw renders Brazil a castle in the air is the filial duty that befalls him when Gustav and Jettchen pre-empt his own pending migration, a muddy fraternal grapple turns out to be the best solution to blow off their steam.

    Jakob stays, and life continues with its unchanged pace, he settles for Florinchen (Lembeck), Jettchen's comely thick-as-thieves friend he likes but not exactly loves, his erudition finally earns the respect from Johann, who also mends fences with Lena (Fouché), his daughter, Jakob and Gustav's sister who has been cut off from the family because she marries a man of a different religious persuasion, in the end of the day, Reitz's time-honored sense of perspective about life, time and humanity hits the mark with distinction.

    Sensibly and relentlessly, Reitz adopts a sedate rhythm to the meandering narrative and characterizes a lyrical nostalgia (enhanced by Michael Riessler's protean score conveying emotions with high fidelity) which beautifully pervades this saga from stem to stern. The film is shot in an aesthetically mind-blowing monochrome (which anticipates Ciro Guerra's mesmerizing EMBRACE OF THE SERPENT 2015, that could be providentially welcomed as an otherworldly answer to Jakob's unfulfilled longing), which is ingeniously if economically interspersed with eye-catching polychromatic touches: a golden coin, an agate keepsake, a German flag, fire blazing a horseshoe, the tail of an arcing comet, two varicolored garlands, roadside blue berries or other floral variations, all pregnant with Reitz's divine acuity of discerning and accentuate beauty in both sweeping landscape and quotidian rigors with his reductive idiom. Thematically, HOME FROM HOME adheres to Reitz' humanism precept which precludes it from degrading into an eye-level pastoral, and incontrovertibly, he has been inculcated with the same humble naturalism which is in the veins of his coevals like Jan Troell and Ermanno Olmi, while anchoring this film in the signs of its time like diaspora, privation and disillusion, Reitz tops it off with a well-earned serenity to patch up with the aftermath of a dashed dream and bereavement.

    Although the film is not necessarily an actor's showpiece, and newcomer Jan Dieter Schneider's central performance is a bit of a curate's egg, one real trouper should be name-checked, the leading actress in the first Heimat series, Marita Breuer, understatedly returns as Margarethe, the hard-working and loving mother of the household, and feeds this estimable roman-fleuve an affecting sentiment that echoes its auteur's own monody towards mortality and permanence.
    9ncolborn-1

    Beautiful, profound and deeply moving - a work of fine art

    As a companion to the outstanding Heimat TV series, this film has immense value. We see an exquisite portrait of rural life in the Hunsrück during the troubled 1840s. These were troubled times through much of Europe when rural poverty was severe, and oppression by the landed gentry was ruthless.

    But this is more than just a story about a small village not far from the Rhine. Reitz' entire work - the three Heimat series and this prequel - is one of greatest cinematic endeavours of our times. The beauty of the photograpy is unsurpassable, even by the standards set by Ingmar Bergman's wonderful filmographer Sven Nykvist The story lines are deftly crafted and the characterisation is faultless. Enjoying a work of such stature has been a wonderful experience

    इस तरह के और

    Heimat: Eine Chronik in elf Teilen
    8.6
    Heimat: Eine Chronik in elf Teilen
    Die zweite Heimat: Chronik einer Jugend
    8.9
    Die zweite Heimat: Chronik einer Jugend
    Heimat 3: Chronik einer Zeitenwende
    8.0
    Heimat 3: Chronik einer Zeitenwende
    Heimat-Fragmente: Die Frauen
    6.7
    Heimat-Fragmente: Die Frauen
    Unga Astrid
    7.1
    Unga Astrid
    Finding Vivian Maier
    7.7
    Finding Vivian Maier
    Encounters at the End of the World
    7.7
    Encounters at the End of the World
    I, Claudius
    8.8
    I, Claudius
    El sur
    7.8
    El sur
    In the House
    7.3
    In the House
    Nelyubov
    7.6
    Nelyubov
    Babettes gæstebud
    7.8
    Babettes gæstebud

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The strange brass instrument played by Florine at the Smearcase Fair is an ophicleide.
    • कनेक्शन
      Follows Heimat: Eine Chronik in elf Teilen (1984)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल17

    • How long is Home from Home: Chronicle of a Vision?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 3 अक्टूबर 2013 (जर्मनी)
    • कंट्री ऑफ़ ओरिजिन
      • जर्मनी
      • फ़्रांस
    • आधिकारिक साइटें
      • Concorde Filmverleih (Germany)
      • Official Facebook
    • भाषा
      • जर्मन
    • इस रूप में भी जाना जाता है
      • Home from Home: Chronicle of a Vision
    • फ़िल्माने की जगहें
      • Gehlweiler, Hunsrück, Rhineland-Palatinate, जर्मनी
    • उत्पादन कंपनियां
      • Edgar Reitz Film (ERF)
      • Les Films du Losange
      • ARD Degeto Film
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • €80,00,000(अनुमानित)
    • दुनिया भर में सकल
      • $16,01,058
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      3 घंटे 51 मिनट
    • रंग
      • Color
      • Black and White
    • पक्ष अनुपात
      • 2.39 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Jan Dieter Schneider in Die andere Heimat: Chronik einer Sehnsucht (2013)
    टॉप गैप
    By what name was Die andere Heimat: Chronik einer Sehnsucht (2013) officially released in India in English?
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