IMDb रेटिंग
7.7/10
16 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA documentary on the late Vivian Maier, a nanny whose previously unknown cache of 100,000 photographs earned her a posthumous reputation as one of the most accomplished street photographers.A documentary on the late Vivian Maier, a nanny whose previously unknown cache of 100,000 photographs earned her a posthumous reputation as one of the most accomplished street photographers.A documentary on the late Vivian Maier, a nanny whose previously unknown cache of 100,000 photographs earned her a posthumous reputation as one of the most accomplished street photographers.
- निर्देशक
- लेखक
- स्टार
- 1 ऑस्कर के लिए नामांकित
- 12 जीत और कुल 23 नामांकन
Vivian Maier
- Self
- (आर्काइव फ़ूटेज)
Jeffrey 'Guffy' Levant
- Self - Interview Subject
- (as Jeffrey 'Duffy' Levant)
फ़ीचर्ड समीक्षाएं
John Maloof buys one lot of photo negatives at a local auction house for $380 in 2007. He's looking for old pictures of Chicago to put in a picture book. He purchases the rest of the negatives from the other buyers and finds out after goggling that she was actually just a nanny. Her works find recognition as Maloof starts displaying them. She was also a pack rat and he pieces together her life from all of material she saved up. She seems like an eccentric private person who took pictures all the time. She would even bring her young charges to the slums to take interesting photographs. He continues to dig into her life and finds some fascinating mysteries.
First off, the pictures look beautiful. I really like the photos of people especially. Shooting from below gives a majesty to the subjects. That's the hook. Then there is the mystery of the nanny. It's a fascinating reveal as Maloof interview some of Vivian's charges. The fact that she seems to be alone raises the mystery factor. The only drawback is Maloof himself. There is probably some self serving purpose going on here and he's not the best narrator for the purpose. However I'm just drawn in by this private woman. I find her fascinating.
First off, the pictures look beautiful. I really like the photos of people especially. Shooting from below gives a majesty to the subjects. That's the hook. Then there is the mystery of the nanny. It's a fascinating reveal as Maloof interview some of Vivian's charges. The fact that she seems to be alone raises the mystery factor. The only drawback is Maloof himself. There is probably some self serving purpose going on here and he's not the best narrator for the purpose. However I'm just drawn in by this private woman. I find her fascinating.
10rxfore
This documentary is one of a kind. The story of an eccentric, possible mentally ill mystery woman and her prolific photographic work. If the move was just about her art, it would be extraordinary, as her work was. The story of her bizarre and secret life just enhance the film. For a first time effort from John Maloof, this one is very well done. The film starts with those who knew her, openly expressing their amazement to her unknown and mysterious life as a street photographer, filled with the images she kept a secret from everyone. You wonder how someone with her talent could keep it a secret for so long. Maloof plays a significant role in front of the camera as it is necessary for him to tell the story. When it is over, you are still left with a sense of disappointment. You know more about this mystery woman, yet you still crave for more..............And, the images still haunt you. This is one movie I will see numerous times.
The showing I attended had Jeff Garlin participate in a Q & A. It was entertaining as he detailed the process and effort Maloof put in to make this gem of a documentary.
The added bonus was my friends brother was in the film. Very exciting.
Please see this film if you can. Please see the photography of Vivian Maier if you can.
The showing I attended had Jeff Garlin participate in a Q & A. It was entertaining as he detailed the process and effort Maloof put in to make this gem of a documentary.
The added bonus was my friends brother was in the film. Very exciting.
Please see this film if you can. Please see the photography of Vivian Maier if you can.
This film is recommended.
Filmmaker John Maloof stumbles upon a trove of unwanted photos at an auction by a relatively unknown artist named Vivian Maier and this documentary, co-directed with Charlie Siskel, wants to make her well known and just may do so. His Antique Roadshow story becomes the basis for his documentary, Finding Vivian Maier, and it's almost too obvious that this filmmaker wants to create a legend and myth in this well done infomercial for this talented woman. Through interviews and archival footage of her photographic work, we learn little about this eccentric artist's life, she remain an enigma. But her photographic more than fulfills her lasting legacy.
To be honest, the film does not present a well balanced view of the late artist, and is purposely biased in its approach to heralding her fame. But Miss Maier's work, part Diane Arbus, Robert Frank, and Walker Evans, is certainly powerful. Her street photography is quite remarkable with a dark and insightful point of view.
Armed with a Rolleiflex camera, Maier shot over 100,000 photos of street life. Her imagery, mostly head shots of people on the streets of Chicago beginning in the 1960's, is varied and quite accomplished. Her photo journalistic style documents those times well into the 90's era. Her use of shadows and light are particularly effective and help to create a chilling mood with its subjects and their environs.
Finding Vivian Maier tries to uncover this artist's personal life, but never achieves that goal, due to conflicting stories by interviewees and the lack of physical evidence left by Maier herself. We take away from the film the fact that she was a private person whose main job was being a full-time nanny, although she may have possibly had severe mentally issues. She was a creative and prolific artist on the side, rarely printing or showing her own work to others. But we also take away from this biography a slightly disturbing feeling that the filmmakers might have an ulterior motive, taking advantage of the artist for purely financial reasons rather than mere admiration of her work. Some details (her early life, her friends and family members, her death) are glossed over instead of examined with any depth or mention.
That said, the filmmakers have assembled a compelling portrait of the photographer and her work is certainly worthy of attention. We may not find the real essence of the artist in the documentary, Finding Vivian Maier, but the journey itself and Vivian Maier's memorable imagery makes for fascinating viewing. GRADE: B
Visit my blog at: www.dearmoviegoer.com
ANY COMMENTS: Please contact me at: jadepietro@rcn.com
Filmmaker John Maloof stumbles upon a trove of unwanted photos at an auction by a relatively unknown artist named Vivian Maier and this documentary, co-directed with Charlie Siskel, wants to make her well known and just may do so. His Antique Roadshow story becomes the basis for his documentary, Finding Vivian Maier, and it's almost too obvious that this filmmaker wants to create a legend and myth in this well done infomercial for this talented woman. Through interviews and archival footage of her photographic work, we learn little about this eccentric artist's life, she remain an enigma. But her photographic more than fulfills her lasting legacy.
To be honest, the film does not present a well balanced view of the late artist, and is purposely biased in its approach to heralding her fame. But Miss Maier's work, part Diane Arbus, Robert Frank, and Walker Evans, is certainly powerful. Her street photography is quite remarkable with a dark and insightful point of view.
Armed with a Rolleiflex camera, Maier shot over 100,000 photos of street life. Her imagery, mostly head shots of people on the streets of Chicago beginning in the 1960's, is varied and quite accomplished. Her photo journalistic style documents those times well into the 90's era. Her use of shadows and light are particularly effective and help to create a chilling mood with its subjects and their environs.
Finding Vivian Maier tries to uncover this artist's personal life, but never achieves that goal, due to conflicting stories by interviewees and the lack of physical evidence left by Maier herself. We take away from the film the fact that she was a private person whose main job was being a full-time nanny, although she may have possibly had severe mentally issues. She was a creative and prolific artist on the side, rarely printing or showing her own work to others. But we also take away from this biography a slightly disturbing feeling that the filmmakers might have an ulterior motive, taking advantage of the artist for purely financial reasons rather than mere admiration of her work. Some details (her early life, her friends and family members, her death) are glossed over instead of examined with any depth or mention.
That said, the filmmakers have assembled a compelling portrait of the photographer and her work is certainly worthy of attention. We may not find the real essence of the artist in the documentary, Finding Vivian Maier, but the journey itself and Vivian Maier's memorable imagery makes for fascinating viewing. GRADE: B
Visit my blog at: www.dearmoviegoer.com
ANY COMMENTS: Please contact me at: jadepietro@rcn.com
A box is bought at auction and explored, turns out the last owner collected a large hoard, of film and negatives, you start to build a narrative, for your curiosity, you receive a great reward. The picture that develops is profound, the images you've captured just astound, the story that it tells, puts you right under its spell, as more canisters (amongst other things) appear, it's quite profound.
A brilliant piece of factual storytelling that reveals the story of a tough and eccentric spinster who spent her life taking some of the greatest pictures the world nearly never saw. I've lost track of how many times I've revisited this over the years and it remains a gem to be perpetually revisited.
A brilliant piece of factual storytelling that reveals the story of a tough and eccentric spinster who spent her life taking some of the greatest pictures the world nearly never saw. I've lost track of how many times I've revisited this over the years and it remains a gem to be perpetually revisited.
Stories of posthumous success are always interesting. Rarely have they been on the scale of Vivian Maier, whose body of work proves that her perspective of the streets is not a fluke. The pictures are staggeringly good yet modest. She had a talent, if not one for printing and promotion. Elusive artists, ones who do it for their own satisfaction, are pretty fascinating. You think art should be one of those things that begs as much attention as possible. That was Vivian's enemy. Fortunately, or unfortunately for her, director John Maloof knows how to spread the word. Upon finding her photos and setting up galleries for them, he set out on a journey to find out more about her. He probes into all her facets. Her brilliance, her quirks, and her flaws. Perhaps Maloof shouldn't have had the gall to include himself, but he acts as an antithesis to Vivian. Almost an antagonist to her goal. It's a great dynamic that guides the film in a great way. Thoroughly entertaining, enlightening and engaging documentary with a beautiful score to boot. Finding Vivian Maier is easily of the best documentaries of the year.
8/10
8/10
क्या आपको पता है
- कनेक्शनFeatured in The Oscars (2015)
टॉप पसंद
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- How long is Finding Vivian Maier?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $15,14,782
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $63,600
- 30 मार्च 2014
- दुनिया भर में सकल
- $23,85,956
- चलने की अवधि
- 1 घं 23 मि(83 min)
- रंग
- पक्ष अनुपात
- 1.85 : 1
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