द एज ऑफ़ सेवेनटीन

John Hughes is an unmistakable touchstone of the coming of age 1980s high school dramedy. Films like Sixteen Candles, The Breakfast Club, Pretty in Pink and Ferris Bueller's Day Off chronicled the adolescent experience of growing up, dealing with teen angst and self-actualization while mixing in a dash of old fashioned screwball comedy which at once provides relatable laughter for the viewer while making the dramatic pills easier to swallow. All of those undeniably come to mind when watching the directorial debut of Post Grad screenwriter Kelly Fremon Craig, The Edge of Seventeen, a coming of age high school comedy about a socially awkward and unhappy teenage girl named Nadine (Hailee Steinfeld from True Grit) whose best friend enters a relationship with her hunky older brother (Blake Jenner from Everybody Wants Some). And yet it is Amy Heckerling's Fast Times at Ridgemont High that The Edge of Seventeen finds its closest antecedent in, providing at once a funny and sympathetic rom com and a decidedly darker, more explicit look at budding female sexuality in a world adorned with dumb horny males who care nothing for the heroine's plight and emotional crossroads. At times its unbearable watching Nadine suffer while at the same time the film doesn't deny her own complicitness in the creation of her teenage misery. At first on the outset this looked like another Juno/Ghost World lovechild but as it progressed I was surprised how funny, charming, touching and well thought out this portrait of adolescent fear, anxiety and depression really was. Sure we've seen this movie done to death, but The Edge of Seventeen provided a fresh spin on the proceedings that kept it from blending together with what came before it.

Though this film fits the coming of age genre the struggles that Nadine, the main character, is going through are not purely 'teen problems', As a 20 something year old this film deeply resonated with me and though similar to Nadine I was a socially awkward, defensive and pessimistic teenager it wasn't just the teenage me who could find the character relatable. I've noticed in the low rated comments one of the main reasons people didn't like the film is because the main character isn't likeable. And though I loved the film, I would agree; she isn't likeable. And the film is more realistic and better off for it. In real life we aren't always likeable people ourselves and the film almost acts as a tool to allow us to step back and really look at our current or teenage selves. Nadine does realise and understand towards the end and throughout the film her erratic and selfish behaviour is a result of her self loathing because she knows she doesn't want to continue being that way but she's stuck in this endless cycle and doesn't know how to get out. The valuable lesson from the film and her journey within it is that we often bring misfortune and unhappiness on ourselves in the way we handle and respond to bad things in our lives.

I think this film will speak to anyone who has felt alone in the world, lost without purpose or anywhere to fit in. If you like films about people rather than action and you watch a film to be taken on a journey (albeit an emotional one) rather than to have an enjoyable couple of hours then this may be the film for you. It helps that is has an excellent cast, each actor fitting their roles well and bringing them to life.

Another positive note I took away from the film is the way it handles and represents mental illness/ distress as it does so without labels and in a subtle way without needing to bring it to the forefront.

I've spent a lot of time over the years trying to figure out the humor I like and movies like this pin it down for me. I like awkward humor. Nadine is all kinds of awkward and that's what makes her relatable and adorable. You empathize with her and the problems she's going through, and through the eyes of an adult, of course you laugh at how overdramatic she is, but in a FUNNY way. It makes for some comedic relief between her and her teacher delightfully played Woody Harrelson, who just ignores her neuroses. What makes the film a pleasant experience is the way she is played by Hailee Steinfeld. There's a few minutes here and there where they venture into 'I will punch you' category, but nowhere near the insufferable 'lady bird' I had to turn off after ten minutes. Definitely a recommended film for those who empathize with growing pains.

Nadine (Hailee Steinfeld) loved her father and battled with her mother (Kyra Sedgwick). At 13, she lost her father. Her life is one of miserable sarcasm except for her best friend since second grade, Krista (Haley Lu Richardson). She hates her perfect brother Darian (Blake Jenner). Dorky Erwin Kim has a crush on her but she's in lust with delinquent Nick Mossman. To her horrors, Krista starts dating Darian. The only person she could turn to is equally sarcastic teacher Mr. Bruner (Woody Harrelson).

It's funny. It's touching. It's poignant. There are no superficial characters in the main group. The jokes are great. Everybody's great. Woody is a real standout. The only drawback I can remotely dig up is that Hailee Steinfeld is too pretty. She follows a long line of Hollywood beauties who dress down to do 'She's All That'. The Pedro joke is hilarious which helps a lot. However, she's never going to be Danny DeVito level. The reason it works so well is a terrific performance from Hailee. She really sells this self-obsessed bitter teen while maintaining a great likability. One roots for her and sees the world from her eyes even as everyone knows that she's wrong. Hailee shows some terrific acting talents once again.

Remember all those teen movies about how much fun it is to be a teenager? Porky's, Ferris Bueller's Day Off, all those American Pie movies and movies that spend an inordinate amount of time at the beach, to name a few. These are typical teenage movies. The Edge of Seventeen is not a typical teenage movie, and that is what makes it so great. Oh, there have been other great non-typical teenage films of late, like The Perks of Being a Wallflower, but somehow Seventeen stands alone.

Perhaps it is the intense and thoroughly committed performance of Hailee Steinfeld who started her film career under the tutelage of the Cohn Brothers in their remake of True Grit (oh yeah, and was nominated for an Oscar at the age of 14, although principle filming occurred while she was 13). Hailee so captures the angst of Nadine, whose name alone sets her apart, (Nadine was the most common name given to baby girls in 1958); that one cannot help but ache for her. Nadine carries the weight of the world on her shoulders and believes herself to be unlike any of the other kids who text each other about the tacos they're eating, and communicate in emojis.

She plays well alongside her favorite teacher, portrayed cheekily by Woody Harrelson who provides some of the best laughs in the film, as one might expect. Also of note, I think, is the quirky, lovable and downright cute performance of Hayden Szeto as Erwin. Erwin sits next to Nadine in class stumbling and bumbling his way through awkward repartee in the hopes of some sort of hook-up. But nothing is typical here, and the course that said repartee takes leads us into uncharted teen territory. It might also be interesting to note that the name Erwin was the most common baby name in 1918, which makes this Erwin an old soul, to be sure.

Kelly Fremon Craig has written a real gem here, and his first directing effort will earn him much critical acclaim, to be sure. The thing he does masterfully is take us inside the character of Nadine by giving us so many moments alone with her; moments when we experience in her stillness, in her eyes, and in her facial discipline as an actress the absolute bankruptcy of her isolation. None of us would want to be seventeen again, or ever; at least not her seventeen.

I am grateful to the studio, and to the Marcus Corporation for giving some of us movie lovers an opportunity to pre-screen this film that will be released on November 18th. I suppose they hope we will say good things about it and get others to go see the film. Well, go see the film. You will laugh, and you will need a few tissues, but you will not regret having spent a few hours walking in Nadine's shoes. Perhaps there is a little Nadine in all of us after all.