The Perks of Being a Wallflower

The Perks of Being a Wallflower is another story about a simple guy living in a cruel life of high school. The difference is he's not ought to save the day, wants to lose his virginity, seeking to be popular, or revenge on his bullies. The story is about a shy kid who wants to get along with people and can't wait to leave high school. Behind it is the genuine pain and emotion of the characters which makes it more than just another story about teenagers. Stephen Chbosky tells his own story on screen pretty well and the performances are quite excellent. The Perks of Being a Wallflower is often heartbreaking, charming, and wonderful.

Charlie is palpably just another teenage protagonist, but he is not one of those who tries to prove everyone who mistreated him wrong. His goal is to get away from being anti-social and be like anyone else in high school. We may have heard a story like this before, but what makes this one extraordinary is when it mostly depicts the darkest aspects of their lives. Expressing the most heartbreaking truths about these teenagers. Knowing their problems easily makes it reasonable for us to care about them. The romance is rather credibly lovely than a mainstream claptrap. In the joyous moments, it's pretty delightful and plays a quite nostalgic soundtrack.

The film gives the actors some nuance. This is probably a good thing for Logan Lerman. He usually plays the simple charming guy in movies. Since he's good at those, he adds some credibility to Charlie. Emma Watson is likable enough as Sam. The best among the three is Ezra Miller. One might hams it up for Patrick, but Miller gave the character a genuinely wonderful personality.

The director and author, Stephen Chbosky, didn't try anything else than to bring his book to life. He tells it straightforward on screen with plenty of strong, effective emotions. The cinematography is bright and beautiful enough. The tunnel scene has the best shots. While the soundtrack is too conspicuous, the music score is noticeably melancholic.

The Perks of Being a Wallflower is best if you can actually relate to the lead character or have experienced the struggles of being an adolescent. When it's not depressing, the film goes to those blissful moments that make us remember the good times in high school. Overall, it's a great film. It's a film adaptation that replaces the cliché mainstream swagger with some painful realities and simply let the audience understand the whole point of it. In the end, it's quite a remarkable film.

Stephen Chbosky has taken his exceptional novel and made it an extraordinary film. As the opening credit rolled I was impressed with the quality of the cast including Emma Watson, Paul Rudd, Kate Walsh, and Dylan McDermott. And to top it off, Joan Cusak is there as well.

This is a story of coming of age and coming to terms of a boy entering high school and adulthood. Freshman Charlie (Logan Lerman) almost by accident becomes friends with Patrick (Ezra Miller) and his stepsister Sam (Emma Watson). Soon he is hanging out learning about the ins and outs of being a teen. But there is something that is left unsaid, is it about his last best friend or his aunt.

Chbosky must have been blessed by John Hughes. Not only capturing this timeless story with every word and sight, the film's soundtrack blows me away. Not many can take a book of such depth and keep the heart and soul of it alive, but it happened here. Go to the theatre and see it. Check out the book and read it. But most of all, Stay Infinite!

High school films devoid of archetypes are few and far between, and the same goes for high school films that don't adopt a goofy approach. The Perks of Being a Wallflower is an exception in both categories, and still it is every bit as enjoyable as the most audience-friendly films in this subgenre. They key, I suspect, is that the director is also the screenwriter and the novelist behind the book upon which the film is based. His name is Stephen Chbosky, and he takes the problems of youth every bit as seriously as John Hughes did in The Breakfast Club in the 1980s. Based on his 1999 novel of the same name, his script is full of care for and understanding of these kids, and he's able to transfer the literary quality to the screen without making it feel contrived. He also seems to be a real actors' director, giving his wonderful cast time to blossom and develop together. There's an undeniable bond and unity between particularly the trio Logan Lerman, Emma Watson and Ezra Miller, and rarely have teenagers come across as more human and real than they do here. The Perks of Being a Wallflower is a homage to youth, and a really enjoyable one at that.

Went to an advance screening expecting your usual "shy kid in high school learns to stick up for himself" sort of feel-good drama. This movie is so much more than that - I was truly blown away by the mature themes and moving characters. Mental illness, sexual abuse, drugs and alcohol... I think the writer/screenwriter/director said it best in the Q+A after when he said it was a film that looked at the emotional aspects of that point in life without being sentimental. I really cared about these three teens - Charlie, Sam, and Patrick - and their story never felt cheesy. Just real, and moving, and touching. Go see this movie!

The Perks…as it were, was a bit of a marvel when discussing what teenagers have to contend with. Anyone that decides to see this film expecting a run of the mill high school drama or teenage angst tale will be pleasantly surprised at the depth with which this story delves. This adaptation of Stephen Chbosky's novel seemed to take the difficulties facing one young man embarking on his high school journey through one extreme situation after another. I could visualize a totally different version of this tale of misfit toys being played out where all is right with the world and Charlie (Logan Lerman) is the most popular freshman in school for the simple fact that all his friends are seniors. The immediate infatuation that Charlie had with Sam (Emma Watson) was no surprise, what did surprise me was the challenges that she and her step brother Patrick/Nothing (Ezra Miller) had to endure. Even I started to get annoyed as the school year progressed and the running 'Nothing' joke persisted. It's always surprising when a story focuses on well to do young people whose lives would be expected to mimic a fairytale. This story gives insight into the fact that some young people have the same if not even more struggles than others and having money can't really fix that. I found it interesting that there was no clear indication in the story as to the school year, even at graduation there was none of the typical 'Class of '92' or whatever to show how proud of their time graduates are. It may be that Mr. Chbosky wanted to steer clear of associating the story with a specific year, but it was obviously the early 90's when the primary mode of sharing and exchanging music was via cassette. I recall so very clearly the good old days when the 'mix tape' ruled. I have to say that I liked Emma Watson as an American teenager, she can cross the pond and put it down any time. Yes there were a few moments in her dialog that she sounded like Hermione, but this role did a great deal to paint her in a different and mature light. I am not drawn to tales of the human condition unless there is a deep truth to be gleaned from the story, so if I had to say the moral of the story is… It would be 'you gotta have friends'. This story worked because of what the three key characters gained from getting to know each other. I give it a green light.