द एज ऑफ़ सेवेनटीन

As a fan of the "coming of age" story structure, I am happy to report that this film met my expectations in every single way. Some key plot points were predictable, but the writing, performances and soundtrack were all on point. The emotions and experiences the film conveys do not feel artificial, and Hailee Steinfeld shines! Intelligent writing and little twists here and there will likely leave you genuinely invested in the life of these characters and leave you wanting more. Woody Harrelson plays a wonderful image of a teacher dealing with his life amidst high school drama and Kyra Sedgwick's performance as a struggling mother was especially heart felt and real. This is not to be missed for fans of this genre!

Though this film fits the coming of age genre the struggles that Nadine, the main character, is going through are not purely 'teen problems', As a 20 something year old this film deeply resonated with me and though similar to Nadine I was a socially awkward, defensive and pessimistic teenager it wasn't just the teenage me who could find the character relatable. I've noticed in the low rated comments one of the main reasons people didn't like the film is because the main character isn't likeable. And though I loved the film, I would agree; she isn't likeable. And the film is more realistic and better off for it. In real life we aren't always likeable people ourselves and the film almost acts as a tool to allow us to step back and really look at our current or teenage selves. Nadine does realise and understand towards the end and throughout the film her erratic and selfish behaviour is a result of her self loathing because she knows she doesn't want to continue being that way but she's stuck in this endless cycle and doesn't know how to get out. The valuable lesson from the film and her journey within it is that we often bring misfortune and unhappiness on ourselves in the way we handle and respond to bad things in our lives.

I think this film will speak to anyone who has felt alone in the world, lost without purpose or anywhere to fit in. If you like films about people rather than action and you watch a film to be taken on a journey (albeit an emotional one) rather than to have an enjoyable couple of hours then this may be the film for you. It helps that is has an excellent cast, each actor fitting their roles well and bringing them to life.

Another positive note I took away from the film is the way it handles and represents mental illness/ distress as it does so without labels and in a subtle way without needing to bring it to the forefront.

I can't say that I expected to see this movie opening weekend, or at all for that matter. But I'm glad I did. The Edge of Seventeen is an awkwardly charming coming of age tale that flirts in the same vein as some classic John Hughes 80's flicks.

I think all of us have been keeping an eye on Hailee Steinfeld since True Grit in 2010. When you can steal scenery from the likes of Jeff Bridges, Matt Damon, and Josh Brolin, you know you have someone special. The Edge of Seventeen is an entirely different genre and obstacle for Steinfeld, however. I almost think that the coming-of- age-teenage-angst-comedy-drama's are the most difficult films to reach a broad audience, perhaps even more so than westerns. I usually need something to hook me before I spend money on one of these, and that came by way of Woody Harrelson.

Harrelson play's Steinfeld's teacher and common companion at lunch when there's no one else to sit with. The brilliant thing about this relationship is that its neither too dramatic nor too goofy, the writers find a nice balance between gut busting laughs on Harrelson's end to a nice dramatic payoff in the latter half. For all the clichés that this film inevitably has, this relationship was something very refreshing and served as the highlights for most of the film.

Nadine (Steinfeld) has several issues with her mother, brother, and best friend to figure out throughout the course of the film. But it was pleasing to see that the writers didn't choose to make any one character in the right or wrong. I constantly felt like I was playing out both sides in my head as to who I believe had the right to be mad at the other or vice versa. Being in a family of 7, I can definitely relate to some of the family obstacles Nadine goes through, and it wasn't Hollywoodized just for the sake of pushing the plot forward. There's unfortunately quite a few clichéd tropes that this film ends up taking you toward, but it felt more natural than most of these types of films. This could be attributed to the welcomed R rating the film received.

It isn't for everyone, and I wouldn't even consider myself the target audience. But it speaks to larger personal and family issues than the trailer sets up. It's also one of the best Woody Harrelson performances I've seen recently, even if he is probably as reserved as he's ever been.

+Steinfeld carries this film

+With the help of the hilarious Harrelson

+Writing

-Inevitably some clichés and predictable plot points

8.0/10

I've spent a lot of time over the years trying to figure out the humor I like and movies like this pin it down for me. I like awkward humor. Nadine is all kinds of awkward and that's what makes her relatable and adorable. You empathize with her and the problems she's going through, and through the eyes of an adult, of course you laugh at how overdramatic she is, but in a FUNNY way. It makes for some comedic relief between her and her teacher delightfully played Woody Harrelson, who just ignores her neuroses. What makes the film a pleasant experience is the way she is played by Hailee Steinfeld. There's a few minutes here and there where they venture into 'I will punch you' category, but nowhere near the insufferable 'lady bird' I had to turn off after ten minutes. Definitely a recommended film for those who empathize with growing pains.

"The Edge of Seventeen" (2016 release; 104 min.) brings the story of Nadine, a 17 yr. old junior at Lakewood HS. As the movie opens, Nadine is racing the school's hallways to meet with her favorite teacher and tell him "I'm going to kill myself!" The movie then goes back in time to see how we get to this point. After a short look at "Nadine, Age 7" and "Nadine, age 13", where we learn how socially awkward things are for Nadine, but for her strong friendship with her BFF Krista. That brings us to "Nadine, 17". At this point we're less than 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this movie is the directing debut for writer Kelly Fremon Craig (who wrote 2009's "Post Grad"). Here, Craig takes another shot at bringing the social awkwardness of being in high school and trying to survive all of the pressures that come with it. When was the last time that I've seen such an awkward teenager, who blurts out "I'm seeing myself and I can't stand it. I gotta spend the rest of my life with myself!". So nothing original here as such, except of course that Nadine is played by none other than Hailee Steinfeld, yes the little girl who was nominated of an Oscar in 2010 for "True Grit" is now grown up into a wonderful young lady which bunches of acting talent. Steinfeld basically carries the movie on her back, and is in virtually every single scene. There is some terrific support from Kyra Sedwick as Nadine's mom and Woody Harrelson as Nadine's teacher, but believe me when I say this is all about Hailee Steinfeld. Last but not least, the movie has a TON of great songs in it (check out the soundtrack).

"The Edge of Seventeen" opened nationally this past weekend. The Sunday early evening screening where I saw this at was attended okay but not great (about 10 people in the entire theater). This movie has not gotten a big marketing push, and it remains to be seen whether it will benefit from strong word-of-mouth. I quite enjoyed it for what it was, a strong vehicle for leading actress Hailee Steinfeld, even if the territory she explores here has been done before and doesn't offer all that much new. If you get a chance to check it out, be it in the theater, on VOD, or eventually on DVD/Blu-ray, I'd suggest you do and draw your own conclusion.