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It's a cop show that's reminiscent of countless other cop shows. It follows the story of six rookie cops which is so similar to Rookie Blue. The difference being Rookie Blue is probably much cheaper to produce filming in Toronto and not having big stars. The show is led by movie veterans Adam Goldberg and Leelee Sobieski. Both of whom just don't fit the traditional cop character. Leelee looks like a girlie girl, and wouldn't have a chance against most criminals. Adam is way too old. Although they explain it away that he was a former reporter on the police beat, it's still hard to accept. If they wanted to do a show centering on Adam Goldberg's character, they may have something original. But being just one of many, it just seem too gimmicky. It's as if they were trying to figure out what special weird thing can each character get. If they centered it on him, they would have more time to expand on his character.

This is the only show I watch on network TV, which isn't saying much. It has that Jack Webb sense about it in which they show a more polished department and officers, which are always so helpful and has the time to dedicate to the little stuff and solves every crime. These officers are not rookies, they're supercops, able to solve every crime in a single bound or should I say....60 minutes! It does give you a slight insight of the people real police officers have to deal with on a daily basis and the emotions they must feel, now only if they could develop sensorsmell for the TV. It'll have you fleeing your homes.

I was disappointed with one episode in which it looked like the series was heading for most of the officers to start having relations with their partners or other officers in the same precinct. This is why I only watched NYPD Blue for a couple of seasons, it was turning into a soap opera just as ER did and all these other drama's. Why the writers in Hollywood have to ruin these shows is beyond me but if they continue down that path with NYC 22, it'll last as long as Brooklyn South. And for us old fogies, can you lose the opening theme song?

The only reason I am not voting 10 for this masterpiece is because I don't want this review to seem too rash, but believe me, this one is the new, if not a better - third watch. For those of you who enjoy the fast pacing, fresh, almost intoxicating feeling of the New York jungle style police\action drama shows, and miss the writing and acting style forgotten in the scripts of "third watch", "ER" (though set in Chicago) and a likes - you are going to feel that "thing" again.. I almost fear of liking this show too much as unfortunately the TV crowd these days have succumbed to the vampire\zombie trash (no offense)and cannot take in the amazing atmosphere this great show has to offer. Atmosphere, that's what it's all about, and it's back!

story wise - I can say for sure it's started out quite good, giving the viewer the usual point of view of the inner works of the police precinct, the usual good and bad guys, which will soon surprise us (or not..) as being the opposite, but that's a good thing, that's what we are missing today, something old and comforting, almost womb like, but still fresh and new.

Actors - I had good hopes for this show solely after looking at the casting, and they delivered; Adam Goldberg, with his Jeff Goldblumish feel is amazing as always, Leelee Sobieski we all know and love is a bit slow at the beginning but catching on, the new skin's are quite good as well, especially Harold House Moore which shines and promises a good, stable and confident acting role.

watch this one, you'll see what I mean, this one should be with us for a long time.

At first watch, NYC 22 is knockoff of ABC's Rookie Blue. Perhaps Blue set the bar too high for this type of crime/drama/police show. Instead of finding 22 complementary to Rookie Blue, I found it inferior and difficult to watch without making comparisons.

Both cop shows with rookie officers, the plot line of the first NYC 22 episode was interesting, but again, I kept seeing where they'd spun off of or would do something very similar in Rookie Blue. Maybe because the shows are on a different network, but it's going to be difficult to make these two shows work in tandem like the CSI's. Unless you just really love rookie cop shows, go with Rookie Blue and don't waste your time with NYC 22.

While 22's cast is more established ((total aside, watching Lazarus (Adam Goldburg, sp?), I kept thinking, that's Joey's weird roommate!)) overall, Rookie Blue has a less well known but more cohesive and enjoyable cast.

For years I have not seen on TV and a real good series about cops on the street. When I saw the pilot episode, I fell in love in the series. In this series there is no political correctness that has ruined many a series of police. The series follows a group of young officers who were suddenly thrown into the real world. Colleagues who do not like them, rough areas, each of the young police officers has a story that appears in the series. Although there are a couple of clichés, the series was really great refreshment on television.

Message for writers and producers: - Proceed as in the first episode. - Do not turn this into a series of quasi-drama for the housewives - I do not want to go deeper into the love stories of police officers - We want to see their lives and work on the street - Display their private lives just to have as much to do with their work in the police.

Good job, keep going!

I watched all the episodes and find this series very "cheap" in production. I did see a few cameo's by some legends but that obviously wasn't enough to keep this show afloat. Lt. Shea from the series "Rescue Me" has a role here as a hostage negotiator but his character is down played by Lee Lee's character in a scene. I believe the budget was too short, the characters besides Adam Goldberg are horrible actors. The whole basis of the show is a big question mark??? Its so fake... just so fake that you can't stand it. If this is what the studio's in NYC are producing I can see why the industry is faltering and moving elsewhere.

NYC 22 This is a brand new show, only have watched one episode yet, how can i write a review on it already you ask? its IMDb, I'm not a pro, get over it.

The show at first didn't interest me, the misses turned it on and i watched it. At first i was like "meh, its going to be a csi, criminal minds, ncis crap show again". Well, I was wrong in this assumption. Not only did I enjoy meeting the characters and getting some back story on them, I was also shocked to see some really good actors in it (Lazarus and Yoda for starters). Yoda who was Tim Mcmanus in OZ was a huge surprise for me, granted i feel his character is the same one he portrayed in OZ, i am glad to see him again, great actor.

Anyways, the show is not a regular looking cop show where something bad happens and then when there's 10 minutes left we magical catch the bad guy, at least it doesn't appear to be that way, who knows what next week will bring, however, I will be there to find out.

Though i liked the pilot, the last three episodes have been on a descending slope; oh, hasn't The Killing thought me anything? Well apparently not because i just dedicated a whole day catching up with NYC 22's last outings and i'm noticing more and more of the same: this is purely a "fantasy" police drama.

Now experience tells me that Fantasy and Drama don't normally go well together and there you have it, my review of NYC 22. too many weird, unrealistic things happening which completely befuddle you into thinking, "is this a serious show, i am watching, or complete rubbish?"

Rookie cops defusing bombs, radios that malfunction, specialist jobs being assigned randomly, such as investigations or detainee transport .. these are not beat-cop jobs, and have the writers really run out of ideas after four episodes? If you are going to center your show on rookies then you have to come up with rookies-related stories... other stuff won't do.

So, it's not really horrible, but we've already got CSI for those times when we want a completely unrealistic show and no thanks, we don't need one more, especially when it's this slow.

My vote, a forgettable 5/10

Although there may be some interest in this program for its subject matter I don't think anyone will view this as an accurate portrayal of the life (at work) of a couple of rookies and their Training Officer. There are some production values that have promise but the cast of characters (not the protagonists) are so clichéd that the presentation quickly becomes "boring". I love it when rookies solve the major crime at issue with a display of Sherlock Holmesian insight and street wise experience of Serpico!

There seems little depth to most of the characters and the story line seems like it was developed to compress the 1990s into Tuesday night.

There have been too many NYPD programs for anyone to suffer the illusion that the Gotham police work is anything but tedium mostly.

Sorry this one needs help.

I haven't watched a TV cop series since Hill Street Blues, but I made a point of watching the premier of NYC 22 when I saw that Richard Price was writer/producer. I think highly of his writing and have enjoyed his novels very much.

The series has a wide variety of rookie cops which keeps the pace of action interesting. I appreciate the lack of shaky cam and the fact that every street they show in the series hasn't been recently wet down. (Not a cloud in the sky and it just rained? A pet peeve of mine.)

Yes, there were a few scenes that were groaners. Plus some obvious paint by numbers plot points and character choices that must have looked good on paper, but you do what you have to to get a series on the air I guess.

There's some good humor in the writing and the show has a good balance between character and action which is why I went on to watch the second episode and will keep watching the remaining 10 and hope it gets renewed. So far I think it's definitely worth a look.

Why is it you stupid idiots play background music loud when the characters are trying to talk? NYC22 people are outside and car crashed with people in car. People stuck-lots of reg background stuff-then music starts while actors talking-cant hardly hear any of the words. THEN -inside a building-quiet-actors talk-easy to hear. Why people so D-U-M-B?? IDIOTS!!! When are you going to realize people who watch these shows also want to hear what the actors are saying? Could it be the writers know the lines are dumb so they up the music? I see this in many other "dramas" also . What is the problem? Looks like all they are really interested in is getting sponsors to pay up.

I really enjoy watching this show. I don't really get into "network" shows, I prefer FX, Showtime, AMC, and HBO much more than the network channels. This is a decent show in my Sunday night lineup as there's nothing really going on right now (Boardwalk Empire, Dexter, Walking Dead, etc) Happy to see Terry Kinney on a show. It's decent, nothing groundbreaking yet, but very enjoyable. Even happier that it's a show about the NYPD. The acting is decent. Adam Goldberg is fun to watch. Most shows are slow to find their footing in the first season. The music is pretty good for the show.... Theme song is off the hook. Old school Jay-Z song, "Heart of the City." All in all, it's entertaining and does the job of filling in while my other shows are on break.