This Is England '86

This show (Episode 1) was such a great surprise to me. I fell upon This Is England the movie by mistake, and loved it. Just as with the movie, I fell upon the series by mistake as well. After downloading the first Episode (As I live in the US and it's not shown over here), I had very little hope for this show. In the US, movies that then become shows (and usually the other way around too) are done very poorly, with no real connection to the original.

Seeing the original cast return was amazing, as I don't think they could find people to replace those actors that would do any justice. I took me a second to recognize the older Shaun, and wasn't 100% sure it was the same Woody right away with his new mop-top hair style he sports in the first episode. The show takes place 3 years after the movie ends, and as another reviewer posted, it's like checking in with old friends. Although (and I don't believe this is a spoiler) there is very to little no action between Shaun and the gang together in this episode, I feel it will get to that point, and with the end of the movie being it what it was, am glad they didn't just jump into "Yay everyone is here, times are great, on with the show" mentality. Over all so far, even after one episode, I give it a 10 out of 10. If you liked the movie, you are sure to love the show!

The father/son element took on contemporary resonance in the earlier work: its exposition made clear that Shaun was fatherless due to his father being killed whilst serving in the Falklands War, and though grossly misguided, Combo's anti-war rant to Shaun provokes a great anger and frustration in the youngster because of its essential truths – that the war itself was being fought under false pretences, fed to tame the same working classes that Margaret Thatcher had openly waged war on. The film's release, at a time in which the UK was once again involved in an escalating imperialist war – this time in both Iraq and Afghanistan – gave it an extra political edge.

This material, even in the hands of a limited cinematic storyteller such as Shane Meadows, proved quite powerful at points. Meadows himself apparently saw much further potential in the work: "When I finished This Is England, I had a wealth of material and unused ideas that I felt very keen to take further," he said in August 2009. "Not only did I want to take the story of the gang broader and deeper, I also saw in the experiences of the young in 1986 many resonances to now – recession, lack of jobs, sense of the world at a turning point. Whereas the film told part of the story, the TV serial will tell the rest." Though these sentiments ring true for the film, the mini-series, we should say before anything else, is a mostly vacant work, with no significant attention paid to a recession, to unemployment, to a sense of political and social upheaval. If the central relationship between Combo and Shaun offered a potentially rich examination of political disillusionment amongst the young in both the England of the Eighties and of the present day, its television follow-up, co-scripted with Meadows by Jack Thorne, makes an industry out of fashionable miserablism, forced humour and a moral viewpoint that can only be described as confused at best.

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You won't be disappointed by this sequel and continues the story . A must see .

I was lucky enough to attend the preview screening of This is Enlgand '86 last Thursday at the Showroom in Sheffield. The cinema was decorated to look like an 80's wedding with a buffet of sausage rolls, prawn vol au vonts, cheese and pineapple chunks on cocktail sticks, and there was also a live ska band and actors dressed in 80's clothing to help create a real 1986 atmosphere.

The preview was attended by director Shane Meadows and all of the cast, who came up on stage before the screening to introduce the first episode. The producer mentioned that Shane Meadows had been frantically working in London every day to try to get the last 2 episodes finished in time to be aired on Channel 4.

Only the first episode was shown at the screening along with a trailer for the rest of the series but I have to say that, based on what I saw, I don't think fans of the film will be at all disappointed by the series. The themes of racism, the Falklands War and Thacherite Britain take a bit more of a backseat here and the focus is now on the lives of the characters and the various personal problems they face growing up in 1986. The opening to the first episode is fantastic and the director manages to bridge the gap between the events of the film and the series in a very creative way that fans will love.

The 1986 setting looks extremely authentic and the series is complimented by a fantastic soundtrack.

The cast put in excellent performances once again, in particular Thomas Turgoose who returns as Shaun and Vicky MccLure who is again brilliant as Lol. Also look out for hilarious comedic turns from Hannah Walters (a.k.a Mrs Stephen Graham) who played the shoe saleswoman in the film, and newcomer Perry Fitzpatrick as psychotic bully Flip. I don't think I'm giving anything away here (as he is featured in all of the trailers) but we also see the return of the fantastic Stephen Graham as Combo.

Although this first episode is more light hearted in tone than the film with some more obvious comedic set pieces, the director is able to expertly switch to the more dramatic scenes and engage viewers in the various predicaments of his characters. There are several very emotional scenes which work very well and the familiar sounds of the Einaudi piano score punctuate these scenes to great effect. For me one of the things that made the dramatic scenes in the original film so engaging was Shane Meadows' use of music to heighten the emotional impact and I found that he did this very effectively again here.

The trailer for the other 3 episodes promises more hilarious scenes as well as some much darker subplots, and the series as a whole looks set to provide all of the same elements that made the original so appealing. As a fan of the film it felt a little like visiting a gang of old mates who I hadn't seen in a while, and I can't wait to see the rest of the series when it airs to find out what becomes of these great characters.

I'm an ex-pat Brit living in the us.

and i can tell you most American viewers wouldn't last past five minutes into this show.

the cast is below average in looks, some are deformed, they talk funny; the characters are a mixture of the depressed, depraved, the thick and the stupid. the acting can only be described as a work in progress, and they lead dead end lives in dead end places. there ain't no glamor here.

all this will repel viewers whose identity is cast by fashion and t.v. programming. this show could never find a spot anytime on a us network. episode four would send middle America into a terminal tale spin--but it's not their fault. we don't get this kind of material because the money men who run us television only care about the cash--the baby faced producers would say, "who wants to watch a show about ugly losers?".

and if you want to hold up PBS as a daring non-commercial network, then drink some more koolaid. their emphasis is Lawrence welk for the primary, grey haired donors, and pimping a brainwashing liberal agenda through their political programming. they might find the balls to show a program like this around the 23rd century.

but i love it.

the original film, and this following series, seems to take a cast of mostly inexperienced actors, who may have lived the parts, and coaches them through a working class reality which at its core is full of camaraderie, loyalty, forgiveness and love. not the prettified sitcom love, but a love grown through lifelong community and shared pain, a love of real sacrifice.

these people are flawed like the rest of us, but they are not us. at first we reject their world as alien, but we see, through time, they share all our fears and traumas. we too are all common.

and thank god someone is making something about real people.

the great shame is: only a few Americans will ever see this show. we need to raise the bar, and flush out the cobwebbed hierarchy at PBS. i just hope we don't have to wait until the 23rd century for our programming to catch up. i don't think i can wait that long.