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The only negative I have to say is that the movie and the other seasons are not available. Excellent gritty(in a need to shower after a couple episodes good way) series that is still relatable today. Filming and acting is top notch. Highly recommend.

I'm an ex-pat Brit living in the us.

and i can tell you most American viewers wouldn't last past five minutes into this show.

the cast is below average in looks, some are deformed, they talk funny; the characters are a mixture of the depressed, depraved, the thick and the stupid. the acting can only be described as a work in progress, and they lead dead end lives in dead end places. there ain't no glamor here.

all this will repel viewers whose identity is cast by fashion and t.v. programming. this show could never find a spot anytime on a us network. episode four would send middle America into a terminal tale spin--but it's not their fault. we don't get this kind of material because the money men who run us television only care about the cash--the baby faced producers would say, "who wants to watch a show about ugly losers?".

and if you want to hold up PBS as a daring non-commercial network, then drink some more koolaid. their emphasis is Lawrence welk for the primary, grey haired donors, and pimping a brainwashing liberal agenda through their political programming. they might find the balls to show a program like this around the 23rd century.

but i love it.

the original film, and this following series, seems to take a cast of mostly inexperienced actors, who may have lived the parts, and coaches them through a working class reality which at its core is full of camaraderie, loyalty, forgiveness and love. not the prettified sitcom love, but a love grown through lifelong community and shared pain, a love of real sacrifice.

these people are flawed like the rest of us, but they are not us. at first we reject their world as alien, but we see, through time, they share all our fears and traumas. we too are all common.

and thank god someone is making something about real people.

the great shame is: only a few Americans will ever see this show. we need to raise the bar, and flush out the cobwebbed hierarchy at PBS. i just hope we don't have to wait until the 23rd century for our programming to catch up. i don't think i can wait that long.

I was lucky enough to attend the preview screening of This is Enlgand '86 last Thursday at the Showroom in Sheffield. The cinema was decorated to look like an 80's wedding with a buffet of sausage rolls, prawn vol au vonts, cheese and pineapple chunks on cocktail sticks, and there was also a live ska band and actors dressed in 80's clothing to help create a real 1986 atmosphere.

The preview was attended by director Shane Meadows and all of the cast, who came up on stage before the screening to introduce the first episode. The producer mentioned that Shane Meadows had been frantically working in London every day to try to get the last 2 episodes finished in time to be aired on Channel 4.

Only the first episode was shown at the screening along with a trailer for the rest of the series but I have to say that, based on what I saw, I don't think fans of the film will be at all disappointed by the series. The themes of racism, the Falklands War and Thacherite Britain take a bit more of a backseat here and the focus is now on the lives of the characters and the various personal problems they face growing up in 1986. The opening to the first episode is fantastic and the director manages to bridge the gap between the events of the film and the series in a very creative way that fans will love.

The 1986 setting looks extremely authentic and the series is complimented by a fantastic soundtrack.

The cast put in excellent performances once again, in particular Thomas Turgoose who returns as Shaun and Vicky MccLure who is again brilliant as Lol. Also look out for hilarious comedic turns from Hannah Walters (a.k.a Mrs Stephen Graham) who played the shoe saleswoman in the film, and newcomer Perry Fitzpatrick as psychotic bully Flip. I don't think I'm giving anything away here (as he is featured in all of the trailers) but we also see the return of the fantastic Stephen Graham as Combo.

Although this first episode is more light hearted in tone than the film with some more obvious comedic set pieces, the director is able to expertly switch to the more dramatic scenes and engage viewers in the various predicaments of his characters. There are several very emotional scenes which work very well and the familiar sounds of the Einaudi piano score punctuate these scenes to great effect. For me one of the things that made the dramatic scenes in the original film so engaging was Shane Meadows' use of music to heighten the emotional impact and I found that he did this very effectively again here.

The trailer for the other 3 episodes promises more hilarious scenes as well as some much darker subplots, and the series as a whole looks set to provide all of the same elements that made the original so appealing. As a fan of the film it felt a little like visiting a gang of old mates who I hadn't seen in a while, and I can't wait to see the rest of the series when it airs to find out what becomes of these great characters.

Just finished re-watching This Is England '86 and I completely forgot how utterly brilliant it is. I've laughed and cried, just raw emotion throughout. Ludovico Einaudi's scores made the series truly magnificent. Such a phenomenal bit of telly - 10/10. If you haven't seen this, watch it followed by '88 and '90 and if you have seen them, watch them again!

This is one of the best UK TV dramas in years. Shane Meadows and his team have really went all out. With each episode getting more and more grittier and complex for the characters than the last. Some of the sequences were not only atmospheric but deeply observed and put you right into the time and era of England, but also the characters dilemmas. I want to see more of this quality on our TV's but it would be too much to expect such a quality show every week. I respect that this kind of quality takes months and in many cases years to put together. I love Shane Meadows and I think that he deserves a huge break now. He has surpassed himself with this show. Brilliant.

You won't be disappointed by this sequel and continues the story . A must see .

What an incredible follow up to the movie which was also excellent.

This Is England '86 is even more moving and gripping. It was also in turns intense, tragic, funny and incredibly sad. The characters are engaging, fascinating and original. Their friendships and relationships are so well portrayed, there is nothing Hollywood about this, it's real life. The stories that weave them together through this short series are real and believable. Some moments I was holding my breath in anticipation of what was coming - there is nothing predictable in this story line. I lived through this period and felt the series captured it authentically. I want to especially pay tribute to the music chosen in this series. Some absolutely astonishing songs that add to the pathos of the story and characters, in particular songs by Paul Weller, The Jam and Fleetwood Mac that I had not actually heard before. This series has sent me down a few rabbit holes trying to find more about the soundtrack.

Thank you to Shane Meadows for writing and creating this and to all involved in it, it's tough and gritty but real and rewarding, it's eye opening and it's art damn it!!

I am so looking forward to watching the next series This is England '88.

THIS IS ENGLAND '86 is the TV miniseries follow-up to the hit Shane Meadows film, THIS IS ENGLAND - a film which I happened to love thanks to its grittiness and the way it brought back the 1980s and made it timely once more.

This miniseries is split into four episodes and the first couple are simply not very good. Although it's fun to catch up with the characters from the movie and find out what they've been up to in the intervening years (answer: not very much), there isn't really much of a plot and the episodes feel aimless. Social drama has been replaced by gross-out humour and it's a chore to sit through - I only kept watching due to the goodwill left over from the film.

The good news is that the last two episodes do pick up for some extremely explicit and hard-hitting scenes, and it's probably because Shane Meadows came back as director that these episodes have such an improved feel to them. Kudos to the cast members for handling such intense drama very well. Inevitably, the outstanding Stephen Graham steals every scene in which he appears.

This Is England '86 picks up where the film left off, but the tone shifts. The youthful chaos is gone; what's left is fallout, regret, and wounds that won't heal. Shaun, Lol, and Woody are older now, but life hasn't been kind.

Vicky McClure steals it as Lol. She carries the heartbreak, the trauma, the quiet rage. Thomas Turgoose is solid, but Shaun takes a backseat. The group is fractured, their bond tested by life's grim realities. The pacing wavers, dragging at times, but when it hits, it hits hard.

It's not as tight as the first film, but it lingers just as much. Painful, unflinching, heavy. Worth it if you want more from these characters. 8 out of 10.

The series completely loses the intensity of the original film, and sells out to 'cuteness' - all of them having fun, giggling and partying. The characters are soft and fluffy now that it's been watered down. All of that frightening buildup and grittiness of the film is entirely lacking here.

This show (Episode 1) was such a great surprise to me. I fell upon This Is England the movie by mistake, and loved it. Just as with the movie, I fell upon the series by mistake as well. After downloading the first Episode (As I live in the US and it's not shown over here), I had very little hope for this show. In the US, movies that then become shows (and usually the other way around too) are done very poorly, with no real connection to the original.

Seeing the original cast return was amazing, as I don't think they could find people to replace those actors that would do any justice. I took me a second to recognize the older Shaun, and wasn't 100% sure it was the same Woody right away with his new mop-top hair style he sports in the first episode. The show takes place 3 years after the movie ends, and as another reviewer posted, it's like checking in with old friends. Although (and I don't believe this is a spoiler) there is very to little no action between Shaun and the gang together in this episode, I feel it will get to that point, and with the end of the movie being it what it was, am glad they didn't just jump into "Yay everyone is here, times are great, on with the show" mentality. Over all so far, even after one episode, I give it a 10 out of 10. If you liked the movie, you are sure to love the show!

This may be a fictitious series, but it is dead on accurate as to life in this 'scene' would have been. I'm in my 50s now and after watching the series, it brought me back to better and bitter days. Hats off to Shane Meadows for his brilliant job.

I Love all of the TIE from shane meadows, but this one has to be my favourite by far, it's absolutely incredible, and it made me feel like i knew every single character and i felt emotionally invested in what was happening every episode.

This is England '86 is a great follow on to the original film, based in 1983. I think the actors are sensational and Thomas Turgoose, the young boy is very original and such a seeker. When you watch other films with some of the actors who have done terrible things you feel like you can't feel sorry for them but you do because there such good actors :)

The only problem was for me is the horrific disturbing rape scene in this programme. On Episode 3, Series 1 it was shocking and many people agree with my opinion. There was many complaints BUT that means the programme has tried to make people feel disturbed which proves it is a good Drama!

One of the most powerful series about a group of people who love each other through friendship and estrangement, but always with HUGE heart and such raw feeling/emotion. We see everything in this story about human goodness and evil, redemption and forgiveness, the power we all have in us to forgive, grow, and change, and for love, or the lack of it, shapes each of our souls. It is a story about friendship, betrayal, redemption, insecurity, hatred and true love, and the suffering and joy that every human heart can relate to. I wept like for no other film in recent memory (though that admittedly requires a good jogging). In other words is a perfect 10.

I was a 16 year old skinhead in Sydney Australia back then in 1986 and this pretty much sums it all up. A heap of kids from broken homes coming together. Rather than drugs it was drinking, music and each other. Skins, Rudy's, Mods, Rockers we all came together. There used to be soccer matches with all the sub-cultures it was a great time. This is perfect because it shows skinheads as they were not seig hailing nazi boneheads. I hope this series is extended it is a prefect reflection of that era. The characters are perfect and the different sub- cultures portray. Even in 2011 bands from that era are enjoying more success today then back then.

The father/son element took on contemporary resonance in the earlier work: its exposition made clear that Shaun was fatherless due to his father being killed whilst serving in the Falklands War, and though grossly misguided, Combo's anti-war rant to Shaun provokes a great anger and frustration in the youngster because of its essential truths – that the war itself was being fought under false pretences, fed to tame the same working classes that Margaret Thatcher had openly waged war on. The film's release, at a time in which the UK was once again involved in an escalating imperialist war – this time in both Iraq and Afghanistan – gave it an extra political edge.

This material, even in the hands of a limited cinematic storyteller such as Shane Meadows, proved quite powerful at points. Meadows himself apparently saw much further potential in the work: "When I finished This Is England, I had a wealth of material and unused ideas that I felt very keen to take further," he said in August 2009. "Not only did I want to take the story of the gang broader and deeper, I also saw in the experiences of the young in 1986 many resonances to now – recession, lack of jobs, sense of the world at a turning point. Whereas the film told part of the story, the TV serial will tell the rest." Though these sentiments ring true for the film, the mini-series, we should say before anything else, is a mostly vacant work, with no significant attention paid to a recession, to unemployment, to a sense of political and social upheaval. If the central relationship between Combo and Shaun offered a potentially rich examination of political disillusionment amongst the young in both the England of the Eighties and of the present day, its television follow-up, co-scripted with Meadows by Jack Thorne, makes an industry out of fashionable miserablism, forced humour and a moral viewpoint that can only be described as confused at best.

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