Eismayer

This very short, but absorbing, film about a gay relationship between an older Lieutenant and a young recruit in the Austrian military Is a tough one to wrap your head around as being a true story. But it is! With photos to prove it! While it may be true that these two met and fell in love while in the armed forces together, I still find it hard to believe that it went down the way portrayed here, especially a very key scene near the end. I've no way of knowing if this actually happened the way it's depicted here, but it is a hard pill to swallow. However, I've never lived in Austria, so I will just hope that things are this easy for gay men in that country. It's sort of typical in structure with a hardnosed commander testing newbies with an onslaught of derogatory and threatening talk, though we've seen a lot worse in films such as Full Metal Jacket. It's a simple enough story on paper, perhaps too simple. We see their life on a military base, we see them fall in love and the deterioration of the Lieutenant's marriage. It's rather slight, but nevertheless it does hold your attention for those 87 minutes, including opening and closing credits. The two actors, Gerhard Liebmann in the title role and Luka Dimic as his young love, aren't going to win Oscars, but they are both good. Ditto the film.

I appreciate the honest perspective about a profound sensitive theme. The good performances, to. And, not the last, the message. A simple story of a seargent, tough, correct, brutal, in many occasions, good father and reasonable husband and the root of his behavior. A young, Yougoslavian man, recruit in Austrian Army Forces.

Their conflicts, connection, secret.

Few admitrable to touching scenes.

And beautiful way to not become victim of cliches.

Not the best film about this theme, but great for correct manner to use each detail as piece placed, in precise manner, to the fair place.

A virtue - the well use of suggestions as explanations for behavior of characters. And the ruined building in winter, remindig Andrei Tarkovski universe.

So, I like it can sounds strange. The respect for just a well crafted film is more normal. And for inspired acting.

It takes balls to make a movie about a gay couple in the Austrian army knowing that it's such a niche audience.

It takes even bigger balls to do what Eismayer did. In real life.

And it takes the biggest balls ever to be Mario Falak. To live openly as a gay man in the Austrian military at that time.

Respect to all!

Now, about the movie. Well... nothing special to be honest. Very low budget. Very bare bones, minimalistic production. Nothing fancy here. It's just good! After all, it's the story that matters the most, not the production.

However, as others have pointed out already, the movie leaves a lot of info out. We don't get to see how the two men fall in love. One moment they are having sex for the first time, the next thing we know, they are living together and behaving like a couple who's been together for 20 years. It doesn't work that way. It took 43 minutes for the movie to get to the part where they cross that bridge. It shouldn't have.

But these are all pacing and storytelling issues. Can't expect perfection from a small team. I'm just glad that movies like this one are being made, for people like me, who want those kind of stories. And I'm here for it! Considering what they had to work with, I'd say they did a fantastic job.

After the last scene of this movie, my first feeling was: an interesting gay-themed feel-good story, but too farfetched and unrealistic! Until a closing text proved me totally wrong: it's based on true events, both original main characters are still happily married, and before the closing credits they even showed a picture of this unlikely but radiant couple on their wedding day!

It's already a fascinating story as it is, without the hindsight knowledge. In the Austrian army, at the end of the 90's, being gay is not so much a taboo, but still considered to be less masculine and the focus of ridicule. It's hard enough for young gay recruit Falak to hold his own, but his superior, closeted major Eismayer, has to hide himself behind a mask of extreme sterness, all the time raging and shouting, and bullying all his inferiors. Gradually however a surprising secret love-affair between the two unfolds. What remains as a major barrier, is the fear of Eismayer to out himself to his army-unit.

I guess the story is here and there slightly romanticized for the sake of the movie and the entertainment value. For who's interested: on wikipedia you can find some really enlightening background material, among other things an extensive article in an Austrian newspaper, dated 2014, with an interview with both men on account of their recent marriage. This article was by the way the source that triggered director David Wagner's interest in making this film.

The settings in the army barracks, the military drills and the field exercises are totally authentic (thanks to the support of the Austrian state army), and both main actors Gerhard Liebmann and Luka Dimic do a great job, especially Liebmann's part as the raging Eismayer must have been a real tour de force. Cinematographically this movie may be not very inventive or impressive; but as a well acted, uplifting story of how love can blossom even in the most unexpected circumstances it's totally rewarding!

I approached this film with some trepidation due to the setting in the army, something I'm not usually keen on watching. I needn't have feared. Army life was an integral part of the film, just as the burgeoning fascination of Charles Eismayer and Mario Falak with each other was. This was based on a real-life romance although I don't know how much was fictionalised.

Swarthy Luka Dimic playing Mario would be enough to melt anyone's heart. He did a great job, at his real age of 36, of portraying a much younger recruit. Gerhard Liebmann plays a wonderful rôle of playing the buttoned-up, closeted sergeant major.

As the story unfolds via a lovemaking scene of exquisite tenderness and passion (my goodness, Dimic's lips) we reach the inevitable conclusion. The photo of the real couple shown at the end is a good finishing touch.

For those who ask what a hunky youth sees in a far older martinet, well, there are many such relationships in both the gay and straight worlds. True love knows no age boundaries. My soul mate is thirty five years younger than me!

This film should appeal not only to niche audiences but to a wider public accepting of the revolution in morality that has taken place over the past few decades. A definite recommend.