Norwegian Dream

Somewhat running from gaybashing in his homophobic Poland, Robert goes to Norway, learning to work at a fish processing plant, sharing a room in a worker dormitory. He meets co-worker Ivar, who is also the adopted son of the owner, and an aspiring drag artist. Robert's upbringing and experience has him running hot and cold towards Ivar.

Things get complicated when Robert's mother arrives, fleeing debts left behind in Poland, and without immediate employment prospects. Given that the migrant workers have employment and rental contracts that they hardly understand, and are to their disadvantage, a union signs them up, to demand a better collective agreement. As they head towards a strike, the owner makes Robert an offer he can't refuse.

I saw this at the Inside Out film festival, with "Robert" in attendance, and he verified that the situation in Poland was not good for LGBT folks. The situation in the plant was interesting, as was the pressures of running a medium-sized business.

While the scenery was nice, I didn't find a lot of chemistry between the 2 principals, and in some ways the script had omissions, including the characters not communicating well. So this is OK but not great.

The movie "The Norwegian Dream" follows Robert, a young Polish immigrant who takes a job at a fish factory in Norway to help pay off his mother's debts. This movie reminds me of the 1981 Brazilian cinematic masterpiece "They Don't Wear Black Tie". Although the characters' situations differ, both movies explore similar themes of acceptance, internal conflict, loyalty, and the choices we make in life.

Director Leiv Igor Devold portrays a harsh, sexist, racist, and hostile environment at a fish processing factory, where immigrants endure long hours of grueling work to support their families back home. It is within this environment that Robert also confronts challenges related to his sexual identity. This is where Hubert Milkowski's performance as Robert truly shines. He builds a Robert, who sees himself literally as the island, trapped by all the conflicts and struggles with no way to escape, forced to make difficult choices - whether good or bad. We witness the transformation of the naive, insecure young Robert into a strong, self-assured man.

Without a doubt, one of the standout films of 2024, deserving of attention for its depth in themes and the powerful performances of its cast.

This movies tries to cover too many stories, all being loosely strung together by the story of two central characters. It does not work. The script lacks continuity and context and assumes that viewers know about the exploitation and mistreatment of Polish workers in the Norwegian fishing industry. Nothing is explained and the choppy editing doesn't help explain much. The acting is really bad and one gets the impression that the producer hurries the plot and narrative along before the funding runs out. Overall, it could have been better if time were taken to explain the event and the movie did not try to cover so many extraneous events that have little to do with the central plot!

Norwegian Dream

Once you got through the bleak and miserable setting this movie came together in a fairly decent way.

Some of the basic propositions stretched credulity, these workers have come from Poland to Norway to earn money that they cannot earn in Poland. This means you have to put up with a lot to establish a life and get on, and thus it was so. The whinging and moaning about everything is not consistent with getting on.

It is a bizarre story line that Ivar keeps pushing Robert to come out of the closet and/or acknowledge him in public when surely just to have met someone be having fun together is the main thing. To be revealed in this place and at that time would have been the end of everything.

We had some committed acting however subtitles always make things seem more profound than they are. Robert is 19 I can't see the need for the script to rush his story it didn't add anything.

I'm giving this a 6 outta 10 I was well worth watching.

'Norwegian Dream' touches lots of topical issues that could have developed much further and potentially controversial - immigrant workers and exploitation of them, homophobia in Poland, an adopted black son who performs in drag, seemingly open but in fact rather hypocritical attitude of Norwegians in regard of the above issues... It could have been especially a great opportunity to tell the story from the Polish immigrant worker's point of view (as opposed to in British or German pop culture where Polish plumber/painter/farm hand/cleaner/etc are treated as a footnote or a background). When Poland is deemed soon surpass UK and Germany's economic indicators and yet its politics on its regressive path (of rising homophobia and xenophobia, for example), the film could have been a timely comment and a self-reflection... But unfortunately none of it really develops beyond a mere predictable dramatic device, while the drama itself (namely Roberto's emotional struggle and romance) also fails to go truly deep and touching. There's nothing out of place or offensive. Actings are adequate, cinematography, editing, production value all delivers... It's all very watchable... but it lacks a punch, a surprise, a grip.

It's a pity that I would be remembering this film more as what it could have been than what it is.