Private Property

None have captured the spirit of how bad a film can be like this one. I literally couldn't NOt Watch because I am shocked this was made. 0/10 would never recommend not even to my worst enemy. Guantanomo Bay banned this movie because it was too evil to put on repeat.

Writer and director Chadd Harbold sure butchered the 1960's classic film of the same name, by giving it a Lifetime/Hallmark feel. The usually very comfortable low 87 min runtime felt way longer with ridiculously slow pacing, and Harbold's screenplay being 80% filler and maybe 20% substance. It's a shame, because there was tons of potential that was missed, and in the hands of filmmakers that know what they're doing, this could've been great. Even if this was edited/cut down to a 20-30 min short film, I probably would've enjoyed it more. The ending was part cringe, part nonsense, and part ok, but all the previous filler was just boring and underwhelming. Even some of the fade-ins and outs in the thrill scenes towards the end were 1980's quality.

The cinematography was decent, although the darker scenes were way too dark. The score was your typical loud, unfitting and annoying B-grade fare, and in some of the quieter dialogue scenes, I couldn't make out any words because of the overbearing score, and that's something that could've been fixed in editing, if there actually was any.

Casting and performances were decent, and I can tell they tried their best considering there probably wasn't any cast direction from Harbold. Shiloh Fernandez whispering dialogue got annoying quickly, and incoherent when the score was overbearing his scenes. I'd pass on this, especially if you've seen the original, because comparing it to this one will be even more disappointing. A very generous 5/10 most towards the cast.

The film had some great visuals and an overall, style. I enjoyed the story structure. It felt very noir. Even Shiloh's performance was quite entertaining. He was both charming, yet creepy. His character's back story was also interesting. But the film could've dove in a bit more on his back story. Perhaps, I was just invested to know more of his motives.

The only issue I had was the lead (Ashley Benson). She was not convincing in her role; it felt very forced. In most of the films I've seen her in, she always came off exhausted. To me, she was just there - acting. The film should've cast a stronger leading lady. She should've taken acting lessons.

Apparently, this is a remake of a 1960s film, which was controversial when it was released and was considered lost until 2016. It reminded me of a few other films such as Under the Silver Lake, Andrew Garfield's random stares are still vivid to this day.

It has definitely surpassed my expectation because I went in with the thought that, it was going to be another break into the house film and a dark comedy. The slowness of the plot pushes you to dissect everything and what everyone's motives are, so in the end, you're left with lingering thoughts throughout. Hence why the slow burn plot style was appropriate to slowly build up the twist everyone is waiting for. By deconstructing the main events, the director gives a new perspective on what the future entails for these characters.

I put this Hulu flick on at 1 in the afternoon while doing laundry and packing for an upcoming work trip. All I could think of while watching thus movie was Instagram "stories". I had just watched Shiloh Hernandez (even his name is Instagrammable!) in a movie on Tubi with the actress from Gone Girl and I Care A Lot. Like this, it too was a bad flick but that actress (I don't know her name, she never became an A-lister) is so great she elevates her films if given enough creative license to do her thing. I cannot believe how difficult it is to try and come up with six hundred characters to fill the gap. Cringe & thirsty.