जासूस शरलॉक होम्स आपराधिक मास्टरमाइंड प्रोफेसर मोरीटी के पीछे लगा हुआ है, जो पूरे यूरोप में बेतरतीब अपराधों को अंजाम दे रहा है.जासूस शरलॉक होम्स आपराधिक मास्टरमाइंड प्रोफेसर मोरीटी के पीछे लगा हुआ है, जो पूरे यूरोप में बेतरतीब अपराधों को अंजाम दे रहा है.जासूस शरलॉक होम्स आपराधिक मास्टरमाइंड प्रोफेसर मोरीटी के पीछे लगा हुआ है, जो पूरे यूरोप में बेतरतीब अपराधों को अंजाम दे रहा है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 जीत और कुल 10 नामांकन
Karima McAdams
- Shush Club Maitre D'
- (as Karima Adebibe)
फ़ीचर्ड समीक्षाएं
Professor Moriarty: Are you sure you want to play this game? Sherlock Holmes: I'm afraid you'd lose.
In Sherlock Holmes: A Game of Shadows, my mind turns two ways: The first half is guns, gunpowder, and gymnastics. Sherlock Holmes (Robert Downey, Jr.) and Dr. Watson (Jude Law) contend with the salvation of civilization mostly through athletics, aided by director Guy Ritchie's considerable skill with the camera and graphics.
But in the second half, when the duo moves swiftly but intellectually to confront the arch villain Professor James Moriarty (Jared Harris), my mind is at equilibrium, renewing my love of Sir Arthur Conan Doyle's original brainy, eccentric sleuth. The chess game is a marvel of strategy, replete with revenge, intrigue, and just plain ingenuity. Director Guy Ritchie's visuals include delightful Downey disguises and lively speed ramping in a forest bombarded by bullets. Hans Zimmer's music leans heavily on the fiddle to lighten the load of a difficult plot.
Watson's marriage, rather than taking away from the bromance, adds unexpected color and creativity. So Ritchie has ramped up the intellectual content and at least balanced it with the athletic, which was a strength of his 2009 version, Sherlock Holmes. With Inspector Lastrade just a memory and Holmes's love, Irene Adler (Rachel McAdams), appearing briefly, we are left to enjoy not so much the interaction of Holmes and Watson but the explosiveness of Holmes and Moriarty.
After a first half of explosions, the second half satisfies traditionalists like me for the chess game of life and death—and that's the suspenseful fate of the world in those pieces. Director Guy Ritchie has improved on his 2009 version.
In Sherlock Holmes: A Game of Shadows, my mind turns two ways: The first half is guns, gunpowder, and gymnastics. Sherlock Holmes (Robert Downey, Jr.) and Dr. Watson (Jude Law) contend with the salvation of civilization mostly through athletics, aided by director Guy Ritchie's considerable skill with the camera and graphics.
But in the second half, when the duo moves swiftly but intellectually to confront the arch villain Professor James Moriarty (Jared Harris), my mind is at equilibrium, renewing my love of Sir Arthur Conan Doyle's original brainy, eccentric sleuth. The chess game is a marvel of strategy, replete with revenge, intrigue, and just plain ingenuity. Director Guy Ritchie's visuals include delightful Downey disguises and lively speed ramping in a forest bombarded by bullets. Hans Zimmer's music leans heavily on the fiddle to lighten the load of a difficult plot.
Watson's marriage, rather than taking away from the bromance, adds unexpected color and creativity. So Ritchie has ramped up the intellectual content and at least balanced it with the athletic, which was a strength of his 2009 version, Sherlock Holmes. With Inspector Lastrade just a memory and Holmes's love, Irene Adler (Rachel McAdams), appearing briefly, we are left to enjoy not so much the interaction of Holmes and Watson but the explosiveness of Holmes and Moriarty.
After a first half of explosions, the second half satisfies traditionalists like me for the chess game of life and death—and that's the suspenseful fate of the world in those pieces. Director Guy Ritchie has improved on his 2009 version.
While we have new ingredients (= actors/characters) such as the girl formerly having a tattoo and a new bad guy, we also still have our beloved Holmes/Watson duo. And by that I mean the same actors in the role. Jude Law and especially Robert Downey Jr. having a lot of fun again and it shows.
Some other characters return and we have the "vision" mode in the movie again (at least that's what I call it and I'm sure you know what I mean if you've seen the first guy Ritchie Holmes). Making the Holmes movies is not easy. There is not only a rich written history but also quite a few movies. I have to admit that I wasn't thinking of either. Ritchie managed to create a world (especially with the first entry into his Holmes saga), that can be seen as standalone.
So if you liked the first one, you will like this one too. Even if you think you might be fed up by some of the neat tricks he's using or even if you expected Rachel McAdams to be back "big" in this movie too.
Some other characters return and we have the "vision" mode in the movie again (at least that's what I call it and I'm sure you know what I mean if you've seen the first guy Ritchie Holmes). Making the Holmes movies is not easy. There is not only a rich written history but also quite a few movies. I have to admit that I wasn't thinking of either. Ritchie managed to create a world (especially with the first entry into his Holmes saga), that can be seen as standalone.
So if you liked the first one, you will like this one too. Even if you think you might be fed up by some of the neat tricks he's using or even if you expected Rachel McAdams to be back "big" in this movie too.
We just got back from the earliest showing we could get a sitter for. I can say with confidence that my fears about this movie were totally unfounded, and I now hold Guy Ritchie and these writers in the highest regard. Without going into spoilers, here are the three concerns that were put entirely to rest: 1) After seeing the trailer, my biggest worry was the use of "bullet-time" type photography during a Victorian-era movie. I thought it would be completely anachronistic and pointless. However, they'd already established in this movie and the previous one that Holmes is hyper-aware of his surroundings. The bullet-time was used to convey how traumatic a couple of scenes were to someone with that type of awareness, and it worked beautifully.
2) Jared Harris looked so vanilla and soft in the promo pics and trailers that I couldn't imagine him as a fearsome adversary for Holmes. However, his Moriarty is so devious and cunning, and at one time downright sadistic, that I don't think they could have made a better choice. A couple of times I felt like he was channeling his father (the outstanding Richard Harris) without the warmth and empathy that the late actor conveyed. Can you imagine Richard Harris as a cunning, calculating perfectionist that's totally devoid of concern for human life? You won't have to after watching his son. It's freaky. And he sings.
3) Holmes' relationship with Watson (and in a small way, Irene Adler) is fantastically developed. Saying any more than that would be too spoilery.
So, watching this w/ my husband(who is a die-hard Sherlock fan, and used to read Sherlock Holmes aloud to me every rainy night, complete w/ voices) was a fabulous experience. We can't wait to see it again, and own it.
2) Jared Harris looked so vanilla and soft in the promo pics and trailers that I couldn't imagine him as a fearsome adversary for Holmes. However, his Moriarty is so devious and cunning, and at one time downright sadistic, that I don't think they could have made a better choice. A couple of times I felt like he was channeling his father (the outstanding Richard Harris) without the warmth and empathy that the late actor conveyed. Can you imagine Richard Harris as a cunning, calculating perfectionist that's totally devoid of concern for human life? You won't have to after watching his son. It's freaky. And he sings.
3) Holmes' relationship with Watson (and in a small way, Irene Adler) is fantastically developed. Saying any more than that would be too spoilery.
So, watching this w/ my husband(who is a die-hard Sherlock fan, and used to read Sherlock Holmes aloud to me every rainy night, complete w/ voices) was a fabulous experience. We can't wait to see it again, and own it.
As much as I loved the character interactions and insane chemistry between Robert Downey Jr. and Jude Law, I was very much let down by Sherlock Holmes when I first saw it a few years ago. It was a really stylish and well-made film, but the storyline bored me to tears. I came in incredibly excited to see it, and left wishing it had ended sooner. With the obvious sequel Sherlock Holmes: A Game of Shadows upon us, I figured I would go in with much lower expectations and brace for something along the same lines.
Europe is at the brink of war, with many little seemingly unconnected events occurring across the nations. Sherlock Holmes (Downey Jr.) believes it to be the work of the brilliant Professor James Moriarty (Jared Harris). He enlists the help of his sidekick, Watson (Law), to help him uncover the truth, before it is too late.
With less of a focus on the occult, a stronger plot and a significantly more interesting villain, Sherlock Holmes: A Game of Shadows outdoes its predecessor in many respects. It ups the thrills and the action, continues the fun, and delivers one of the better sequel going experiences this year.
Even though the story is a bit wonky in certain respects (more on that in a moment), I feel A Game of Shadows manages to feel a lot more grounded than the original. There is a clear storyline, and an even clearer path of where the film wants to go. It stalls here and there, as I imagined it would, but it never lingers like the original did. The art direction is just as incredible as it was, and the special effects seem to have been improved greatly. Where the first film flopped around, this film picks up the slack.
While Downey Jr. and Law are just as impeccable and well matched as they were the first time round, the film benefits greatly from the addition of Harris as Moriarty. The character's presence was felt throughout the first film, but the film noticeable lost its edge by simply referring to him in passing and hinting at what a sequel could have had in store. Bringing him into the fold, he immediately is tenfold better than Mark Strong ever could have hoped to be. Watching Harris match wits with Downey is simply astounding, and makes for the most wildly enjoyable parts of the film. There is never a dull moment when he is around, and instead of making the film drone on, he invigorates it with an immense amount of energy. Harris knows exactly how to look deceptive, even with a wide grin and dialogue that does not even hint at ulterior motives. His looks are downright terrifying in a lot of instances. This is his first major film role, and I can only hope filmmakers continue using his dastardly skills for antiheroes and villains alike.
I think the film's biggest hurtle, and the one that hurts it the most, is that there are simply too many characters and too many of them did not need to appear in the first place. Rapace's character is nothing more than a plot device, used to connect certain sections together and forgotten almost entirely all too often. The practically blink-and-you- will-miss them moments for Rachel McAdams and Eddie Marsan feel more like Richie peddling to the fans, as opposed to actually serving a real point to the film. It is fun seeing them show up again, but considering they have little to no effect on the plot, they could have easily just never showed up at all. But the far worst offender of not serving any purpose is Stephen Fry as Mycroft Holmes. He brings a ridiculous amount of humour to the film, and he is a welcome addition on the onset. But as the film progresses, it becomes clear he is merely there simply to make the film even more ludicrous and silly than Downey Jr. makes it. When the inevitable third film drops, I hope they actually use him effectively, instead of making his appearance feel like a mere tease.
What also hurts the film is Richie's incessant need to use slow motion in every action sequence. While it works insanely and surprisingly well for the film's centrepiece involving a foot chase through a forest, it feels like overkill in almost every other instance. We understand from the first film that Holmes likes to evaluate the moves of both his adversaries and himself before he makes them, but watching him plot it out helps drag the film out longer than it needs to be. It is fun and worthwhile when it is used sparingly, or used to draw attention to something specific. But when Richie is one-upping Zack Snyder in the worst possible way, it begs the question of whether he learned any mistakes from the first film or not. At just under 130 minutes, I feel like a good fifteen minutes of slow motion could have been sped up, and would have looked just as great. Hell, Richie potentially could have shown off a bit of his own style too, instead of just what he cribbed from everyone else.
While the film still has its problems, Sherlock Holmes: A Game of Shadows is an enjoyable ride from start to finish. It maintained my interest, where the first film had me counting the excruciating minutes before it would end. Richie still has a lot to learn about as a filmmaker (and even more as a man who creates his own style instead of Tarantino-ing from others), he does know how to make a crafty film. Now if he can stop hinting at future installments and just give us a film that sticks to being about the story at hand, then maybe we might just get the perfect rendition of this legendary detective.
8/10.
Europe is at the brink of war, with many little seemingly unconnected events occurring across the nations. Sherlock Holmes (Downey Jr.) believes it to be the work of the brilliant Professor James Moriarty (Jared Harris). He enlists the help of his sidekick, Watson (Law), to help him uncover the truth, before it is too late.
With less of a focus on the occult, a stronger plot and a significantly more interesting villain, Sherlock Holmes: A Game of Shadows outdoes its predecessor in many respects. It ups the thrills and the action, continues the fun, and delivers one of the better sequel going experiences this year.
Even though the story is a bit wonky in certain respects (more on that in a moment), I feel A Game of Shadows manages to feel a lot more grounded than the original. There is a clear storyline, and an even clearer path of where the film wants to go. It stalls here and there, as I imagined it would, but it never lingers like the original did. The art direction is just as incredible as it was, and the special effects seem to have been improved greatly. Where the first film flopped around, this film picks up the slack.
While Downey Jr. and Law are just as impeccable and well matched as they were the first time round, the film benefits greatly from the addition of Harris as Moriarty. The character's presence was felt throughout the first film, but the film noticeable lost its edge by simply referring to him in passing and hinting at what a sequel could have had in store. Bringing him into the fold, he immediately is tenfold better than Mark Strong ever could have hoped to be. Watching Harris match wits with Downey is simply astounding, and makes for the most wildly enjoyable parts of the film. There is never a dull moment when he is around, and instead of making the film drone on, he invigorates it with an immense amount of energy. Harris knows exactly how to look deceptive, even with a wide grin and dialogue that does not even hint at ulterior motives. His looks are downright terrifying in a lot of instances. This is his first major film role, and I can only hope filmmakers continue using his dastardly skills for antiheroes and villains alike.
I think the film's biggest hurtle, and the one that hurts it the most, is that there are simply too many characters and too many of them did not need to appear in the first place. Rapace's character is nothing more than a plot device, used to connect certain sections together and forgotten almost entirely all too often. The practically blink-and-you- will-miss them moments for Rachel McAdams and Eddie Marsan feel more like Richie peddling to the fans, as opposed to actually serving a real point to the film. It is fun seeing them show up again, but considering they have little to no effect on the plot, they could have easily just never showed up at all. But the far worst offender of not serving any purpose is Stephen Fry as Mycroft Holmes. He brings a ridiculous amount of humour to the film, and he is a welcome addition on the onset. But as the film progresses, it becomes clear he is merely there simply to make the film even more ludicrous and silly than Downey Jr. makes it. When the inevitable third film drops, I hope they actually use him effectively, instead of making his appearance feel like a mere tease.
What also hurts the film is Richie's incessant need to use slow motion in every action sequence. While it works insanely and surprisingly well for the film's centrepiece involving a foot chase through a forest, it feels like overkill in almost every other instance. We understand from the first film that Holmes likes to evaluate the moves of both his adversaries and himself before he makes them, but watching him plot it out helps drag the film out longer than it needs to be. It is fun and worthwhile when it is used sparingly, or used to draw attention to something specific. But when Richie is one-upping Zack Snyder in the worst possible way, it begs the question of whether he learned any mistakes from the first film or not. At just under 130 minutes, I feel like a good fifteen minutes of slow motion could have been sped up, and would have looked just as great. Hell, Richie potentially could have shown off a bit of his own style too, instead of just what he cribbed from everyone else.
While the film still has its problems, Sherlock Holmes: A Game of Shadows is an enjoyable ride from start to finish. It maintained my interest, where the first film had me counting the excruciating minutes before it would end. Richie still has a lot to learn about as a filmmaker (and even more as a man who creates his own style instead of Tarantino-ing from others), he does know how to make a crafty film. Now if he can stop hinting at future installments and just give us a film that sticks to being about the story at hand, then maybe we might just get the perfect rendition of this legendary detective.
8/10.
Sherlock Holmes A Game Of Shadows was a great sequel that had great slow motion scenes and awesome fight scenes.
Sherlock Holmes and Dr. John Watson did a very good job of saving the world from an evil professor named James Moriarty. Stephen Fry who played "Mycroft Holmes" Sherlock's brother was funny character that talks very English and he was strange sometimes. I thought that Noomi Repace who played "Madam Simza heron" did great job playing that character. And Jared Harris who played "Professor James Moriarty" was just as smart as Sherlock Holmes. And I thought the last fight scene in this movie was interesting. Sherlock and Moriaty could think different attacks on each other, that scene was intense.
The train scene was awesome,Sherlock disguised as a girl was funny. Also, the running scene in the forest was great.
This movie was very thrilling!
Sherlock Holmes and Dr. John Watson did a very good job of saving the world from an evil professor named James Moriarty. Stephen Fry who played "Mycroft Holmes" Sherlock's brother was funny character that talks very English and he was strange sometimes. I thought that Noomi Repace who played "Madam Simza heron" did great job playing that character. And Jared Harris who played "Professor James Moriarty" was just as smart as Sherlock Holmes. And I thought the last fight scene in this movie was interesting. Sherlock and Moriaty could think different attacks on each other, that scene was intense.
The train scene was awesome,Sherlock disguised as a girl was funny. Also, the running scene in the forest was great.
This movie was very thrilling!
क्या आपको पता है
- ट्रिवियाThe text of the note that Holmes leaves Watson on the packing crate reads: "Come at once if convenient. If inconvenient, come all the same." This quote is taken directly from the opening lines of Holmes creator Sir Arthur Conan Doyle's Sherlock Holmes short story "The Adventure of the Creeping Man".
- गूफ़Holmes follows Moriarty's lecturing tour across Europe and mentions Oslo, Norway. However, as of 1891, Oslo had been called Christiania since the mid-1600s. It was not called Oslo again until the 1920s.
- भाव
Sherlock Holmes: Uh, hmm... Right. Where are the wagons?
Madam Simza Heron: The wagon is too slow. Can't you ride?
Dr. John Watson: It's not that he can't ride... How is it you put it, Holmes?
Sherlock Holmes: They're dangerous at both ends and... crafty in the middle. Why would I want anything with a mind of its own bobbing about between my legs?
- क्रेज़ी क्रेडिटDuring the ending credits, excerpts from the Doyle story "The Final Problem" are shown. ("The Final Problem" was the basis for the movie.)
- कनेक्शनFeatured in The Tonight Show with Jay Leno: एपिसोड #20.47 (2011)
- साउंडट्रैकFischerweise, D.881
Written by Franz Schubert
Performed by Irmgard Seefried
Courtesy of Deutsche Grammophon GmbH (Germany)
Under license from Universal Music Operations Ltd.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- शेरलॉक होम्स: मौत का खेल
- फ़िल्माने की जगहें
- Triengen, Kanton Luzern, स्विट्ज़रलैंड(train scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $12,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $18,68,48,418
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,96,37,079
- 18 दिस॰ 2011
- दुनिया भर में सकल
- $54,38,48,418
- चलने की अवधि2 घंटे 9 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें