Sherlock Holmes

... not the movie, but the number of self-professed Holmes aficionados who apparently have no knowledge of Holmes. For the record, Holmes was a miserable, irresponsible drug addict who did indeed sleep on the floor, insult his best friend, experiment on his dog, and never ever wore a deerstalker's cap (at least, not until television was invented). He was a brawler who practiced martial arts and was as likely to slum around in the filthiest of rags as he was a suit.

It wasn't until after Doctor Watson took him in hand that he truly refined himself and became a "respectable" member of society. And yes, we can tell that this movie takes place THAT early in their relationship because Watson has not yet married his wife (the retconning did annoy me, too, by the way, but you just can't avoid a little re-imagining here and there).

Speaking of unavoidable, Irene Adler, Holmes' one uncapturable (is that a word?), simply had to be cast as a potential love interest. The flirting, the romance, and the near-make-out session were irresistible to the director (and to all of the audience who're honest with themselves).

That being said, I felt Robert Downey, Jr. played Sherlock Holmes to perfection. His characteristic caustic attitude towards Lestrade and even Watson at times was exactly how I'd imagine him. He gives several summations of his observations and deductions that brought Holmes to life in an almost unparalleled way. His fight scenes (preceded the first few times by superhuman calculations) show both the mental and physical sides of Holmes in ways that Watson's notes can't quite convey, but at which they constantly hint.

As for Watson himself, Jude Law delivered a wonderful performance. I was a little skeptical of how well he fought, given Watson's wartime injury, but his character and demeanor were entirely on the nose. His loyalty to Holmes despite his frustrations with him could not have been captured more expertly, I feel. No one, no matter how patient or forgiving, could endure Holmes forever without the occasional confrontation. The original Holmes, after all, was not above insulting his best friend or even deriding his deductive capabilities at times. Nevertheless, Watson never could abandon his friend in his time of need.

This version (or vision, if you will) of Sir Arthur Conan Doyle's greatest creation may be more swashbuckling, more thrilling, and more edgy than any other incarnation, but that doesn't make it any less faithful to the original. Aside from a little revisionist history in the cases of the female leads, nothing is that far out of the ordinary; and no amount of references to Madonna will change that.

Greetings again from the darkness. Great literature seldom makes for great cinema. The mediums are vastly different. However great literature, in the right hands, can make for very entertaining cinema. Such is the case with Guy Ritchie's interpretation of Sir Arthur Conan Doyle's greatest character.

Mr. Ritchie provides us with quite a departure from the Basil Rathbone and Nigel Bruce "Holmes and Watson". Here we get dazzling special effects and near super-human feats and stunts. Another twist is that this Holmes here is no meticulous, fastidious bore in real life. In fact, he lives more like a frat boy or rock star - replete with trashed room and bouts of isolation.

What is not missing is Holmes' world class attention to detail. The story here is multi-layered and actually very interesting, if not a bit high-minded and high-concept. The still-under-construction Tower Bridge plays a role in the film and the bleakness and gray of London is captured perfectly.

Of course, I won't reveal any details of the story other than to say the "good" guys are out to get a real bad guy here ... wonderfully played by the always solid Mark Strong, who may or may not be dead. That always makes for an interesting case! Support from Rachel McAdams and Eddie Marsan are fine, but Robert Downey Jr and Jude Law are the real stars as Holmes and Watson. As odd as it seems, they really do have a buddy factor that works well on screen. Downey's physicality has always set him apart from many contemporary actors ... he moves like a dancer and fights like a champion. Jude Law is often too pretty-boy for me, but he really does a nice job of capturing the reluctant sidekick with complimentary skills.

This is a BIG movie! It is made to be a rollicking good time with tons of popcorn munched. Smaller kids will not be able to follow the story, but anyone who has read a Holmes story (and isn't against a little artistic license) should see the film. It is extremely entertaining and fun to watch.

First of all, I wasn't sure whether I wanted to see this movie initially. It looked entertaining enough, but I was wondering is it going to be an entertaining and stylish movie or another generic block buster? My answer is this, and you can probably tell by my summary, I thoroughly enjoyed it, it is not the best movie I have ever seen and it has its faults, but the thing is I thought it was fun, witty and somewhat original too.

Those who didn't like it as much as I did will probably question whether I have any knowledge at all of Sherlock Holmes, whether it is the books or the countless interpretations of the character and his stories. The answer is yes, I really like Conan Doyle's stories, they are clever and insightful and Holmes himself is a very intriguing character with a distinct personality, and I am a fan of both Basil Rathbone and Jeremy Brett. If I had a preference I would say the latter but only marginally, Rathbone was excellent, he was sophisticated and gritty but Brett had that towering presence and generosity about him that made me like him a little more.

Back to this film, I liked how it was filmed. I for one found it stylish, innovative and clever. The camera work is really good, even in the fight scenes which were suitably gritty and invigorating, and the sets, costumes and locations look as though they took their time with it and to make it true to the period. I also enjoyed the score, it was jaunty and somewhat tongue-in-cheek. Guy Ritchie's direction is solid as well, it is tight, assured and Ritchie does seem to know what he is doing, so we were treated to some fun set pieces.

The pacing was fine for me, in fact although people may disagree I for one was surprised at how quickly in general the film went, even if it did slow down towards the end. The script was very witty and smart, there were a number of times when my whole family and I laughed, and a lot of it was Holmes's dialogue, plus I liked the idea of the plot, it was an original (if a little convoluted at times) and it moved along briskly. I will talk later about what didn't quite work, but in particular the final solution is interesting. It may be one you need to rewind a few times in order to completely understand though. I also think it was a good idea to put Moriaty as a background character, the ending is highly suggestive of a sequel, and if there is one that would be a perfect opportunity for Moriaty to flourish with the right actor, some good dialogue and some good character development.

Finally the acting. In general, I was really impressed. Robert Downey Jnr, an actor who I like a lot, gives a very strong performance as Holmes. He plays Holmes as an avid boxer, as a keen martial artist, as intelligent being a master of logic and deduction and as a master of disguise, while tormenting his housekeeper in a playful manner and sometimes acting as selfish and self-destructive. Downey Jnr. delivers his lines pretty much brilliantly, sometimes saying them quite quickly, especially when Holmes is deducting but I loved his deadpan delivery. Jude Law is perfect as Watson, he plays him as young, intelligent, authoritative and there are some great moments when he tells Holmes off. The two do share a unique and effortless chemistry together and that really showed on screen and one of the reasons why the film was so enjoyable for me. Another strong performance is Mark Strong as Blackwood, a real villain he is, mysterious, cold, dark, suave yet charismatic yet deserving of one or two more scenes, and I liked Eddie Marsan's Inspector Lestrade.

Despite all these strengths there were two primary weaknesses. While the plot was great and moved along briskly, there were some scenes that came across as rushed and unexplained, especially when Holmes and Watson save Irene Adler from being killed in the factory, that just felt like an action set piece and little else. Rachel McAdams I didn't like so much as Irene. She looks really pretty, with the lovely authentic hair style and her dresses were eye popping, especially the pinkish-red one which suited her perfectly, but acting-wise she looks stiff and unconvincing in her part.

Overall, just plain fun. Whether you see it or not is up to you, if you don't like it that's fine, this film's not for everyone. But I am going to conclude to say I loved it, it was entertaining and smart. 9/10 Bethany Cox

Do Guy Ritchie and Sherlock Holmes fit? Why, it's elementary my dear movie fan. This is one of the most entertaining thrillers of the year and the fantastic Downey Jr. and Law are a big part of the reason why. They take top honors as the years best bro-mance, arguing like an old married couple while deep down knowing that they'd be lost without each other. Downey is Holmes and Law is sidekick Dr. Watson, embroiled in a plot where the black-magic-practicing Lord Blackwood (a perfectly grave and menacing Mark Strong) has risen from the dead after being sentenced to hang. Rachel McAdams also shows up as Irene Adler, the only criminal who has ever gotten the best of Holmes.

Downey Jr. brings quick-wit, cunning, and a scruffy toughness to a role long seen as stuffy and dry, while Law a distinguished charm that, at times, spills over into testy aggressiveness (which is funniest at Holmes most annoying). Both toss off the one-liners with ease. Ritchie's directorial style also comes through, from the dark, grimy Victorian- London production values to the violent boxing and martial arts matches. Holmes' mindset (such as the steps he takes to neutralize a suspect, interpret clues, follow the deceptive) also brings out Ritchie's ability to create an ultra-stylized flashback. There are also a few really thrilling action set-pieces involving a boat and an unfinished bridge. The plot, by three screenwriters, is a little on the convoluted side but it gets the job done with plot-twist on-top of plot twist. With all the brutal violence and style, you can be sure this isn't your Grandpa's Sherlock Holmes, but it will have you drooling for a sequel nonetheless.

As you can tell from the first review, you probably have to be a big reader or fanboy/girl of Sherlock Holmes in order to be displeased. I was pleased almost the whole way through this movie without caring much about character. Still, even though Sherlock Holmes sometimes was a bit too 'ambiguously gay' and had an annoying modern-like personality, he continued to be funny, strange, and as intelligent as I thought Sherlock should be. Jude Law did a good job as well as others on the cast.

I loved the plot. It was obvious to me at times how the story would unravel, but then it hits you again in the end. It was a subtle hit, however. Anyways, my favorite part of the story was mainly the broad scheme of things and the people involved. Sherlock goes deep enough into the world of conspiracy to keep me interested.

My only gripe with this movie is sometimes the humor. A lot of the 'humor' came out during conversations. People would laugh at the wittiness spewed by the main characters, and it just felt too much like a modern sitcom. Today, American society and culture is infected with internet memes, battles of quick wit, and straight-faced jokes that provoke a lame laughter from me (one not deeply felt.) You could compare what I am saying to the dialogue in 'The Big Bang Theory.' Hollywood could maybe tone down a bit on dry and clever jokes, especially when they poke out during unnecessary times.

In conclusion, I enjoyed this movie enough to rate it an 8 out of 10, and although I did complain more than I gave praise, I just didn't want to give away all of the good parts. Go see this movie. It's fresh, isn't based in America, and doesn't trail off there either. There are twists, excellent action scenes, lots of fun moments, sweet investigation, and some analogous material better discussed in a forum of theorists.