An Irish Goodbye

It won an Ocsar, so you have nothing to lose by taking 23 minutes to watch.

However, it wouldn't be noteworthy, except for the fact the one of the actors (James Martin) has Down's syndrome.

James plays Lorcan, a youngish adult, who has been living in rural Ireland with his mother. She has died, and James' brother Turlough is home from England for the funeral, and to sort out her affairs.

There is a bit of sentimentality, in two brothers reacquainting after their mother's funeral, and some gentle humour, but it's mostly humdrum stuff, with nothing to distinguish it, other than what I have mentioned in the first paragraph.

I have now rewatched this film 5 times and each time note a different nuance, expression or film angle.

The script is hilarious throughout, mightily irreverent but laugh out loud funny.

It finished leaving the question "what next" for the brothers. But I see only a very happy ending.

For only three actors to produce such a slick coherent work is remarkable. Well done to all three. The northern Irish accent can some times be difficult to interpret but I heard every syllabul. The opening sequence of the bleak open moorland leading to the family home echoed the plot of the bereaved brothers.

A masterpiece as far as I'm concerned.

This dark but delightful film, set in the Northern Irish countryside, deserves all its awards and praise. Yes, we have seen most of the plot twists before and warring brothers is a familiar theme. However, the joy of this film is in its warm heart and wit.

Paddy Jenkins, who plays the quirky and awkward Father O'Shea, was a particular favourite, but of course, the film belonged to James Martin as Lorcan. Feisty and often very rude, he owns the screen whenever he appears.

The representation of his Down's Syndrome was an education, too. We see Lorcan as more than his condition. He knows exactly what he wants in life, he always says what he thinks and leads the way in his plans for his life and in celebrating his mother's memory. This really makes the film stand out from others in its representation of disability.

The only thing I thought was a tad silly was the extremely professional looking artwork which was meant to be produced by Lorcan. Yes, of course it was a visual joke, but something slightly rougher would have had the same effect.

Paddy Jenkins ("Father O'Shea") acts well as the conduit here between two brothers who are unexpectedly reunited by the death of their mother. "Turlough" (Seamus O'Hara) has left Northern Ireland to work in Engand and when he returns, is set on selling the family home still lived in by his younger brother "Lorcan" who has Down Syndrome. As you'd expect, the humour here is dark ("is she still warm?") and the language quite ripe, but this has a wonderful honesty to it as the latter lad tries to work his way through a list of one hundred things their mum wanted to do before she died! There's some fun with an urn and some ti-chi, and they even go into space - well, sort of! Good fun with strong undercurrents of family, love and affection.

Seamus O'Hara returns to the family farm and his pugnacious brother James Martin. Their mother has died, and what are they to do with the acres.... and James. Before they do anything else, they agree to do the one hundred tasks on their mother's bucket list.

Difficult families are one of the basic tropes of good story-telling, from Oedipus Rex on, and this falls into that category, with some ill-tempered sullenness and awkward silences in between the increasingly odd and downright fanciful quests of the late old woman, poor woman.

And now I had better end this review before I begin to sound like Barry Fitzgerald in THE QUIET MAN.