Suncoast

Beautiful film. Grief is always an emotional topic to write about and portray in any form of media. There's so much that goes with it, and only those who have personally dealt with it can truly paint the right picture. The acting is all great, especially the main actor, Nico Parker, who does a great job. I saw her in The Last of Us last year, and she gets even more of a chance to prove her artistry here. It's at times difficult to get through, but there are those more lighthearted moments that delve into what it's like to be a teenager. I'm reminded of the Andrew Garfield interview he did with Stephen Colbert, where he talked about the grief he felt about his recently deceased mother. Grief is powerful, yet it is a representation of love and all that it encompasses.

As "Suncoast" (2024 release; 109 min.) opens, we are in "Clearwater, Florida", and highschooler Doris and her mom are transferring Doris' brother into a hospice facility called Suncoast, by happenstance the very same one where the Terri Schiavo drama is playing out. Doris is stressed out by her hard-charging mom and the overall situation... At this point we are 10 minutes into the movie.

Couple of comments: this is the directing debut of actress Laura Chinn, who in essence is bring her own story to the screen. Laura Linney plays the mom who is, let's just say, not a very likeable character. Woody Harrelson plays Paul, an well-meaning eccentric who befriends Doris. British actress Nico Parker ("The Last of US") plays Doris. The film is not bad, but suffers from a rather uneven script, going on a dime from a "Mean Girls" reminding scene into dealing with life-ending situations. I had forgotten all about the Terri Schiavo situation, which made national headlines in the early 00s.

"Suncoast" premiered a few weeks ago at the Sundance film festival, and is now streaming on Hulu, where I caught it a few evenings ago. If you are in the mood for a coming-of-age while also looking at how to deal with loss, I'd readily suggest you check this out, and draw your own conclusion.

3 out of 5 stars.

Suncoast is a fair coming of age drama film that gives great performances with the cast ensemble.

A tough story about a teenage girl trying to be a normal teen in high school. While struggling with grief with her brother being terminally ill. And her controlling mother struggling with losing him.

It is a tough story. While Nico Parker did a great job. Same with Woody Harrelson. The film can be emotional. It is a strong drama with her growing up. But missing out as a teen. Thats also the one thing the film struggles is missing out on that direction on what happened to her and her friends. The script felt undeveloped.

I wish first-time director and writer Laura Chinn could have taken greater risks with this 2024 coming-of-age drama because it felt heartfelt yet fairly predictable. It's a highly personal story set in 2005 based on Chinn's own adolescent experience of losing her teenage brother to cancer. Her fictional stand-in is Doris, a withdrawn and resentful teen constantly reprimanded by her emotionally exhausting mother Christine, who decides to move her comatose son to hospice care as he slowly succumbs to brain cancer. It turns out to be the same hospice facility where Terry Schiavo is under care, and right-to-life protestors surround the building under the scrutiny of the media. Laura Linney plays Christine as almost an older version of her controlling character in the memorable "You Can Count on Me", but she's more fearless here in her monomaniacal devotion to her son. Still, it's Nico Parker who carries the film as Doris nicely conveying both preternatural maturity and gawky angst as a social outcast looking to fit in with her new friends. Woody Harrelson plays a protestor who bonds with Doris, but the Schiavo parallels are largely unexamined and consequently Harrelson is used more as an incidental father figure.

As someone who was coming of age in this time frame, I felt that the director nailed it. The casting was realistic, raw, and told an important story within a story. I disagree with the other reviewer who said that the script was afraid to go deep and remained cliché. There are not enough movies like this. Everything is trying to preach to us nowadays and that's not what this was - and its refreshing. If you look at the parallels between the ethics class and the statement made by Doris, about only understanding ethics or knowing what we believe when we are actually in that moment is so true. There is so much empathy for the character of the mother, but more so for the character arc of the daughter. Remembering what it would be like to be 17-year-old not wanting to miss out on all the important things to an average teen, but also having to deal with end of life is just something that may not resonate with everyone but its a human story. And you don't have to agree with the issues, but you have empathy for the character and nonetheless.