Angel and the Bad Man

Finally, a western in which they admit the indoor spaces were small and cold! I have often thought to myself that westerns invariably fail to depict what living in the "old west" may have been like without central heating. Also, other than Lou Diamond Phillips himself, they have never seen a barber. Although the clothes ad persons are far too clean.

Production values are sufficient as is the acting and script to make watching the whole movie possible.

Naturally, those who have practically deified John Wayne will not look with favor on any remake of his films, but this handsome color version has much more authentic period flavor than the original one of simple Hollywood hokum. Since I was never a great fan of Wayne's and was only favorably impressed by one performance of his (as the outright racist and sadistic bastard in "The Searchers") I can judge this film on its own merits without referring to Wayne's earlier version.

Phillips is convincing in the role of the hard-bitten gunny who unwillingly reforms when his head is turned by the esteem of a good woman. It gradually develops that his heart is eventually turned, too. Now that he has matured he actually achieves more gravitas than in some of his better known younger roles. The supporting roles are well-drawn, especially (Sam) Winston Reckert and the nasty one-eyed piece of work (Laredo) aptly played by an almost unrecognizable Luke Perry.

Nobody does it better. I repeat, NOBODY, does it better than The Duke. Don't bother watching this until you can see it for free. John Wayne is The Ultimate Cowboy! Nobody does it better! Nobody ever did it better! Nobody ever will do it better! To try and copy him is a fools errand.

If you wanna watch LaBamba, Lou Diamond Phillips is the perfect choice. If you wanna see teenage cowpunks go bad and shoot up town after town, he can get the job done. If you wanna see teenage punks screw up in high school and make the teacher look like an idiot, he's pretty good at that, too.

Remake a John Wayne film?!?!? NO WAY!

I am giving this a 10 because the voting score is unfairly low. Just to sum up I like movies such as Se7en, Old Boy, Fight Club, and Gypy 83. And this is a good movie.

Right away I was sucked into the atmosphere and cared about Diamond Phillips (Quirt). His acting in this movie is really good. Seriously underrated. Also the supporting actors are very good. The sheriff really sticks out in my mind when I say this. I'm am not writing about the story, you can read the description of the movie for that, but rather I decided to write about the feeling this movie gives people when they watch it. This is a hallmark film, something I am NOT used to watching, however I woke up one Saturday morn' and this was on. I saw Lou's and Luke Perry's name, and thought, "hmmm, if I don't like it in 5min I will watch ninja warrior or something", however I did not change the channel. this movie is not a sex driven, swear wording, extremely vulgar piece, but it reminds you of how a movie can be powerful and fun to watch with a little effort in iteration and translation. It is Enjoyable. I have read from others that Lou did a good job in redoing the classic in his own style, I have to say, though I did not see the original, I do not doubt that this may be better.

This is a remake of the classic 1947 John Wayne western about an injured gunslinger who falls in with good company in the form of some Quakers. Full of comedy and broad performances, the original includes some classic bits and a grand performance by Harry Carey Sr. at the end of his career. The people at Hallmark must have been hesitant to greenlight this production, but they manage to produce a pretty good movie as a result and on its own terms.

As with all good remakes, it takes the same material and spins it in a different direction. and the more serious tone of this version does work for the first half, when the contrast between Quirt's life and character is spoken about -- it's handled humorously in the original. Instead, the humor in this version is reserved for the section where Lou Phillips, as Quirt Evans, tries going back to his old life. The attempt to play comedy as Phillips grows more dissatisfied and disgusted with his fellow associates does not, alas, quite work.

It does remain a good character study, and among the supporting cast, a special note should be taken of Winston Rekert who plays the Harry Carey role -- a sheriff who had hoped to hang Quirt with a new rope. His is the toughest act to follow, and he manages it very nicely.