The Debt

It's always nice when you see a movie trailer that looks pretty good, and then when you see the movie it far exceeds your expectations. The Debt, a remake of a 2007 Israeli movie of the same name, is a suspenseful espionage thriller about a team of Israeli Mossad agents as they attempt to track down "the Surgeon of Birkenau". The movie incorporates flashbacks and flash-forwards in a controllable fashion, with approximately half the movie taking place in 1966 and the other half taking place in 1997. The film is based on a screenplay co-written by Jane Goldman and frequent co-collaborator, Matthew Vaughn, a rising star known for his writing and directing of films such as the underrated Kick -Ass and the 2011 summer hit X-Men: First Class. Director John Madden, best known for his Oscar winning movie Shakespeare in Love, crafts an intriguing film that although predictable at times keeps you engaged. In The Debt, Madden has made some great choices in casting; beginning with Oscar winner Helen Mirren and Oscar nominee Tom Wilkinson, both of whom provide stellar performances. Jessica Chastain, Martin Csokas, and Sam Worthington, although not having any Oscar nominations of their own, give captivating performances during the movie's most brooding scenes.

I enjoy espionage films, such as Munich, Spy Game and North by Northwest, immensely. The Debt's strength, much like those other three films, is that it's character and story driven and not dependant on action or special effects to maintain its viewers. The pacing is steady and there's a lot of intensity as the agents attempt to accomplish their mission. The subject matter of the film is a dark one, and that's reflected in the film. Unlike your neighborhood police department or county sheriff's department, intelligence agencies do whatever is necessary to get the result they are seeking; such as some uncomfortable visits, for the patient as well as the viewer, with Dr. Bernhardt, played disturbingly by Jesper Christensen The movie kept me intrigued throughout, and I find myself often sliding up to the edge of my seat, unable to tear my eyes away from what was happening. As the film drew to a close, most questions are answered and closure is provided, unlike just about every other movie made today.

Grade: B+

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A plodding plot, dull dialogue and cardboard characters made this a boring evening. Does Mossad really recruit self-obsessed inadequates from soap operas? The film starts with a confusing series of action sequences posing unanswered questions, which I found irritating. It then proceeds to an over-long and pedantic account of the bungled kidnapping of a Nazi war criminal, who is the standard stock Nazi. At least the same cannot be said of the Mossad agents, who would be more at home in Eastenders - emotional turmoil and histrionics prevail and the situation deteriorates into total catastrophe.

However have to say that my wife liked it!

The Debt has several things going for it: an interesting story and some fine performances. It's a pity that the ending was disappointing.

I'd like to commend Helen Mirren on her performance and even though she gets top billing she's not in it much and when she is her performance doesn't merit the top billing. The stars of the movie are undoubtedly the younger characters played by Jessica Chastain, Sam Worthington and Martin Csokas for it is with them that the events of 1966 are played out and we get a glimpse of what the trio went through during their mission. Jessica was quite excellent, and demonstrates the stress put on a young and inexperienced agent thrust into East Berlin in the 1960s. Marton, as the leader of the trio, was good and his character was never demanding nor bullying in the way some unit leaders can become. Sam Worthington was competent, and perhaps a little subdued, portraying a shy man with more going on inside his head than he wanted the world to see.

There is a plot twist, which I won't mention, and which was cleverly disguised in the trailers, which provides turns the story on its head and propels the movie towards the end that I found disappointing. If someone waits more than thirty years to develop a guilty conscience, something that was not properly developed for one of the characters, then it makes it difficult to believe that they would go about with their decision in a split second and undo everything they stood for. It made their first early decision to be quite pointless and in the end more damaging to others than for the main characters. Some would argue that the ending was just fine but in movies that's all well and good but in real life it's not as simple as that. So, I felt a little bit let down for a movie that I was very interested in watching.

Is it worth recommending, then? Well, the ending probably won't bother too many people and so it is worth watching as the movie keeps a fine level of tension throughout the movie so you're never to sure which way things are going to go until it occurs.

The Debt is a Nazi hunt/spy thriller all rolled into one and it's nice to see a classic thriller that takes the subject matter seriously and relies on suspense to keep us in its grip. I was at the edge of my seat for most of the time and there's plenty of surprising turns in the story to keep even the most jaded enthralled.

Most of todays inept filmmakers rely on blowing stuff up hoping that this will count as suspense. It also is such a breath of fresh air in an appalling year of C -grade superhero movies and obscure comic book adaptations. Hopefully this does well so Hollywood can go back to making well written thrillers and dramas like they used to.

Best suspense thriller of 2011 so far.

The plot of THE DEBT is rather enigmatic and a bit confusing because of the technique of cutting back and forth between past and present. Added to this is an even more problematic factor: the younger and older counterparts don't look a bit alike, so keeping track of them by character names can keep a viewer in a distracted frame of mind.

Other than the script problems, it must be said that the acting is all on a high level, and the story is particularly engaging during the earlier 1967 sequences. This is partly due to the fact that Rachel (Jessica Chastain) gives the most impressive performance in the film and is someone who immediately involves you in the story. She emerges later on into the Helen Mirren image, which is not quite credible in my opinion. Mirren does a fine job as the mature Rachel and her final scenes with the man she has been hunting down is staged realistically with gut-wrenching violence.

If you can get beyond the casting problems involved, the story is taut with suspense but told at a rather leisurely pace.

Tom Wilkinson and Martin Csokas as old and young Stephan; Ciaran Hinds and Sam Worthington as old and young David; and Jesper Christensen as Dr. Vogel give performances that cannot be praised highly enough. The only drawback is that the resemblance between young and old is entirely missing, a fatal flaw when a film is told in cross-cuts between past and present.

Hunting down an ex-Nazi surgeon who has committed war crimes always makes for an interesting story idea...but in this case, there are too many flaws to make the film wholly successful.