The Killer

What happens when a hired killer makes a mistake?

After a twenty minute introduction, something finally happens, and you're left with a film that's beautifully shot, well acted, with a somewhat interesting story.

The trouble is, if this film were a song, it would be something by The Smiths, there's definitely a fan base, but for some of us, it's all just too slow, too dull, and ultimately a depressing affair.

The voiceovers become a little irritating after an hour or so, and that constant first person narration slows the film down to a snail's pace.

Neo noir style, nice to look at, and I did like Michael Fassbinder's performance, but ultimately I couldn't stop myself from yawning for the full two hours.

5/10.

It's well compiled. The narration got me invested. Shot beautifully, the suspenseful music is excellent. The movie as a whole is...yeah it's fine? It lacks depth and some scenes lack logic as well. It makes for a fun watch nevertheless. Better than most of the stuff going around these days. A one time watch and you never think about it again kind of a watch. Not Fincher's best but not his worst either. Fassbender is decent in his role portrayed as a mysterious killer who has a knack for everything pretty much. Solid punches to the face by a guy twice his size does not faze him at all. That's about it really.

"Execution is everything"

is the tagline of The Killer and makes for a perfect meta-commentary that connects the essence of the film with the life's work of its director.

David Fincher is as meticulous in his filmmaking craft here as his main character is in his professional craft. The Killer could become the new handbook for "how to make a perfect looking film". A picture put on canvas, so thoroughly thought out and taken care of, I couldn't help myself while sitting in the theater but marvel over its execution and attention to detail. I literally had Goosebumps half the time because I was so gripped by the atmosphere and beauty that unfolded in front of me. Perhaps Finchers most meditative piece. Fincher delivers his dark and gritty tendencies in familiar fashion, but this time slightly more reserved and introspective. With scalpel-like accuracy he carefully constructs a gripping character study that tackles the addictive nature of a personal vendetta as well as the mental sanity and emotional control needed to remain successful and alive in this line of work. A constant heartbeat within the sound design, the effortlessly rythmic editing and the hauntingly calm narration from Michael Fassbender, who acts as methodically meticulous as David Fincher directs. A man who will so easy take a life, and the unpredictable and tense nature of this subject matter make for a shockingly effective and nerve-racking experience.

What a streak of cinema, my favorite directors all come out with new work, my film heart is full.

I don't understand why people give this movie 1-2 stars. It's not a great movie but how do you rate it so low when 90% of movies are much worse and have better ratings. It does start slow but then turns into a quite watchable and enjoyable action flick, with minor logical holes but a gem compared to movies that don't make sense at all.

Sure; it will be a waste of time for many, but what do you expect, to be enlightened and see something amazing and original that no one ever suspected? How many of such movies are released every year?

The Killer is simply a dose of decent entertainment when you do decide to waste some time and run out of amazing truly movies to watch.

A David Fincher film is always an event. With his infamous reputation for perfection and requesting, he has earned what every aspiring filmmaker wishes for: the proper time to get every element right. There's always glee and eager anticipation seeing his latest, knowing the film is in the reliable hands of a strong director.

For The Killer, David Fincher brings his trademark eye for detail, delivering an arthouse action thriller that moves with clockwork precision with its smooth camera moves and sharp edits, oozing cinematic coolness to the point of being completely cold.

Returning to acting after a 4-year hiatus doing F1 racing, Michael Fassbender fits his performance like a cog to a well-oiled machine. He acts through body language and voiceover, wryly playing a version of the director as a meticulous monologuing professional hitman who strictly abides by his own set of rules.

The Killer doesn't deliver the action thrills of a Jason Statham film or the psychological study in Collateral. It's in between and it rests on the audience to color in the meaning behind everything.

Is The Killer a deconstruction of the lone assassin film? Is it subverting all its tropes? Or is it a character study? Is Fassbender's killer even a sociopath?

Andrew Kevin Walker, the writer of Se7en, puts the audience in the assassin's head through an inner monologue, as he recites his rules and muses negatively about humanity.

The script doesn't provide a character to care about or even like. There's a particular moment when Michael Fassbender says "Hi!" like a normal person and it's darkly comic. For the common viewer, this can easily be an empty and cold experience.

The meaning I gleaned from the film, was the irony between what people say to themselves to create their identity, code or philosophy and how real life, indifferently by and chaotically, puts that to a test.

The technical details are what make this film.

It's the day in the life of an assassin, showing the mundanity of waiting for the perfect moment for the kill shot, the routines to stay incognito, the neat safe rooms, the dozens of passports in ziplock bags...

The decor of Michael Fassbender's home was striking, a big hollow living room with billowing veils where every corner is immediately visible.

The climatic hand-to-hand fight was impressive, well choreographed and shot. The moves had weight and the audience could feel the pain.

Zodiac is still Fincher's best film, as it has everything that he does best, making little factual on investigative details hugely significant and great natural performances chiseled from tiring the actors after multiple takes-I do wonder how many shots in Fincher's films are, in fact, the final take.

With Mank and The Killer, David Fincher seems to be entering a new phase of pursuing smaller niche topics experimentally and having cinematic fun for himself. Comparatively, The Killer seems like a fetishizing of obsessive compulsive behavior.

The best way to enjoy The Killer, I think, is to follow suit. Be OCD for 2 hours and see how many little details you can spot.