एक सैन फ्रांसिस्को कार्टूनिस्ट, एक जासूस बन जाता है ताकी वह एक ज़ोडियक किलर को ढूंढ सके, जिसने उत्तरी कैलिफ़ॉर्निया में देहशत फ़ैला रखा है.एक सैन फ्रांसिस्को कार्टूनिस्ट, एक जासूस बन जाता है ताकी वह एक ज़ोडियक किलर को ढूंढ सके, जिसने उत्तरी कैलिफ़ॉर्निया में देहशत फ़ैला रखा है.एक सैन फ्रांसिस्को कार्टूनिस्ट, एक जासूस बन जाता है ताकी वह एक ज़ोडियक किलर को ढूंढ सके, जिसने उत्तरी कैलिफ़ॉर्निया में देहशत फ़ैला रखा है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 3 जीत और कुल 71 नामांकन
June Diane Raphael
- Mrs. Toschi
- (as June Raphael)
फ़ीचर्ड समीक्षाएं
I have been highly interested and engrossed in the Zodiac killer story for the last 5 years now and I can say, without doubt, that this is the best and most accurate telling of the story. The film presents numerous details that were unknown to me before seeing it. All of these facts and theories are thrown together in a way that strings the viewer along, you think it's someone, then you get new information and that person is no longer a suspect. Fincher really puts you into the life of a detective working on the case. You feel just as excited when new information comes about and are equally disappointed when it leads to another dead end.
The film is beautifully shot (on VIPER digital cameras) and once again, Fincher shows us his wonderfully adept skills with CGI shots. All of the actors shine and truly become their characters. Jake Gyllenhall and Robert Downey Jr. put in excellent performances, as does Mark Ruffalo. I was also pleasantly surprised to see Phillip Baker Hall join the ensemble.
The only complaint I have heard that holds any water is that the film is too long. At roughly 2 1/2 hours, I can see how many would think that is long, but you have to realize that this is an intricate story with deep characters who need to be examined and understood. A standard 90 minute film, or even a two hour cut, would not have been able to tell the story as well. Character motivation and important details would have been left on the cutting room floor.
If you have followed the Zodiac case, you will be happy to see how well done this movie is. If you don't know anything about the case, you will be given an excellent story that will make you want to learn more about it. Regardless, you should do yourself a favor and see this movie. If nothing else, it's better than "Wild Hogs".
The film is beautifully shot (on VIPER digital cameras) and once again, Fincher shows us his wonderfully adept skills with CGI shots. All of the actors shine and truly become their characters. Jake Gyllenhall and Robert Downey Jr. put in excellent performances, as does Mark Ruffalo. I was also pleasantly surprised to see Phillip Baker Hall join the ensemble.
The only complaint I have heard that holds any water is that the film is too long. At roughly 2 1/2 hours, I can see how many would think that is long, but you have to realize that this is an intricate story with deep characters who need to be examined and understood. A standard 90 minute film, or even a two hour cut, would not have been able to tell the story as well. Character motivation and important details would have been left on the cutting room floor.
If you have followed the Zodiac case, you will be happy to see how well done this movie is. If you don't know anything about the case, you will be given an excellent story that will make you want to learn more about it. Regardless, you should do yourself a favor and see this movie. If nothing else, it's better than "Wild Hogs".
On July 4, 1969, a killer shoots a couple on lovers' lane in Vallejo, California. The boy survives. The San Francisco Chronicle receives a letter from the Zodiac killer to print his letters with symbols. Reporter Paul Avery (Robert Downey, Jr) is on the case with the help of eager cartoonist Robert Graysmith (Jake Gyllenhaal). The brutal murders continue moving to San Francisco. San Francisco police detectives Dave Toschi (Mark Ruffalo) and William Armstrong (Anthony Edwards) are given the case. Other police include Jack Mulanax (Elias Koteas) in Vallejo and Detective Ken Narlow (Donal Logue) in Napa. Defense lawyer Melvin Belli (Brian Cox) appearing on TV gets a call from the supposed killer.
This starts off as an interesting serial killer mystery. The attacks are horrifically shown. The couple forced to be tied up and stabbed is probably the most memorable. However the movie turns into something deeper. This is not another serial killer movie like the endless TV shows that populate modern networks. It may not even be about the central characters. This is an immersive experience living with the serial killer always on the mind. The Zodiac killer is just out there in this world. It's fascinating in its dark undertones and the lack of flashiness.
This starts off as an interesting serial killer mystery. The attacks are horrifically shown. The couple forced to be tied up and stabbed is probably the most memorable. However the movie turns into something deeper. This is not another serial killer movie like the endless TV shows that populate modern networks. It may not even be about the central characters. This is an immersive experience living with the serial killer always on the mind. The Zodiac killer is just out there in this world. It's fascinating in its dark undertones and the lack of flashiness.
Zodiac, David Fincher's film about the impact the San Francisco Bay Area serial killer's case had on three primary characters is delivered with great attention to detail and proper pacing. Zodiac is not a film that uses or relies on suspended disbelief to succeed and does not attempt to compress five years of story into one in order to keep viewers interested. Instead it relies heavily on the facts and uses all of its 158 minutes to present them in almost linear form and staccato fashion.
Set primarily in San Francisco in the late 1960's and 70's (and eventually the 80's) Fincher's Zodiac takes no artistic license by adding the obligatory car chase scene down Russian Hill, drug enhanced evening in Haight-Ashbury or conspiracy oriented behind the scenes moves by City Hall. Instead the audience is presented with a credible story that portrays how stress, tension, frustration and fascination play upon the lives of S. F. Police Inspector David Toschi (Mark Ruffalo), S.F. Chronicle Editorial Cartoonist Robert Graysmith (Jake Gyllenhall), and S.F. Chronicle reporter Paul Avery (Robert Downey Jr.). Each of these people, as well as those surrounding them are operating well within the confines of every day life and the establishment. Fincher does not let Zodiac wander outside its central story, and therefore no editorial comment about the Vietnam War or similar events of the day are offered. Insights about the impact on the victims (who survive) or their families are only touched upon if they remain central to the story.
The initial scenes of the movie depict the killer in operation and they are not sugar coated. However, viewers wanting to see a film in the style of Fincher's Alien (3), Se7en or even Fight Club (i.e., blood and gore to almost surreal levels) should look elsewhere.
Zodiac is a well crafted production on all fronts. In addition to Fincher, the lead actors and extensive (and well known) supporting cast Zodiac producer's assembled a credible team. James Vanderbilt (Screenplay), David Shire (Score), Donald Burt (Production Design), Keith Cunningham (Art Direction), Victor Zolfo (Set Direction) and Casey Storm (Costume Design) all deliver quality work in their respective areas. There are no weak spots in this film. Zodiac may not (or attempt to) dazzle, but it does please.
Set primarily in San Francisco in the late 1960's and 70's (and eventually the 80's) Fincher's Zodiac takes no artistic license by adding the obligatory car chase scene down Russian Hill, drug enhanced evening in Haight-Ashbury or conspiracy oriented behind the scenes moves by City Hall. Instead the audience is presented with a credible story that portrays how stress, tension, frustration and fascination play upon the lives of S. F. Police Inspector David Toschi (Mark Ruffalo), S.F. Chronicle Editorial Cartoonist Robert Graysmith (Jake Gyllenhall), and S.F. Chronicle reporter Paul Avery (Robert Downey Jr.). Each of these people, as well as those surrounding them are operating well within the confines of every day life and the establishment. Fincher does not let Zodiac wander outside its central story, and therefore no editorial comment about the Vietnam War or similar events of the day are offered. Insights about the impact on the victims (who survive) or their families are only touched upon if they remain central to the story.
The initial scenes of the movie depict the killer in operation and they are not sugar coated. However, viewers wanting to see a film in the style of Fincher's Alien (3), Se7en or even Fight Club (i.e., blood and gore to almost surreal levels) should look elsewhere.
Zodiac is a well crafted production on all fronts. In addition to Fincher, the lead actors and extensive (and well known) supporting cast Zodiac producer's assembled a credible team. James Vanderbilt (Screenplay), David Shire (Score), Donald Burt (Production Design), Keith Cunningham (Art Direction), Victor Zolfo (Set Direction) and Casey Storm (Costume Design) all deliver quality work in their respective areas. There are no weak spots in this film. Zodiac may not (or attempt to) dazzle, but it does please.
Just a few days ago, my mom and I watched a documentary on the famous Zodiac killer and his victims. It was incredibly interesting so it got me thinking about the film Zodiac that was released this year and lucky enough it was released on DVD today so I rented it. My friend and I just watched it a couple of hours ago and really liked it, especially on how it ended and was over all shot. I thought it was kinda cool how it started off like a documentary type of movie, but then was turning into a thriller that kept you going and guessing, even if you knew the whole story.
In the small towns of California, there are several brutal murders, eventually going onto San Fransisco. These murders are extremely violent and very random, and every time it happens there is a message or sign that is left by the killer that calls himself the "Zodiac". He sends letters to the press on how and where he killed his victims and teases the police that they will never catch him. But Robert, one of the newspaper cartoonist starts to obsess about the killer, who he is and how they can capture him.
With an all star cast, we had absolutely no problem with acting because it was terrific. Jake and Mark held their own very well. The whole story is very chilling and kept you going. The Zodiac Killer is a case that forever will remain a mystery and it was a great idea for a film, Fincher added a Se7en type of feel to this film. It's so funny how I knew the story and how it ended already, but I was actually just waiting to see what would happen in the next scene. I would highly recommend this film to any thriller fan, I'm sure you'll enjoy it, it's a great one for 2007.
8/10
In the small towns of California, there are several brutal murders, eventually going onto San Fransisco. These murders are extremely violent and very random, and every time it happens there is a message or sign that is left by the killer that calls himself the "Zodiac". He sends letters to the press on how and where he killed his victims and teases the police that they will never catch him. But Robert, one of the newspaper cartoonist starts to obsess about the killer, who he is and how they can capture him.
With an all star cast, we had absolutely no problem with acting because it was terrific. Jake and Mark held their own very well. The whole story is very chilling and kept you going. The Zodiac Killer is a case that forever will remain a mystery and it was a great idea for a film, Fincher added a Se7en type of feel to this film. It's so funny how I knew the story and how it ended already, but I was actually just waiting to see what would happen in the next scene. I would highly recommend this film to any thriller fan, I'm sure you'll enjoy it, it's a great one for 2007.
8/10
Usually when a film gets made about a media grabbing unsolved crime, the resulting movie tends to be overtly sensational and at best remotely connected to what really happened. Considering that director David Fincher's last film about a serial killer was the gripping but deeply disturbing Se7en, his take on the Zodiac killer almost seemed primed to be an extreme, nail-biting thriller.
Instead what he's given us is a well argued thesis on the possible identity of the Zodiac. While there are some very intense scenes, Fincher takes a somewhat unexpected approach on the subject. All of the killings take place pretty early on in the movie, with the bulk of the story centering on the actual investigation into the killer by both the cops and a cartoonist who becomes obsessed with the case. In fact, the depictions of the murders are done in a manner that is fairly reverent towards the victims while still conveying the cruelty of them.
Some people may find themselves disappointed by this two and a half hour epic if they go in expecting the usual serial killer fare. But it's a must see for any fan of Fincher's work, or anybody who likes a good detective story.
Instead what he's given us is a well argued thesis on the possible identity of the Zodiac. While there are some very intense scenes, Fincher takes a somewhat unexpected approach on the subject. All of the killings take place pretty early on in the movie, with the bulk of the story centering on the actual investigation into the killer by both the cops and a cartoonist who becomes obsessed with the case. In fact, the depictions of the murders are done in a manner that is fairly reverent towards the victims while still conveying the cruelty of them.
Some people may find themselves disappointed by this two and a half hour epic if they go in expecting the usual serial killer fare. But it's a must see for any fan of Fincher's work, or anybody who likes a good detective story.
क्या आपको पता है
- ट्रिवियाThe murder victims' costumes were meticulously recreated from forensic evidence that was lent to the production.
- गूफ़(at around 52 mins) One of the books Robert Graysmith has in 1969 has a barcode on the back. Barcodes did not even exist in any stores until the summer of 1974, and most items did not contain barcodes for several years after that.
- भाव
Arthur Leigh Allen: I am not the Zodiac. And if I was, I certainly wouldn't tell you.
- क्रेज़ी क्रेडिटThe end text reads as follows: Following Mike Mageau's identification of Arthur Leigh Allen, authorities scheduled a meeting to discuss charging him with the murders. Allen suffered a fatal heart attack before this meeting could take place. In 2002, a partial DNA profile, that did not match Allen, was developed from a 33 year-old Zodiac envelope. Investigators in San Francisco and Vallejo refused to rule out Allen as a suspect on the basis of this test. In 2004, the San Francisco Police Department deactivated their Zodiac investigation. Today, the case remains open in Napa County, Solano County, and in the city of Vallejo, where Arthur Leigh Allen is still the prime and only suspect. Inspector David Toschi retired from the San Francisco Police Department in 1989. He was cleared of all charges that he wrote the 1978 Zodiac letter. Paul Avery passed away on December 10, 2000 of pulmonary emphysema. He was 66. His Ashes were scattered by his family in the San Francisco Bay. Robert Graysmith lives in San Francisco and enjoys a healthy relationship with his children. He claims he has not received a single anonymous call since Allen's death.
- इसके अलावा अन्य वर्जनThe director's cut contains approximately 5 minutes of new footage, including:
- Melvin Belli (Brian Cox) talks about his Safari trip (when the Zodiac letter came to his house)
- Toschi (Mark Ruffalo) introduces himself to the Riverside Police Chief
- A new scene between Graysmith (Jake Gyllenhaal) and Avery (Robert Downey Jr.)
- A three-way conversation laying Leigh as a suspect to get a search warrant
- Extended audio montage (over a black screen)
- Plus extra bits of dialogue
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- जोडिएक
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $3,30,80,084
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,33,95,610
- 4 मार्च 2007
- दुनिया भर में सकल
- $8,47,86,496
- चलने की अवधि2 घंटे 37 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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