IMDb रेटिंग
5.9/10
56 हज़ार
आपकी रेटिंग
कैलिफ़ोर्निया के दो रॉकर्स, खुद को मध्यम आयु वर्ग के डैड के रूप में पाते हैं जो अभी भी एक हिट गीत को क्रैंक करने और अपने भाग्य को पूरा करने की कोशिश कर रहे हैं.कैलिफ़ोर्निया के दो रॉकर्स, खुद को मध्यम आयु वर्ग के डैड के रूप में पाते हैं जो अभी भी एक हिट गीत को क्रैंक करने और अपने भाग्य को पूरा करने की कोशिश कर रहे हैं.कैलिफ़ोर्निया के दो रॉकर्स, खुद को मध्यम आयु वर्ग के डैड के रूप में पाते हैं जो अभी भी एक हिट गीत को क्रैंक करने और अपने भाग्य को पूरा करने की कोशिश कर रहे हैं.
- पुरस्कार
- 12 कुल नामांकन
Jack Haven
- Billie
- (as Brigette Lundy-Paine)
फ़ीचर्ड समीक्षाएं
When I saw there was a new B&T movie I thought these old men playing those same characters was bound to be terrible, but then I saw all these film critics saying that the movie actually turned out quite well. I wish I'd seen the movie they saw, because this one was pretty bad.
There are a few good things in Face the Music. The plot is a typically intricate B&T time-loop paradox, as the protagonists travel forward in time in search of their masterpiece while their carbon-copy daughters travel backwards in search of help, leading to a surprisingly clever but completely ridiculous finale. And Brigette Lundy-Paine is wonderful as Billie, perfectly capturing Keanu Reeve's physicality.
On the other hand, during the entire movie there were only 4 or 5 times when I actually laughed. Not belly laughs, just little ones. The movie is simply not funny. I'm not even sure it's *trying* to be funny.
At one point in the movie Dave Groh came up and I asked my girlfriend, "who's Dave Groh." She said for her that question was the funniest thing that happened during the movie.
Face the Music is kind of likable and a little sweet, and the story kept me generally engaged. But it's simply a comedy virtually devoid of humor, so I can't recommend it. But if they make a Billy & Thea sequel I might consider watching if they also get some different writers.
There are a few good things in Face the Music. The plot is a typically intricate B&T time-loop paradox, as the protagonists travel forward in time in search of their masterpiece while their carbon-copy daughters travel backwards in search of help, leading to a surprisingly clever but completely ridiculous finale. And Brigette Lundy-Paine is wonderful as Billie, perfectly capturing Keanu Reeve's physicality.
On the other hand, during the entire movie there were only 4 or 5 times when I actually laughed. Not belly laughs, just little ones. The movie is simply not funny. I'm not even sure it's *trying* to be funny.
At one point in the movie Dave Groh came up and I asked my girlfriend, "who's Dave Groh." She said for her that question was the funniest thing that happened during the movie.
Face the Music is kind of likable and a little sweet, and the story kept me generally engaged. But it's simply a comedy virtually devoid of humor, so I can't recommend it. But if they make a Billy & Thea sequel I might consider watching if they also get some different writers.
Maybe coming from a place of bias for having loved the originals as a young 'un, I can't help but respect the team for having another go at such a stupid premise. An A lister like Keanu could have scoffed it off and went back to making Oscar bids, but instead swallowed his pride and returned to the dopey character that kickstarted his career. It properly pays homage to the feel of the originals, bouncing from one illogical time travel scenario to another, never taking itself seriously and roping in a couple celebrity cameos who also seem to be just enjoying the ride. It nods to how absolutely ludicrous the idea of a "song that unites the world" is while still maintaining that earnest 80s belief that rock 'n roll can save your soul.
I loved the Bill and Ted movies, especially Bogus Journey. But this was a disaster.
You can feel the cringe all over this, from the undeveloped script, the callbacks, the woke Hollyweird stuff, and that cheese finale.
Alex Winter did sooo much better than Keanu Reeves in this one. Which was surprising.
William Sadler was amazing as Death, again. The scenes with the princesses also played very well.
The daughters and all the new side characters didn't work. The robot might have worked if the rest of the film played better.
I would have given this 1 star if it wasn't for Alex Winter. The future versions of Bill were golden. British Bill was so creepy and Old Bill's face will keep me laughing for a couple more days. You can tell he worked so much harder than everyone else involved.
You can feel the cringe all over this, from the undeveloped script, the callbacks, the woke Hollyweird stuff, and that cheese finale.
Alex Winter did sooo much better than Keanu Reeves in this one. Which was surprising.
William Sadler was amazing as Death, again. The scenes with the princesses also played very well.
The daughters and all the new side characters didn't work. The robot might have worked if the rest of the film played better.
I would have given this 1 star if it wasn't for Alex Winter. The future versions of Bill were golden. British Bill was so creepy and Old Bill's face will keep me laughing for a couple more days. You can tell he worked so much harder than everyone else involved.
The directors tried to reinvent the movie with Bill and Ted's daughters which was a huge mistake. I'd recommend watching the movie but skipping over the scenes without Bill and Ted. This vastly improved things and got me through watching it. I had no interest in the daughters and it was a mistake to put them into the movie as such an integral part of things. What made the first movies great was Bill and Ted. New characters that dominate the scenes just take away from who would see this movie. More Bill and Ted would make this better and completely scrapping the side story of the daughters. The actresses aren't bad that play the daughters but it just isn't something that ties into what made the first two movies great.
We have to face facts, the reason there are so many sequels and remakes of movies from the 80s and 90s is because Hollywood peaked then. The 2000's marked the beginning of the decline, which has been rapidly descending in the last few years.
Despite this decline and despite the mediocre Force Awakens style influences in the script, the charm and humour... and of course the nostalgia saves this from being unwatchable, which is high praise.
Zazz as the robot steals the show along with the woman from Flight of the Concordes but I mostly left feeling a little sad that this movie wasn't made in the 90s and sad that Keane Reeves may not actually be immortal.
क्या आपको पता है
- ट्रिवियाDuring filming in a neighborhood in Louisiana, the cast and crew were often greeted by local residents. One day, Keanu Reeves noticed a sign on a lawn that read "You're breathtaking". He stopped, got out of the car, went to the sign and autographed it. After finding out who the sign belonged to, he went to the family and posed for a photo with them.
- गूफ़The Rufus hologram mentions first meeting Bill and Ted in 1989. Though Bill & Ted's Excellent Adventure was released in '89, it was explicitly set in 1988.
- क्रेज़ी क्रेडिटThere is a scene, after the credits, where old Bill and Ted have a final jam in the retirement home.
- कनेक्शनFeatured in The Late Show with Stephen Colbert: Bland of Opportunity (2020)
- साउंडट्रैकLost In Time
Written by Jonathan Bates
Performed by Big Black Delta
Courtesy of Master of Bates / Nerve Artist Management
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Bill & Ted salvando el universo
- फ़िल्माने की जगहें
- 18447 Three Rivers Rd, Covington, लुइसियाना, संयुक्त राज्य अमेरिका(Dave Grohl's mansion)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $34,39,660
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $11,25,007
- 30 अग॰ 2020
- दुनिया भर में सकल
- $62,74,027
- चलने की अवधि
- 1 घं 31 मि(91 min)
- रंग
- पक्ष अनुपात
- 2.39 : 1
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