अपनी भाषा में प्लॉट जोड़ेंAn adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19th-century Oxfordshire, in which a young girl moves to the local market town to begin an apprenti... सभी पढ़ेंAn adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19th-century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.An adaptation of Flora Thompson's autobiographical novel "Lark Rise To Candleford", set in 19th-century Oxfordshire, in which a young girl moves to the local market town to begin an apprenticeship as a postmistress.
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The previous posters I feel are nit picking at what is one of the most glorious productions I have enjoyed in many years. Not having read the books from which the series is taken, I came to it not knowing what to expect. It is beautiful, glowing with a golden warmth, a lyrical love poem to the people and village life of England just over a century ago, making it hard to return to daily life without regret. It reminds me almost of Laurie lee's Cider with Rosie, the love with which this time and people are conveyed, the richness, glowing like late afternoon sunshine seeps into our drawing rooms as we watch and makes one long for a time and place long vanished. The heart which has been put into this production, into the performances by every member of the cast and production crew, the love portrayed, I can't find a better word for it, warms one, melting away the chill of 21st century living. The poor not dirty enough some say?! Perhaps it will surprise some to know that the poor of that time, as now, had their pride and kept as clean as circumstances would allow, which meant at least clean looking. The other users comments are churlish, this is the most lyrically beautiful, heart warming & charming series I have ever seen. The humanity and touching wisdom in the way characters are portrayed, slowing revealing the reasons for their behaviour are truly moving. Everyone involved in this production should be cheered to the rafters and begged for an encore. I hope, as do all I know also, that the screenwriters will be asked to take the series on from where the books end, and never stop giving us new tales of this golden idyll, where the community sheltered those living within it's boundaries, as an extended family does, as opposed to our dislocated times. If you watch this series, you will be fully rewarded, your only regret will be that you can't enter the screen and stay forever in Candleford. The performances by everyone are rich with humanity, pathos, comedy and utterly stunning. I have grown to love everyone that lives there and everything about Candleford, so will you. It is a joy & does one good.
10phosie
After Pride and Prejudice, Jane Eyre and this winter's Cranford, I thought that the BBC couldn't do any better: that it had reached its peak. Boy, was I wrong. I was apprehensive about watching Lark Rise because of this, but those doubt were removed immediately as I fell in love with all the characters, especially Julia Sawalha, who surpasses herself, obviously moving away from her most famous role as Lydia Bennett in Pride and Prejudice, and she does so delightfully!
The hamlet of Lark Rise is so sleepy, and yet just as enthralling as the 'modern' town of Candleford. All the little stories within each episode, as well as those expanding throughout the entire series, make it a joy to watch, and an awesome way to pass the evening and forget all of one's woes. In producing two enchanting series so close to one another, the BBC has certainly surpassed itself.
The hamlet of Lark Rise is so sleepy, and yet just as enthralling as the 'modern' town of Candleford. All the little stories within each episode, as well as those expanding throughout the entire series, make it a joy to watch, and an awesome way to pass the evening and forget all of one's woes. In producing two enchanting series so close to one another, the BBC has certainly surpassed itself.
I have not read the books and so do not know how true it is to them but as a drama in itself i think that it is brilliant! There are many story lines yet they all link into one, the acting is superb and hilarious, an extremely worthwhile period drama and I am very pleased to say that my cousins who are 15 and 17 year old males, are absolutely obsessed and I am very pleased that it is appealing to such a wide range of people and educating them. Who knows, we could have them watching Jane Austen next!!!!!!!! We record it on a Sunday night and as we do not have any spare evenings until Friday night to watch it, I am practically tearing my hair to see what happens! I love this and don't want it to end!
How did it take me this long to watch Lark Rise to Candleford. I was hooked right away. I was drawn in by the innocent drama and its colorful characters. Unlike, Downton Abbey, which I adore, this period drama captures more of the reality of what life was like in a time of hard times for residents. Every character had a story to tell whether a happy one or a sad one. So, why was this wonderful and endearing series not made into a movie. Downton Abbey has the pomp and circumstance. But Lark Rise to Candleford has great substance and drama to be on the big screen. Lark Rise to Candleford is my weakness.
I have to disagree with the reviewer who says this was 'dreadful'. Film and television adaptations of ANY novel inevitably have to be stylised. I found the performances excellent, and have to pick our Julia Sawhala, unrecognisable from here Saffy days, and her presentation of the dialogue was a wonderful balance of sincerity, wit, warmth and pathos.
I might agree that Dawn French was 'larger than life' but along with Liz Smith the presence of these 2 actors in the cast gave it instant familiarity.
Now, 'dire dialogue'? I don't think so, we were ROARING at the sisters Pearl and Ruby, teary-eyed at the scenes of 'Twister', and watched EVERY moment of the 10 episodes.
Visually, INCREDIBLE, beautiful sets shot carefully and I felt it WAS 1850! I REALLY hope the BBC are planning a second third, fourth and FIFTH series ! THAT is how GOOD it is.
As the BBC replied to the critic 'What Lark Rise to Candleford does do very well is to draw in an audience who normally wouldn't watch this sort of programme.' It certainly drew me in ~ I will now read the books, so YES it's helping bring literature to a TV audience! My vote? 9 out of 10.
I might agree that Dawn French was 'larger than life' but along with Liz Smith the presence of these 2 actors in the cast gave it instant familiarity.
Now, 'dire dialogue'? I don't think so, we were ROARING at the sisters Pearl and Ruby, teary-eyed at the scenes of 'Twister', and watched EVERY moment of the 10 episodes.
Visually, INCREDIBLE, beautiful sets shot carefully and I felt it WAS 1850! I REALLY hope the BBC are planning a second third, fourth and FIFTH series ! THAT is how GOOD it is.
As the BBC replied to the critic 'What Lark Rise to Candleford does do very well is to draw in an audience who normally wouldn't watch this sort of programme.' It certainly drew me in ~ I will now read the books, so YES it's helping bring literature to a TV audience! My vote? 9 out of 10.
क्या आपको पता है
- ट्रिवियाInterior scenes were shot in a warehouse on Beeches Industrial Estate, in Yate, South Gloucestershire. The villages of Lark Rise and Candleford were both created from scratch on farms in Box and Neston Park, near Corsham in Wiltshire. According to the BBC planning application, Hatt Farm in Box was used because of its proximity to existing cornfields and farm buildings, and Park Farm in Neston Park was chosen for its unspoilt character and attractive traditional buildings.
- गूफ़In Series 1, the characters played by Sophie Miles and Harry Miles were called Tilda and Wally Arless, whereas in Series 2 and 3 they were called Sally and Archie Arless.
- भाव
Twister Turrill: God must like a comely tune else we'd all be Germans.
- कनेक्शनFeatured in The Story of the Costume Drama: The Stars (2008)
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