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Daniel Deronda

  • टीवी मिनी सीरीज़
  • 2002
  • 53 मि
IMDb रेटिंग
7.2/10
5.4 हज़ार
आपकी रेटिंग
Hugh Bonneville, Hugh Dancy, and Romola Garai in Daniel Deronda (2002)
पीरियड ड्रामाड्रामारोमांस

अपनी भाषा में प्लॉट जोड़ेंSet in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destro... सभी पढ़ेंSet in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.

  • स्टार
    • Jodhi May
    • Edward Fox
    • Amanda Root
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.2/10
    5.4 हज़ार
    आपकी रेटिंग
    • स्टार
      • Jodhi May
      • Edward Fox
      • Amanda Root
    • 32यूज़र समीक्षाएं
    • 4आलोचक समीक्षाएं
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 3 BAFTA अवार्ड जीते गए
      • 5 जीत और कुल 4 नामांकन

    एपिसोड4

    एपिसोड ब्राउज़ करें
    टॉपटॉप-रेटिंग वाले1 सीज़न2002

    फ़ोटो28

    पोस्टर देखें
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    टॉप कलाकार57

    बदलाव करें
    Jodhi May
    Jodhi May
    • Mirah Lapidoth
    • 2002
    Edward Fox
    Edward Fox
    • Sir Hugo Mallinger
    • 2002
    Amanda Root
    Amanda Root
    • Mrs. Davilow
    • 2002
    David Bamber
    David Bamber
    • Lush
    • 2002
    Celia Imrie
    Celia Imrie
    • Mrs. Meyrick
    • 2002
    Jamie Bamber
    Jamie Bamber
    • Hans Meyrick
    • 2002
    Georgie Glen
    Georgie Glen
    • Lady Mallinger
    • 2002
    Hugh Dancy
    Hugh Dancy
    • Daniel Deronda
    • 2002
    Romola Garai
    Romola Garai
    • Gwendolen Harleth
    • 2002
    Hugh Bonneville
    Hugh Bonneville
    • Henleigh Grandcourt
    • 2002
    Allan Corduner
    Allan Corduner
    • Herr Klesmer
    • 2002
    Anna Steel
    • Catherine Arrowpoint
    • 2002
    Greta Scacchi
    Greta Scacchi
    • Lydia Glasher
    • 2002
    Nicholas Day
    Nicholas Day
    • Lord Brackenshaw
    • 2002
    Michael Elwyn
    Michael Elwyn
    • Mr. Arrowpoint
    • 2002
    Delia Lindsay
    Delia Lindsay
    • Mrs. Arrowpoint
    • 2002
    Kate Maberly
    Kate Maberly
    • Kate Meyrick
    • 2002
    Lisa Jackson
    • Mab Meyrick
    • 2002
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं32

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    फ़ीचर्ड समीक्षाएं

    8Nooshin_Navidi

    Excellent adaptation despite the slight departure from the book

    If you're familiar with George Eliot and have read her books, you'll most likely enjoy this adaptation.

    But if you're a George Eliot purist, you may be dismayed by the film's romanticization of Daniel & Gwendolyn's relationship. I personally was okay with it and found it a forgivable artistic liberty, as it was handled delicately and tastefully and did not detract from the heart of the story. In fact, I liked the adapted screenplay for its restraint.

    If you're a Jane Austen fan but not familiar with Eliot's work, you might find this story lacking in wit compared to Austen's stories, or just too glum. But George Eliot herself was a very different woman from Austen. The Jewish subplot--something that is also present in Eliot's more famous 'Middlemarch'--is enough to make the two authors different, but the sociopolitical depth and soberness of Eliot's work also sets them apart.

    The casting was terrific all around (including the magnificently aging Greta Scacchi), and the costumes & scenery were perfect.

    ~NN
    William_Ponsonby-Cole

    Adequate

    George Eliot was a truly excellent writer, but 'Daniel Deronda' was perhaps not her best work. This may go some way to mitigating the rather average results that emerge from this adaptation. Intended to be an insightful and complex tale of love, greed, selfishness, prejudice, maturity, and self-knowledge, the film (like the novel) proceeds more like two almost-unconnected stories, neither of which is wildly interesting.

    Tying the two plots together is Daniel Deronda, played by Hugh Dancy. Dancy walks his way through, somehow making most of his lines seem redundant. To be fair, acting out a novel that uses extensive narration and introspection can't be easy, but a more experienced actor might have been a better choice to tackle such a tough job. The character of Daniel is a young man on the path of self-discovery, with detours along the way for a bit of romance and a little aimlessness. His relationships with two women form the fabric of the story.

    The first tale revolves around the young, pretty, and petty Gwendolen Harleth. Played well, if not spectacularly, by the radiant Romola Garai, she is impetuous and selfish (though usually without intent), thinking that she is and must be the centre of attention. Garai plays her as someone who thinks that she has mastered the world around her, but is in fact nothing more than an indulged child. When her family is virtually ruined financially, she must choose between making a loveless marriage to maintain her high living, or quiet penury in the country. Naturally, she chooses the former. However, what she does not realise is that her suitor, Henleigh Grandcourt, is actually a cold, calculating sadist whose only interest in her is as an item of torment. Grandcourt is played by Hugh Bonneville, the one real stand-out in the production. Bonneville delivers an excellent performance as the deceptive, thoroughly wicked abuser. His Grandcourt is a flint-hearted reptile who first tricks Gwendolen with false kindness and then, when he has her in his grasp, begins to crush her with his cruelty.

    Plot two centres on Daniel's relationship with Mirah Lapidoth, a Jewish singer whom he saves from a suicide attempt. Mirah is played by Jodhi May, who is actually rather flat in her delivery. May seems to go in for the "hushed whisper" technique quiet a bit. I suspect the idea was to portray Mirah as a sensitive, troubled woman, but in the end she just seems dull and high-strung. Her search for (and eventual reunion with) her family draws Daniel down a path that he would probably not otherwise have visited, and it has a significant impact on his life.

    Good supporting work shores things up a bit, though the screen time is limited. The first comes from Edward Fox as Sir Hugo, Daniel's benefactor, a kindly old man of great wealth who acts as a sort of father to him. The always-excellent Greta Scacchi, looking strikingly haggard in character, is a ghost from Grandcourt's past who comes back to haunt his new bride.

    I rate it 6/10.
    Philby-3

    Lush adapation of a lesser Eliot novel

    The usual lush mini-series adapation from that reliable team, Andrew Davies and the BBC, of a literary property, this time George Eliot's almost forgotten last novel.

    Daniel (Hugh Dancy) is the gorgeous if slightly wet boy of mysterious parentage adopted by wealthy amiable old buffer Sir Hugo (Edward Fox). He falls in love with the wrong woman, the beautiful but self-absorbed Gwendolen (Romola Garai). She however is propelled into marriage with ace bounder (and Sir Hugo's heir) Henleigh Grandcourt (Hugh Bonneville). Daniel then becomes interested in Mirah (Johdi May), a promising singer of Jewish background, and through her ailing brother Mordecai (Daniel Evans) the Zionist cause (yes, hotting up as far back as the 1870s). Grandcourt meets a bounder's fate and Gwendolen is now free to marry Daniel, but guess what…?

    The costumes are great, the acting impeccable, the photography luminous but the story lacks punch. It is didactic rather than romantic, with metaphorical posters all over the place for women's rights and a homeland for the Jewish people. Hugh Dancy looks right for the part but Daniel is too much of a prig to be very likeable (though he has my sympathy when he discovers that Barbara Hershey, resplendent in a Venetian Palazzo is his mother – Greta Scacchi would not have been so bad).

    The most engaging characters are Grandcourt the bounder and his sidekick Lush (David Bamber – Mr Collins in `Pride and Prejudice') and yet we are meant to despise them both. Gwendolen is sympathetic to the extent she marries Grandcourt to provide financial security for her mother and sisters, but she is a real dork otherwise. Generally the characters lack the panache of say, Trollope's characters in `The Way We Live Now', or Eliot's own in `Middlemarch'. Perhaps Ms Eliot should have quit while she was ahead.

    The critics at the time (including Henry James) were baffled by the `Jewish' aspect of the story. It certainly was an outsider's view, yet it rings true today; here Ms Eliot was being prophetic, or was at least aware of the combination of repression, deprivation and myth that could give rise to a successful social movement. In 1876, the year the novel was published, it seemed most unlikely that Palestine would ever become a significant Jewish settlement. Daniel, desperate to find out about his background, finds a cause bigger than himself and eagerly throws himself into it. One has the feeling that Mirah, musically talented though she is, is going to be playing second fiddle.

    Anyway, I enjoyed Hugh Bonneville's Grandcourt, a terrific bounder, and David Bamber's Lush (Mr Collins turns bad). And of course, this is Sunday evening stuff, so one mustn't be too picky about the crummy plot and the unsympathetic principals. I usually find myself at this point thinking `I must read the book' (if I haven't already), but this time I don't think I'll bother.
    8raymond-15

    brilliant production

    The title gave me no clue to the absorbing romantic Victorian drama that was to follow. Said to be George Eliot's last great novel, it exposes in no uncertain manner the pitiful life of the Victorian woman, hardly more than an obedient slave and forced to respond to her husband's demands.

    Hugh Bonneville stands out among the excellent cast as the nasty Henleigh Grandcourt who revels in watching women squirm under his aristocratic power and Romola Garai is perfect as Gwendolen who marries him, not for love, but to save her family from economic ruin.

    Hugh Dancy in the title role of Daniel has immediate appeal with his handsome good looks touched with both shyness and sadness as he ponders over his past life and the unsolved mystery of his mother's identity.

    After Daniel saves a woman from drowning in a river, the story takes an unexpected turn and concentrates on the Jewish problem of a permanent homeland. Daniel is much attracted to the woman he has saved and through his efforts to help her some mysteries of his own life are revealed to him.

    The sets, costumes and photography capture exquisitely life in England in the Victorian era. Quite apart from the romantic drama, there is much to ponder over in this story. Thankfully to-day women have gained a degree of independence, though not entirely, and the Jews are still uncertain about the boundaries of their homeland.

    I can recommend this film which is in 4 parts. Set aside a full evening to watch the story unfold. It's quite long (205 minutes) but a brilliant production.
    10KatharineFanatic

    "I don't love her any more than she loves me. That's not the point."

    Having never read George Eliot's novel, I came into the film with only what I know based on the information friends have given me. The film is utterly exquisite. The costuming alone will have Anglophiles like myself crying from sheer envy, and there's enough archery, riding, and balls to weigh out the seriousness of the film, which is essentially two plots woven into one. An utterly heartless and wretched marriage for a spoiled young Gwendolyn in the form of the evil Grandcourt, a landowner whose sole pleasure lies in torment. Be it his wife or dogs, our heartless villain never takes greater pleasure than in dangling something before them and tearing it away again, only to feed it to someone else. We see a kind of barbarism in this act, be it with the family spaniel or his impoverished, abandoned mistress.

    The second plot line, which I found slightly less interesting, was about the film's lead, Daniel Deronda, a presumed illigitimate boy who has been raised a country gentleman. One day while out boating he saves a Jewish singer from drowning herself, and sets out to discover his own true identity through finding her family. I don't know why, but I found myself itching through these scenes to get back to Gwendolyn and her pathetic plight of enslavement to her husband. A second viewing, once I knew the course of the characters, settled me a bit.

    The acting is very stellar. There's not a weak link in the cast, although I have to say seeing Barbara Hershey seemed a little out of place in this Victorian paradox. The film makes numerous contrasts between good and evil, selfishness and humility, lies and deception. It's actually quite an achievement, and I was pleased at the amount of restraint showed by the filmmakers. The sexual tension between man and wife will go over most younger viewer's heads, something for which I'm grateful. It's rare we get a wonderful Victorian bodice ripper where the bodice stays on.

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    ड्रामा
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    रोमांस

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The novel is set in the early 1860s, whereas the adaptation moves the action ahead to 1874, the year that George Eliot began writing the novel.
    • गूफ़
      At Ezra Cohen's store, the baby's left shoe and sock disappear then reappear.
    • कनेक्शन
      Featured in George Eliot: A Scandalous Life (2002)
    • साउंडट्रैक
      Cavatina (from The Marriage of Figaro)
      By Wolfgang Amadeus Mozart

      Vocalist Jeni Bern

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
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    अक्सर पूछे जाने वाला सवाल17

    • How many seasons does Daniel Deronda have?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 23 नवंबर 2002 (यूनाइटेड किंगडम)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइटें
      • BBC (United Kingdom)
      • PBS Masterpiece Theatre - production notes, Who's Who, etc
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • 丹尼爾的半生緣
    • फ़िल्माने की जगहें
      • एडिनबर्ग, स्कॉटलैंड, यूनाइटेड किंगडम(Jewish market scenes)
    • उत्पादन कंपनियां
      • British Broadcasting Corporation (BBC)
      • WGBH
    • IMDbPro पर और कंपनी क्रेडिट देखें

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