एक विश्व प्रसिद्ध नृत्य कंपनी पर एक खतरा मंडरा रहा है, जो केवल वहां के निर्देशक को ही नहीं बल्कि महत्वाकांक्षी युवा नर्तक और एक शोक संतप्त मनोचिकित्सक को प्रभावित करता है.एक विश्व प्रसिद्ध नृत्य कंपनी पर एक खतरा मंडरा रहा है, जो केवल वहां के निर्देशक को ही नहीं बल्कि महत्वाकांक्षी युवा नर्तक और एक शोक संतप्त मनोचिकित्सक को प्रभावित करता है.एक विश्व प्रसिद्ध नृत्य कंपनी पर एक खतरा मंडरा रहा है, जो केवल वहां के निर्देशक को ही नहीं बल्कि महत्वाकांक्षी युवा नर्तक और एक शोक संतप्त मनोचिकित्सक को प्रभावित करता है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 28 जीत और कुल 75 नामांकन
Tilda Swinton
- Dr. Klemperer
- (as Lutz Ebersdorf)
- …
Malgorzata Bela
- Susie's Mother
- (as Malgosia Bela)
- …
Clémentine Houdart
- Miss Boutaher
- (as Clementine Houdart)
सारांश
Reviewers say 'Suspiria' is a divisive film with strong performances, particularly from Tilda Swinton and Dakota Johnson. Critics praise its ambitious themes, visual style, and haunting score by Thom Yorke. However, some find it overly long, convoluted, and lacking cohesion. The reimagining of the 1977 original is both celebrated and criticized. Modern dance and political contexts in 1970s Berlin are significant departures from the original.
फ़ीचर्ड समीक्षाएं
Need another remake/reboot/reimagining of a classic horror movie that was effective because of the timing of its release... and deserves to keep its legendary status for the rest of time."
Then I saw that it was 2.5 hours, and I was like "OMG, what?!"
Then I watched it, and I was like "OMG, what?!"
I think I'm going to watch it again, because I wasn't paying attention a lot of the time. However, this is one of those remakes/reboots/reimaginings that I respect. Why? Because it takes the CONCEPT of the original, and spins everything about, swirls and twirls it, then flips it up into itself, turning into a completely faithful representation of the term "REIMAGINING".
I respect SUSPIRIA 2018. Granted, some of the makeup effects were pretty bad (especially the "old man", which I don't really think was necessary; and the silly makeup for one of the "old ladies" in the final act, which was worse). It is a little long in the tooth. It tries perhaps a little too hard to be artsy-fartsy...
But it grabbed me. It pressed its filthy, dirty fingers on my windpipe in parts, and gently squeezed with wrathful intimacy. I felt dirty, yet couldn't help but feel enthralled in parts.
I will say, though, that even if this movie was a complete FAILURE of a horror remake, I will gladly praise the fact that it tried to be its own thing. It wasn't a shameless ripoff. It really, truly IS a reimagining. We just don't get enough of those these days.
I will say, though, that even if this movie was a complete FAILURE of a horror remake, I will gladly praise the fact that it tried to be its own thing. It wasn't a shameless ripoff. It really, truly IS a reimagining. We just don't get enough of those these days.
WTF just happened?? I still can't figure out if I hated this movie or loved it. It is strange as hell. I guess it is a remake, never saw the original, so I don't have any incite there. I liked the premise, but hated a lot about it, but freaking loved the ending... but it took 2.5 hours to get there! Way to freaking long, I can say that for sure. Also, NOT a fan of contemporary dance.
While I really liked the weirdness of the Original (you can't really put your finger on it and what it tried to tell us), this really steps up to the task. I know that just writing this or just the rating will have some fans of the Original riled up. Now I'm not trying to take anything away from your memories or your taste, so if you are reading on, I thank you for being open minded.
For anyone unaware of the original, you do not have to have seen it, to enjoy this. But you can watch both, because they differ on enough levels to make them both enticing and interesting to watch. Even a double will would be something that made sense. And whichever order you want to watch them. Though I think it would make sense to watch Argentos Suspiria first. We have different characters here, we have an amount violence and depicted visual explicit pain enducing scenes, that this is not for the faint of hearted. If you are squeamish, do not - I repeat: do NOT watch this! But if you stomach the visceral and painful moments (there are not that many and they are mixed well with the story), you will love the rest too.
Great storytelling and a weirdness that can hold up to that of the original. And really great acting to go along with everything.
For anyone unaware of the original, you do not have to have seen it, to enjoy this. But you can watch both, because they differ on enough levels to make them both enticing and interesting to watch. Even a double will would be something that made sense. And whichever order you want to watch them. Though I think it would make sense to watch Argentos Suspiria first. We have different characters here, we have an amount violence and depicted visual explicit pain enducing scenes, that this is not for the faint of hearted. If you are squeamish, do not - I repeat: do NOT watch this! But if you stomach the visceral and painful moments (there are not that many and they are mixed well with the story), you will love the rest too.
Great storytelling and a weirdness that can hold up to that of the original. And really great acting to go along with everything.
I cannot put my finger on it completely, but something is off with this movie and I don't like that I cannot give it a 9 since the acting was great. As always, Swinton can carry any movie single-handedly on her shoulders. And her doubling as the Doctor was unexpectedly good. Simply, I think the casting was great.
The writing, storytelling and maybe the editing seems to be decent but perhaps holding the film back a bit. So I'm unfamiliar with the historical backdrop of the film, but that's ok because I think there is enough gloom and doom feeling that I get the mood it's trying to set. But then all the flashbacks or sharp cuts to all these random pictures and scenes gets muddy. I get that maybe it was supposed to bring this elevated artistic thriller element but it failed because it was overused and just too random at times. The pacing was a bit slow as well or maybe it was the long runtime that made it feel like it was ongoing forever.
In all, I think it's a 6, but it could have been an easy 8 with at least better editing and shorter runtime.
The writing, storytelling and maybe the editing seems to be decent but perhaps holding the film back a bit. So I'm unfamiliar with the historical backdrop of the film, but that's ok because I think there is enough gloom and doom feeling that I get the mood it's trying to set. But then all the flashbacks or sharp cuts to all these random pictures and scenes gets muddy. I get that maybe it was supposed to bring this elevated artistic thriller element but it failed because it was overused and just too random at times. The pacing was a bit slow as well or maybe it was the long runtime that made it feel like it was ongoing forever.
In all, I think it's a 6, but it could have been an easy 8 with at least better editing and shorter runtime.
Gone is the exaggerated colour palette, the elaborate set pieces, the nightmarish soundtrack & the no-nonsense premise of the original. In fact, Luca Guadagnino's Suspiria departs from everything that made Dario Argento's horror classic unique, and is a dull, dismal & divisive remake that's exhausting, frustrating & one hell of a slog.
Unlike the 1977 original, this one employs muted colours, shrivelled set design, slow-burn approach, hypnotic score & an unnecessarily drawn out narrative that piles one needless segment on top of another, resulting in an overlong flick that exceeds the original's length by a considerable margin, and will test the patience of most viewers.
Aiming for more than a straightforward supernatural horror, Guadagnino retains the themes of the original but is more interested in exploring the political unrest of the depicted timeline, not because the plot calls for it but because he wants to. While some will admire his choice to not rehash the same story, others will argue that his reach far exceeds his grasp here.
On the plus side, the eerie mood & foreboding aura never leaves the room, some kills are downright terrifying, the earthy tones do fit its depressing tone, that Volk dance sequence is truly a highlight, Make-up is top-notch, and Thom Yorke's score just fits. As for the performances, Tilda Swinton steals the show by taking the role of not one, not two but three different characters, and she excels at all of them.
Overall, Suspiria does retain the original's title but everything about it is different. More a homage than a full-fledged remake, it is an abstract re-imagination that attempts to tackle themes & elements that it could've done without, and comes stuffed with an unwarranted subplot that's detrimental to the viewing experience. In short, Luca Guadagnino's Suspiria is too long, too slow & too far up its own ass.
Unlike the 1977 original, this one employs muted colours, shrivelled set design, slow-burn approach, hypnotic score & an unnecessarily drawn out narrative that piles one needless segment on top of another, resulting in an overlong flick that exceeds the original's length by a considerable margin, and will test the patience of most viewers.
Aiming for more than a straightforward supernatural horror, Guadagnino retains the themes of the original but is more interested in exploring the political unrest of the depicted timeline, not because the plot calls for it but because he wants to. While some will admire his choice to not rehash the same story, others will argue that his reach far exceeds his grasp here.
On the plus side, the eerie mood & foreboding aura never leaves the room, some kills are downright terrifying, the earthy tones do fit its depressing tone, that Volk dance sequence is truly a highlight, Make-up is top-notch, and Thom Yorke's score just fits. As for the performances, Tilda Swinton steals the show by taking the role of not one, not two but three different characters, and she excels at all of them.
Overall, Suspiria does retain the original's title but everything about it is different. More a homage than a full-fledged remake, it is an abstract re-imagination that attempts to tackle themes & elements that it could've done without, and comes stuffed with an unwarranted subplot that's detrimental to the viewing experience. In short, Luca Guadagnino's Suspiria is too long, too slow & too far up its own ass.
Director's Trademarks: The Films of Luca Guadagnino
Director's Trademarks: The Films of Luca Guadagnino
Suspiria director Luca Guadagnino takes IMDb through his approach to filmmaking, from longtime collaborator Tilda Swinton, to why he hopes he doesn't have a "style."
क्या आपको पता है
- ट्रिवियाDakota Johnson completed 2 years of ballet training in preparation for her role in this film.
- गूफ़The film opens in West Berlin in 1977, with protesters chanting, among other things, "Free Meinhof!" However, Ulrike Meinhof was already dead by that point. She was found hanged in her prison cell a year earlier than the film is set, in May 1976.
- भाव
Dr. Josef Klemperer: Love and manipulation, they share houses very often. They are frequent bedfellows.
- क्रेज़ी क्रेडिटJust before the credits end, Susie reappears and makes a small gesture to the camera.
- कनेक्शनFeatured in WatchMojo: Top 10 Best Horror Movies of 2018 (2018)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Suspiria?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Suspiria
- फ़िल्माने की जगहें
- Grand Hotel Campo dei Fiori, Varese, Lombardia, इटली(Dance Academy)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $24,83,472
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,84,037
- 28 अक्टू॰ 2018
- दुनिया भर में सकल
- $79,56,877
- चलने की अवधि2 घंटे 32 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें